Search

Search Results

• The Translation of Contemporary Drama: McCafferty’s Quietly on the Italian Stage

  Monica Randaccio

  Views:

  67

  This article explores how spatial and temporal changes are considered as key features by both drama translator scholars and translation theorists and invites reflection on translation in general and the reception of contemporary Irish drama abroad. The comparison of Owen McCafferty’s Quietly and its Italian version demonstrates how the translation/adaptation, staging, and reception of the play in Italy must be considered against the contemporary backdrop of globalization. (MR)

• Suspended Lives: Lucy Caldwell’s Three Sisters in Post-Agreement Belfast

  Zsuzsa Csikai

  Views:

  151

  Lucy Caldwell’s 2016 adaptation of Chekhov’s Three Sisters relocates the play into Belfast in the 1990s. This paper examines Caldwell’s adaptation in the context of Irish and Northern Irish rewritings of Chekhov’s dramatic works, paying attention to the motives behind appropriating the Russian works for Irish audiences. Inspired by the perceived affinity between the two seemingly distant cultures, Irish authors have tended to adapt Chekhov (and other Russian classics) to reflect on their own social, cultural, and political environment, often with the aim of shaping the cultural-political landscape of their present. Similarly to earlier Chekhov adaptations, Caldwell’s play engages not only with the original Russian work, but, most importantly, with the cultural-political context of its setting—the five hopeful years preceding the Belfast Agreement (1998), as well as the post-Agreement context of its writing. The play allows its audience in 2016 a complex, retrospective, re-evaluative view of the achievements of the peace process from the vantage point of the early twenty-first century. (ZSCS)

• Modernism between History and Academia

  Erika Mihálycsa

  Views:

  77

  Books reviewed:

  Bahun, Sanja. Modernism and Melancholia: Writing as Countermourning. Oxford: OUP, 2014. 236 pages. ISBN 978-0-19-997795-6. Hb. $45.00.

  Goldstone, Andrew. Fictions of Autonomy: Modernism from Wilde to de Man. Oxford: OUP, 2013. 204 pages. ISBN 978-0-19-986112-5. Hb. $73.00.

   

• The Fabulous Adventures of Alice with Fashion, Science, and Pinocchio

  Anna Kérchy

  Views:

  406

  The three scholarly monographs published between 2017 and 2020 by Laura White, Laura Tosi and Peter Hunt, and Kiera Vaclavik, are recent contributions to Lewis Carroll scholarship. They belong to what Michael Heyman calls “the sense school” of nonsense literary criticism in so far as they attribute a specific agenda, a systematic structure, a decipherable message, and a homogenised reading to the Alice tales (Alice’s Adventures in Wonderland, and its sequel, Through the Looking Glass). Each re-explores a well-known children’s classic from fresh new perspectives by relying on interdisciplinary methodologies, mingling the literary historical approach with insights of critical fashion studies, evolutionary biology, and comparative cross-cultural analysis (translation studies), respectively. Like adaptations, these critical theoretical interpretations of the Alice books are in a constant dialogue with one another within a Genettian transtextual network of multimodal narratives.

• Ruritania by the Sea : Detection by the Seaside in Dorothy L. Sayers’s Have His Carcase

  Brigitta Hudácskó

  Views:

  250

  Seaside resorts frequently served as locations of murder mysteries in Golden Age detection fiction, since these destinations could provide a diverse clientele, confined to manageably small groups essential to classic detective stories. The fictional seaside town of Wilvercombe serves as the location of Dorothy L. Sayers’s detective novel Have His Carcase (1932), in which Lord Peter Wimsey and detective-story writer Harriet Vane investigate the case of a man found dead on the beach. The location of the body turns out to be a source of confusion: while the detectives expect a traditional locked-room mystery to unfold (albeit in an open-air setting), the death cannot be resolved until the detectives realize that they are working in the wrong genre: instead of a clue-puzzle mystery, they are trapped in a Ruritanian romance, with outlandish tales of intrigue, unlikely members of the Russian aristocracy, and exaggerated and oppressive performances of heterosexual romance. (BH)

• The Written Self in the Age of Reason

  Krisztina Kaló

  Views:

  89

  Book review:

  Baker, John, Marion Leclair, and Allan Ingram, eds. Writing and Constructing the Self in Great Britain in the Long Eighteenth Century. Manchester: Manchester UP, 2019. xiii + 288 pages. ISBN 978-1-5261-2336-7. Hb. £80.00.

• Death onto Life—A Guide to Edward Albee

  Boróka Prohászka-Rád

  Views:

  70

  Book review:

  Roudané, Matthew. Edward Albee: A Critical Introduction. Cambridge: Cambridge UP, 2017. 200 pages. ISBN 978-0-521-72695-5. Pbk. £14.99.

• The Creation of Artists and Audiences in Morna Pearson’s The Artist Man and the Mother Woman (2012)

  András Beck

  Views:

  235

  This essay explores Northeast Scotland-born Morna Pearson’s first full-length play, The Artist Man and the Mother Woman (2012), a grotesque portrait of a tortured relationship of a middle-aged artist-teacher and his troubled mother. As Pearson’s dark comedy gradually turns into a violent tale of horror, new semantic dimensions unfold from beneath the initial surface of light entertainment, among them the exploration of the nature of artistic creativity. The sources of this creativity lie in belated sexual awakening and the powers this process unleashes. The essay argues that due to the representation of the liminal artist figure both as a creator and as a creation, Pearson’s Künstlerdrama studies the creation of art and the creation of the artist as intertwined processes which are difficult to distinguish. (AB)

• The Finest and the Most Dangerous: Kay Redfield Jamison and Robert Lowell

  István D. Rácz

  Views:

  127

  Kay Redfield Jamison has spent her career as a clinical psychologist studying and writing about those afflicted with manic depression, especially artists and writers. She has been especially attentive to poets and now has completed Setting the River on Fire, her extensive study of Robert Lowell, in whose life and poetry madness went hand in hand with creativity, invention and artistic genius. The result is a fascinating text at the crossroads of clinical writing, biography and literary criticism, illuminating both Lowell’s poetry and his life-long struggle with mental disorder. The most important question of the book is this: does manic depression help or hinder writing poetry? His illness was no doubt one of the most important subject matters in Lowell’s life work. The parallel demonstrated between Lowell and other “mad” poets extends the subject matter of this book so that it becomes not only Lowell’s illness, but also the relationship between mental disorder and writing poetry in general. Mania, like all mental disorders, is a synecdoche of the human psyche in general; its representation in poetry raises the problem of the mask as well as that of confession. A confessional poem, in Lowell’s view, is a text which contains (“confesses”) the subject’s psyche in its complexity and ambiguity. Mania is both a part of this psyche and a target of confession. As his poetry testifies, paradoxically, Lowell managed to be confessional while wearing the mask of the other. His illness partly explains why his life work is particularly open to readings that view it as an organic whole.

• A Train to Castle Von Aux: Patrick deWitt’s Fiction and the Transnational Paradigm

  Krzysztof Majer

  Views:

  121

  While deWitt’s writing enjoys commercial and critical success, it has inspired very little academic scrutiny. This is perhaps due to deWitt’s avoidance of Canadian settings and themes in favor of motifs from American popular culture or European folktales. Just as The Sisters Brothers (2011) relied on deWitt’s ironic use of the Western formula, so Undermajordomo Minor (2015) constitutes a playful attempt at rejuvenating several tired genres. In the story of young Lucy Minor’s acquisition of a dubious post at the eerie Castle Von Aux there are unmistakable elements of the Gothic romance, the fable, and the Bildungsroman, all spiced up with a quirky cinematic aesthetic. Equally strong are the echoes of Walser’s Jakob von Gunten, Kafka’s The Castle, and Bernhard’s Gargoyles, themselves richly interconnected. Through these diverse allusions and a curious blurring of geographical and historical boundaries, deWitt creates transgeneric fiction, which may be understood as transnational in the sense assumed by Kit Dobson or Peter Morgan.

• J. M. Synge’s Images of Society and Social Critique

  Michal Lachman

  Views:

  88

  J. M. Synge’s artistic contribution to the revival of the Irish theatre remains an undeniable fact. However, his consistently developed and dramatized views on the condition of Irish society, on the social and economic problems facing the newly formed state, are issues which seem to have been sidelined by critical emphasis placed on artistic and theatrical issues of his writing. This essay traces the line of Synge’s social thinking and imagery to show its continued effort to critically review the conservative, patriarchal system of values that Irish society had developed in the first decades of the twentieth century. The main part of the article concentrates on presenting the figures of dramatic protagonists who oppose the conservative social order and who simultaneously develop their independent ethical and social consciousness. The article argues that by presenting strong, Nietzschean, individuals who are vehemently rejected by their communities Synge formulates his own critical views of the Victorian and patriarchal normativity of the Irish state. (ML)

• “Outsider”: The Influence of Migration Experience on the Life and Work of Hungarian-Canadian Songwriter B.B. Gábor

  Victor Kennedy

  Kristian Kolar

  Neža Bojnec Naterer

  Views:

  221

  This paper examines the life and work of Gábor Hegedűs, whose family escaped from the Russian invasion of Hungary in 1956, and settled in Toronto, Canada. Under the stage name B.B. Gábor, he wrote and released several successful songs and albums, many of which drew on his experience as a refugee, and were broadcast around the world, as well as in Canada. His most popular songs were satiric commentaries on culture and politics, comparing life in the USSR and in Canada. These were the themes that drew the most attention from audiences and critics, and earned them international airplay, most notably on Radio Free Europe. His difficulties coping with life as a refugee and as an immigrant to Canada resulted in personal tragedy, yet his ability to express these difficulties in his songs left a lasting legacy in both Canada and his native Hungary. (VK; KK; NBN)

• Of Monsters and Migrants: On the Loss of Sanctuaries in Literature as a Parable of Biopolitics in the Twentieth and Twenty-First Centuries

  Peter Arnds

  Views:

  153

  To understand the cultural predecessors to the dehumanizing metaphors found in current populist rhetoric, it is beneficial to revisit some of the literary uses of such metaphors in the context of migration, xenophobia, and the notion of sanctuary. By rereading Mary Shelley’s Frankenstein (1818), Victor Hugo’s The Hunchback of Notre Dame (1830), and Bram Stoker’s Dracula (1897) in light of these paradigms, the article explores the links between the monster and the city as sanctuary: while Mary Shelley’s novel shows us the classical scenario of the undesirable being banned from human community, Stoker’s vampire breaks into the sanctuary of both city and nation state, reflecting time-worn fears of invasion and contamination by the racial Other. Hugo demonstrates a third common form of undesirability within the sanctuary, calling into mind Foucault’s concept of inclusion within the city/nation state while also being excluded from it. This article bridges between these texts and prominent scenarios in the treatment of migrants today. (PA)

• Introduction

  Mária Kurdi

  Views:

  110

  Introduction to the Special Section: Negotiating Aging and Ageism in English-Speaking Fiction and Theatre

• The Figure in the Carpet

  Pierre Lurbe

  Views:

  62

  Book review:

  Győri, Zsolt, and Gabriella Moise, eds. Travelling around Cultures: Collected Essays on Literature and Art. Newcastle upon Tyne: Cambridge Scholars, 2016. xii + 279 pages. ISBN 978-1-4438-0996-2. Hb. £52.99.

• Royall Tyler in Hungary: An American of the League of Nations and Hungarian Reconstruction Efforts, 1924–1938

  Zoltán Peterecz

  Views:

  201

  American-Hungarian relations were rarely closer on the personal level than in the interwar years. Although the United States followed the path of political and diplomatic isolation from Europe in the 1920s and 1930s, and its absence in the League of Nations was conspicuous, in the financial and economic realm it remained more active, and many Americans worked in the various reconstruction projects across Europe either in their private capacities or under the auspices of the League. Royall Tyler was one such person who spent the larger part of the 1920s and 1930s in Hungary. Since the start of the financial reconstruction of Hungary in 1924, Tyler was a constant participant in Hungarian financial life, a contact between the Hungarian government and the League of Nations, and a sharp observer of events throughout the years he spent in Hungary and Europe. This essay focuses on his activities concerning Hungary’s financial and economic reconstruction and recovery. (ZP)

• Editor's Notes

  Csilla Bertha

  Views:

  47

  Editor's Notes

• Introduction

  Balázs Venkovits

  Views:

  129

  Introduction to the Special Thematic Block:

  Undesirables in the Last Best West? - Central and Eastern European Immigration to Canada

• What Makes the Olfactif of Victorian Literature?

  Zsolt Bojti

  Views:

  71

  Book review:

  Maxwell, Catherine. Scents and Sensibility: Perfume in Victorian Literary Culture. Oxford: Oxford UP, 2017. xviii + 361 pages. ISBN 978-0-19-870175-0. Hb. £30.00.

• “Petits pas. Nulle part. Obstinément”: Writing Finitude, Writing On

  Erika Mihálycsa

  Views:

  269

  Review essay:

  Craig, George, Martha Dow Fehsenfeld, Dan Gunn, and Lois More Overbeck, eds. The Letters of Samuel Beckett. Volume IV: 1966-1989. Cambridge: CUP, 2016. cvii + 838 pages. ISBN 978-0-521-867962. £ 30.

   

• In Memoriam Tom Murphy (1935-2018)

  Csilla Bertha

  Views:

  88

      

• Advancing the Discourse on Travel Writing

  Balázs Venkovits

  Views:

  69

  Book review:

  Kuehn, Julia, and Paul Smethurst, eds. New Directions in Travel Writing Studies. New York: Palgrave Macmillan, 2015. 325 pages. ISBN 978 1 137 45757 8. Hb. $90.

• Alternative Readings of J. M. Synge’s Drama Predicated on Archival Material

  Mária Kurdi

  Views:

  82

  Book review:

  Collins, Christopher. Theatre and Residual Culture: J. M. Synge and Pre-Christian Ireland. London: Palgrave Macmillan, 2016. 301 pages. Hb. ISBN 978-1-349-94871-0. €106.99.

• Predatory Neo-Victorian Novels

  Krisztina Jilling

  Views:

  93

  Book review:

  Ho, Tammy Lai-Ming. Neo-Victorian Cannibalism: A Theory of Contemporary Adaptations. Palgrave Macmillan, 2019. 150 pages. ISBN 978-3-030-02558-8. Hb. €58.84.

• Experimental Dramaturgy, Intellectual and Art-related Subjects in Irish Theatre

  Mária Kurdi

  Views:

  66

  Book review:

  Woodward, Guy, ed. Across the Boundaries: Talking about Thomas Kilroy. Dublin: Carysfort Press, 2014. 112 pages. ISBN 978-1-909325-51-7. Pbk. €25.00