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• They Dare Disturb the Universe

  Rasha Awale

  Views:

  82

  Book review:

  Kauffman, L. A.  Direct Action: Protest and the Reinvention of American Radicalism. London: Verso, 2017. 236 pages. ISBN 978-1-78478-409-6. Pbk. $12.

• Predatory Neo-Victorian Novels

  Krisztina Jilling

  Views:

  81

  Book review:

  Ho, Tammy Lai-Ming. Neo-Victorian Cannibalism: A Theory of Contemporary Adaptations. Palgrave Macmillan, 2019. 150 pages. ISBN 978-3-030-02558-8. Hb. €58.84.

• Strategies of Silencing

  Zsolt K. Virágos

  Views:

  31

  Book review:

  Maxwell, William J. F. B. Eyes: How J. Edgar Hoover’s Ghostreaders Framed African American Literature. Princeton: Princeton UP, 2015. xiv + 363. ISBN 9780691130200. Hb. $29.95.

• Narrating Motherhood: The Power of Storytelling

  Zsuzsanna Lénárt-Muszka

  Views:

  231

  Book review:

  Martin, BettyAnn, and Michelann Parr, eds. Writing Mothers: Narrative Acts of Care, Redemption, and Transformation. Bradford, ON: Demeter P, 2020. 258 pages. ISBN 978-1-77258-223-9. Pbk. $34.95.

• What Makes the Genre of Lyric Compelling?

  Katalin Pálinkás

  Views:

  53

  Book review:

  Culler, Jonathan. Theory of the Lyric. Cambridge, MA: Harvard UP, 2015. x + 391 pages. ISBN 978-0-674-74426-4. Hb. $41.

• All the World’s a Monster

  Ildikó Limpár

  Views:

  77

  Book review:

  Nirta, Caterina and Andrea Pavoni, eds. Monstrous Ontologies: Politics Ethics Materiality. Series in Philosophy. Wilmington: Vernon Press, 2022. xxxiv + 220 pages. ISBN 978-1-64889-307-0. Pbk. $51.00.

• The Range of Intertextual Resonances

  József Szabolcs Fagyal

  Views:

  37

  Book review:

  Glazzard, Andrew. Conrad’s Popular Fictions: Secret Histories and Sensational Novels. Hampshire: Palgrave, 2016. 234 pages. ISBN 978-1-137-55916-6. Hb. $95.00.

• Gendered Readings of the First World War: A European Overview

  Eszter Edit Balogh

  Views:

  36

  Book review:

  Hämmerle, Christa, Oswald Überegger, and Birgitta Bader Zaar, eds. Gender and the First World War. Hampshire, NY: Palgrave Macmillan, 2014. 265 pages. ISBN 978-1-137-30219-9. Hb. $100.

• Celestial Democracies

  Sándor Kiss

  Views:

  67

  Book review:

  Tamás, Nyirkos. The Tyranny of the Majority. New York: Routledge, 2018. vi + 154 pages. ISBN 978-1-351-21142-0. E-book. $56.20

• Magic Embodied: The Future is Black Girl Magic

  Bianka Szendrei

  Views:

  98

  Book review:

  Jordan-Zachery, Julia S. and Duchess Harris, eds. Black Girl Magic Beyond the Hashtag: Twenty-First-Century Acts of Self-Definition. Tucson: U of Arizona P, 2019. 216 pages, ISBN 9780816539536. Pbk. $19.95.

• Vonnegut Reinvented

  Rita Nandori

  Views:

  95

  Book review:

  McInnis, Gilbert. Kurt Vonnegut, Myth and Science in the Postmodern World. New York: Peter Lang Publishing, 2020. 184 pages. ISBN 978-1-4331-7435-3. Hb. CAD 42.08.

• The Birth of Imperial Race Medicine

  Eszter Ureczky

  Views:

  94

  Book review:

  Seth, Suman. Difference and Disease: Medicine, Race, and the Eighteenth-Century British Empire. Cambridge: CUP, 2018. 324 pages. ISBN 978-1-108-41830-0. Pbk. £29.99.

• Between Addiction and Cultivation: Coleridge’s Modern Turn

  Annalisa Volpone

  Views:

  53

  Book review:

  Timár, Andrea. A Modern Coleridge: Cultivation, Addiction, Habits. Basingstoke: Palgrave Macmillan, 2015. 264 pages. ISBN 9781137531452. Ppk. £55.

• Mapping the Potentials of Monster Studies

  Ildikó Limpár

  Views:

  140

  Book review:

  Weinstock, Jeffrey Andrew, ed. The Monster Theory Reader. University of Minnesota Press, 2020. ix + 560 pages + 33 b&w photos. ISBN 978-1-5179-0525-5. $35.00. Pbk.

• The Post-millennial British Novel

  Imola Nagy-Seres

  Views:

  81

  Book review:

  Bentley, Nick, Nick Hubble, and Leigh Wilson, eds. The 2000s: A Decade of Contemporary British Fiction. The Decades Series 4. London: Bloomsbury Academic, 2015. 297 pages. ISBN 9781441112156. Pbk. £85.

   

• Afroeuropean Studies in Perspective

  Madhu Krishnan

  Views:

  45

  Book review:

  Beezmohun, Sharmilla, ed. Continental Shifts, Shifts in Perception: Black Cultures and Identities in Europe. Newcastle: Cambridge Scholars Publishing, 2016. 190 pages. ISBN 9781443888240. Hb. £41.99.

• Preserving Past Tastes

  Eszter Ureczky

  Views:

  51

  Book review:

  Wall, Wendy. Recipes for Thought: Knowledge and Taste in the Early Modern English Kitchen. Philadelphia: U of Pennsylvania P, 2016. 328 pages. ISBN 9780812247589. $69.95.

• What Will Survive of Us?

  István D. Rácz

  Views:

  40

  Book review:

  Booth, James. Philip Larkin: Life, Art and Love. London: Bloomsbury, 2014. 532 pages. ISBN 978 1 4088 5166 1. Hb. £25.00.

• The Crisis of the American Sense of Mission at the Turn of the Nineteenth and Twentieth Centuries

  Éva Eszter Szabó

  Views:

  117

  The sense of mission is an integral part of the national spirit. Therefore, questioning its validity can lead to the destabilization of a nation’s fundamental values and a major crisis in its self-image. This type of crisis accompanied the transformation of the American sense of mission at the turn of the nineteenth and twentieth centuries, which arose from the clash between the principles of traditional continental expansionism and new imperialist aspirations. In the wake of the 1898 Spanish-American War, the United States found itself definitively enmeshed in the global arena of great power politics. The control of overseas possessions not meant for statehood in the Union turned the federal republic into an empire in all but in its name. The crisis of the sense of mission fed on the inherent tension between liberal democratic traditions and the attempt made at imperial governance. As research into the Congressional Records will indicate, in the congressional debate developing between traditional and new ideas of expansionism, a consensus emerged that the questions relating to the status of the new overseas territories were the most significant the American people had faced during the nineteenth century, for these questions touched upon the roots of the nation’s consciousness. With view to the significance of this historical moment, this essay examines the forces at work both for and against the transformation of the American sense of mission at a time when Congress still constituted a powerful check on the executive in the field of foreign policy. (ÉESZ)

• After the “Post,” in the Present: New Perspectives on Nationhood

  Judit Szathmári

  Views:

  289

  Review essay:

  Charles, Mark, and Soong-Chan Rah. Unsettling Truths: The Ongoing Dehumanizing Legacy of the Doctrine of Discovery. Downers Grove: InterVarsity, 2019. Print.

  Herlihy-Mera, Jeffrey. After American Studies: Rethinking the Legacies of Transnational Exceptionalism. Routledge Advances in American History 8. New York: Taylor and Francis, 2018. Print.

• Editor’s Notes

  Marianna Gula

  Views:

  118

  Editor’s Notes

• J. M. Synge’s Images of Society and Social Critique

  Michal Lachman

  Views:

  75

  J. M. Synge’s artistic contribution to the revival of the Irish theatre remains an undeniable fact. However, his consistently developed and dramatized views on the condition of Irish society, on the social and economic problems facing the newly formed state, are issues which seem to have been sidelined by critical emphasis placed on artistic and theatrical issues of his writing. This essay traces the line of Synge’s social thinking and imagery to show its continued effort to critically review the conservative, patriarchal system of values that Irish society had developed in the first decades of the twentieth century. The main part of the article concentrates on presenting the figures of dramatic protagonists who oppose the conservative social order and who simultaneously develop their independent ethical and social consciousness. The article argues that by presenting strong, Nietzschean, individuals who are vehemently rejected by their communities Synge formulates his own critical views of the Victorian and patriarchal normativity of the Irish state. (ML)

• Black Flânerie, Non-White Soundscapes, and the Fantastic in Teju Cole’s Open City

  Dorottya Mózes

  Views:

  294

  This essay develops an alternative notion of Black flânerie, one that foregrounds the flâneur’s auditory experiences and practices in the city, explaining how sound patterns work as indexes of historical traumas such as slavery, colonialism, and indigenous dispossession. More specifically, it investigates how sound and space are connected and what these connections may reveal about acoustical and historical conditions of urban sites. Analyses advance readings of spaces as shadowed by sonic traces, echoes, afterlives, and memories, which point to the sedimentation of sound in geographic as well as psychic structures and ruptures and hence show how different soundscapes suggest different forms of relationality: alienation, rupture, intersection, connection, and transformation. Finally, it demonstrates how sound imagery—including music, dialects, noise, voices, and silence—functions to signal fantastic spaces and places, fantastic or speculative linkages in particular, and produces a version of the non-White fantastic. (DKM)

• Dermot Healy, Resourceful Playwright

  Ondřej Pilný

  Views:

  41

  Book review:

  Hopper, Keith, and Neil Murphy, eds. Dermot Healy: The Collected Plays. Victoria, TX: Dalkey Archive P, 2016. xxxiii + 583 pages. ISBN 978-1-56478-930-3. Pbk. $21.00/£15.00.

• Unpacked Cases: Migratory Aesthetics as a Mode of Participation and Agency

  Gabriella Moise

  Views:

  205

  The manifold notion of migratory aesthetics serves as the critical grounding for this analysis focusing on Mohamad Hafez’s and Ahmed Badr’s multimedia installation, UNPACKED: Refugee Baggage (2017-2020), a socially and politically committed artistic project. Migratory aesthetics as a conceptual frame can encompass artifacts reflecting upon the experience of forced migration, displacement, and uprootedness. However, the concept also proposes the engendering of a platform for the confluence of art and the political. In accordance with the theories of Mieke Bal, Miguel Á. Hernández-Navarro, and Jacques Rancière, “political” is meant to signify a space of generative conflict, an active, communal, participatory encounter between sentient bodies and artworks. UNPACKED confronts the audience on many levels: physically, by leaving them in limbo, suspended between the inside and the outside, the private and the public, safety and threat; conceptually (owing to the phenomenal, embodied experience of the viewers), by provoking a sense of dislocation and homelessness, resulting in the potential for identification with the status of being a refugee, a migrant, and an asylum seeker. UNPACKED encapsulates, both spatially and temporally, the invisible and silenced trauma of forced migration, eventually effectuating collective understanding in the constitutive political space of art. (GM)