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Beyond the “Raked Gardens”: Female Identity in American Suburban Poetry
Views:312The article analyzes an overlooked aspect of American suburban poetry—the writing of American women poets who deal with the problem of how to represent female identity. Drawing on the existing criticism of women’s poetry, a comprehensive survey of the suburban poems by American women poets, from the 1940s to the 2000s, is provided. The article documents the various approaches that these poets adopt in order to explore identity while resisting the gender stereotypization in American suburbia. These approaches include either embracing the suburban ideal of domestic conformity or attempting to present women suburbanites who reject the socially prescribed roles forced upon them and develop new identities of their own. (JF)
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Women in Contemporary Irish Theatre: Widening the Space
Views:143Book review:
Haughton, Miriam, and Mária Kurdi, eds. Radical Contemporary Theatre Practices by Women in Ireland. Dublin: Carysfort Press, 2015. 251 pages. ISBN 978-1-909325-75-3. Pbk. €20.
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Representation of Young People in British Films Set in Coastal Resorts
Views:252This article examines representations of young people in three recent films set in British seaside resorts: Jellyfish (2018), directed by James Gardner Vs. (2018), directed by Ed Lilly, and Eaten by Lions (2018), directed by Jason Wingard, in light of the fact that in the past few decades resorts have been seen as places from which young people try to escape, rather than go to. My essay shows how the experience of those who visit the resorts is different from that of those who live there. It considers the production values, characters, stories, and locations of these films, drawing on secondary research on coastal resorts and their cinematic representations, Erving Goffman’s taxonomy of spaces into “front” and “back regions,” and Mikhail Bakhtin’s concept of the carnivalesque. The article also links the representation of the resort itself to wider discourses about England, class, and race. (EM)
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The Seaside Resort as Entrapment and Escape in British Cinema
Views:335British cinema has portrayed seaside resorts throughout its history with much dedication. Films featured both residents and visitors, the providers and the consumers of the seaside experience decade after decade by focusing on the synergies between space and identity. This article explores Brighton Rock (John Boulting, 1948), The Entertainer (Tony Richardson, 1960), The Birthday Party (William Friedkin, 1968), Quadrophenia (Franc Roddam, 1979), Bhaji on the Beach (Gurinder Chadha, 1993), and Last Resort (Pawel Pawlikowski, 2000) as representative examples of how the motifs of escape and entrapment—as manifested in the pursuit of various imaginations, ideals, rites of passage and identity quests—changed through the decades that also saw a gradual decline in the popularity of seaside resorts. The fading reputation and eroding image of resorts is analyzed parallel with the identity crises of characters entrapped in subcultural, diasporic, and migrant environments. (ZsGy)
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“Close your eyes. Picture a character. . .”: A Route to Imagery and Creativity
Views:140Book review:
García-Romero, Anne. The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes. Tucson: U of Arizona P, 2016. xiii + 240 pages. ISBN 978-0816531448. Pbk. $24.95.
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Anglo-Saxon and Arab Encounters
Views:221Book review:
Stampfl, Tanja. A Century of Encounters: Writing the Other in Arab North Africa. New York: Routledge, 2019. 197 pages. ISBN 9781138363106. Pbk. $155.
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Ali Smith’s How to be Both and the Nachleben of Aby Warburg: “Neither here nor there”
Views:231This paper offers a reading of Ali Smith’s 2014 novel, How to Be Both, in the context of Aby Warburg’s iconological interpretation of the frescoes by Francesco del Cossa in the Palazzo Schifanoia in Ferrara. Having reconstructed the story behind the creation, attribution, and reading of the frescoes, the paper argues for recognizing them as a major source of inspiration for Smith’s narrative. Furthermore, the principle of “bothness” is recognized as the novel’s foremost concern; both formal—pertaining to paratextual, graphic, and typeset solutions employed by the narrative—and thematic. With the help of Warburg’s concept of Nachleben and his proposition of traveling forms and images, How to Be Both is ultimately identified as a novel vitally indebted to Warburg’s theoretical and interpretative model. Last but not least, it testifies to the “after-life” of Warburg’s ideas. (RK, WSZ)
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The Petrified Men and the Scarecrow: Substance, Body, and Self-image in Seamus Heaney’s Bog Poems
Views:196Seamus Heaney’s poetry was engaged with violence for decades. His artistic exploration of land and fossils revolved around the same questions: to what extent can a human being move himself away from an inherent “tribalism”? To what extent is identity inherited through history and what rights, responsibilities come with it? These questions arose in the author's oeuvre when the horrors of civil war reached their peak in Northern Ireland. The issues of shared community not only played a significant role in the development of self-identification, they also meant the survival of the sectarian conflict. Starting with the first bog-poems, Heaney was keen on producing a mythology to serve identity, and sometimes allowed his political opinion to filter through the images of Stone Age remains from the bog. For scientists, the investigation of archeological finds means relying on methods such as the necessary carbon analysis and careful identification of evidence, as to who these bodies were, when they lived, what characterized their daily routines, and the times they lived in. The same findings, however, had a different impact on Heaney. He used the metaphor of the land of these ancient bodies, and of history, to engage with the question of identity, but criticism made him reconsider what position he should take on the morality of the given past society. At the same time the poet, who voluntarily shared common roots with these long-forgotten forbears, was the one who started deconstructing their moral heritage in the works written towards the end of his poetic oeuvre. In contrast to earlier poems on bog-bodies, “Tollund” from the 1996 collection, The Spirit Level, and “Tollund Man in Springtime” from 2006, reflect a forward-looking attitude in which Heaney left behind an apologist viewpoint for sectarian violence. (JP)
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Interpretations of Reagan’s Legacy
Views:123Book review:
Chidester, Jeffrey L., and Paul Kengor, eds. Reagan’s Legacy in a World Transformed. Cambridge, MA: Harvard UP, 2015. 294 pages. ISBN 978-0-674-42620-7. Hb. $45.
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“Outsider”: The Influence of Migration Experience on the Life and Work of Hungarian-Canadian Songwriter B.B. Gábor
Views:403This paper examines the life and work of Gábor Hegedűs, whose family escaped from the Russian invasion of Hungary in 1956, and settled in Toronto, Canada. Under the stage name B.B. Gábor, he wrote and released several successful songs and albums, many of which drew on his experience as a refugee, and were broadcast around the world, as well as in Canada. His most popular songs were satiric commentaries on culture and politics, comparing life in the USSR and in Canada. These were the themes that drew the most attention from audiences and critics, and earned them international airplay, most notably on Radio Free Europe. His difficulties coping with life as a refugee and as an immigrant to Canada resulted in personal tragedy, yet his ability to express these difficulties in his songs left a lasting legacy in both Canada and his native Hungary. (VK; KK; NBN)
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Journeying Across Languages, Cultures, and Literatures: The Poetry of Mervyn Morris
Views:231The West Indian poet Mervyn Morris (1937-) is renowned for espousing the importance of a national language in creating national literature as well as for integrating European poetic heritage with Caribbean literary traditions. Through an exploration of Morris’s selected poems, the paper discusses the role language plays in shaping the themes of diasporic writing and of postcolonial identity, and argues that his works show a deep awareness of the fundamental aspects of West Indian and British culture. Since Morris “refuses to be trapped in the excesses of post-modern Romanticism or political propaganda parading as nationalism” (Thompson), the paper also looks at the presentation of eternal values like love and humanity celebrated in his poems. By foregrounding the frequent use of epiphanies in his poetry, Morris conveys human affection in the frame of colonial and postcolonial history. (PF)
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Acknowledging Hybridity
Views:95Book review:
Oliete-Aldea, Elena. Hybrid Heritage on Screen: The “Raj Revival” in the Thatcher Era. Houndmills, Basingstoke: Palgrave Macmillan, 2015. ix + 227 pages. ISBN 978-1-137-46396-8. $95.00.
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From Advocacy to Coercion: Public Opinion and Propaganda in the United States from the 1880s to the 1930s
Views:199Book review:
Auerbach, Jonathan. Weapons of Democracy: Propaganda, Progressivism, and American Public Opinion. Baltimore: Johns Hopkins UP, 2015. xii + 220 pages. ISBN 978-1-4214-1736-3. Hb. $49.95.
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The Lucky Leaf Casino: A Retroscape in Cynthia Shearer’s The Celestial Jukebox
Views:153Representations of the American South and the southern sense of space have been changing rapidly due to transnational effects of colonialism, globalization, and the rise of technologies. Due to such factors, unprecedented numbers of people now travel to more distant and less visited places. One consequence of such changes is that place and spatiality represent multicultural and global perceptions and experiences rather than being uniquely and distinctively local. Market economies exploit the space and create retroscapes to serve the economic aims of various industries. Within this context, drawing on the aesthetics of space, memory, and nostalgia, the paper focuses on the Lucky Leaf Casino in Cynthia Shearer’s The Celestial Jukebox to discuss how the text challenges and problematizes plantation nostalgia and labor exploitation through which power structures continue to restrict, disrupt, and exploit space, people, and history. (HA)
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Pocahontas Incarcerated: An Activist’s Account of Early Twentieth-Century Native America
Views:129Book review:
Ackley, Kristina, and Cristina Stanciu, eds. Laura Cornelius Kellogg: Our Democracy and the American Indian and Other Works. New York: Syracuse UP, 2015. xxviii + 301 pages. ISBN 978-0-8156-3390-7. Hb. Npr.
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Celestial Democracies
Views:146Book review:
Tamás, Nyirkos. The Tyranny of the Majority. New York: Routledge, 2018. vi + 154 pages. ISBN 978-1-351-21142-0. E-book. $56.20
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The Great Men of the Great War: Heroic Martial Masculinity in the Wartime Works of Harvey Dunn
Views:315American artist Harvey Dunn was one of the eight soldier artists recruited by the American Expeditionary Forces (A.E.F) during World War I (1914-1918). His wartime works can be situated within the moralizing, Wilsonian rhetoric surrounding America’s entry into the war and linked with a conception of masculinity that was inextricably connected with war service. These images of heroic, martial, American masculinity align with the pronouncements President Woodrow Wilson made to justify America’s participation in the war. They reflect the gendered language and imagery American propaganda posters used to glorify enlisted soldiers as masculine heroes. Rather than portraying German soldiers as savages, Dunn altered this discourse by portraying cowardly German soldiers in moments of vulnerability. Dunn’s wartime images emphasize American ideas of martial masculinity in order to convey patriotic and propagandistic notions concerning the righteousness of the Allied cause, the superiority of American manhood, and the might of the American military. (KLM)
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What Will Survive of Us?
Views:113Book review:
Booth, James. Philip Larkin: Life, Art and Love. London: Bloomsbury, 2014. 532 pages. ISBN 978 1 4088 5166 1. Hb. £25.00.
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Killing the Canard: Saint Stephen’s Crown, Nixon, Budapest, and the Hungarian Lobby
Views:200With the question of the return of the Holy Crown in the focus, the essay describes how certain leaders of the Hungarian-American community attempted to influence American foreign policy towards Hungary during the détente period. Whereas certain members of the Nixon and Ford administrations, as well as the State Department, had already considered returning the Crown to the People’s Republic of Hungary, many of the émigré groups were strongly opposed to this action, and voiced their protest whenever speculations surfaced in the press. With the help of certain American and Hungarian-American politicians in Congress as well as in the Republican Party, the decision to return the Crown could be presented as potentially too risky politically and postponed during the Nixon and the Ford administrations. But with the election of President Carter, the Hungarian-American groups seem to have lost their leverage, and as soon as the political decision was made they could no longer prevent the return. (MGB)
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Strategies of Silencing
Views:99Book review:
Maxwell, William J. F. B. Eyes: How J. Edgar Hoover’s Ghostreaders Framed African American Literature. Princeton: Princeton UP, 2015. xiv + 363. ISBN 9780691130200. Hb. $29.95.