Introduction: Ageing society is an ever-raising issue, however, not so many movies use critics towards it. The movie Seventies had its debut in Hungary 2014. Its specificity is the lens that were used to show the deficits of the attitudes towards the elderly in Hungary.
Aim: The aim of the paper is to explore the dystopian nature of the pseudo-documentary in order to show a picture of the possible deficits in Hungarian society with the help of the narratives of the artwork.
Methodology: In this paper a social psychological approach is considered as the process of affective characterization of movie scenes which are analysed with content analysis.
Theoretical background: There are two main aspects that are held in the analysis, the cognitive schema theory and the nature of dystopian content as a filter for the interpretative framework. Cognitive schema theory is used for perception and cognition of scenes, canonical set-ups, and interpretation-processes. In the analysis, the focus is on the memory objects, the mental models and the cognitive fields.
Conclusion: The film experience includes a sort of awareness of the perceived scenes, thus the real world can be divided from imagination. Indeed, subjectivity and the shaping process of our reality are serving the demands of one’s aspects. Therefore, the film can be considered as a valuable starting point of a debate of the future of Hungarian society, highlighting the situation of elderly.