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• An Encore of the Greatest Show on Earth: Victorian Marvels and Monsters Revamped for the Postmillennial Times

  Anna Kérchy

  Views:

  318

  Book review:

  Davies, Helen. Neo-Victorian Freakery: The Cultural Afterlife of the Victorian Freak Show. New York: Palgrave Macmillan, 2015. 239 pages. ISBN 978-1-137-40255-4. Hb. $90.

• The Doctor’s Anatomy: The Androgynous Performance of Gender and (Neo-)Victorian Sexual Politics in Patricia Duncker’s James Miranda Barry

  Eszter Ureczky

  Views:

  105

  Patricia Duncker’s 1999 neo-Victorian novel is a fictional biography of the legendary Victorian military surgeon, James Miranda Barry, rumored to be a hermaphrodite. Duncker’s postmodern feminist fiction recreates the medical discourse, as well as the body and sexual politics of the Victorian era by writing these nineteenth-century somatic ideologies onto the ambiguously gendered body of Barry. Interrogating the poetic and political strategies of creating medicine as a masculinized profession from a cultural studies point of view, the essay argues that Duncker’s novel can be contextualized within a recent tendency in contemporary British fiction that could be hypothesized as medico-historical metafiction, indirectly addressing twenty-first-century biopolitical questions about the cultural inscription of gender roles and bodily normality by (re)telling a Victorian narrative. These questions are examined from three aspects: the neo-Victorian historical novel as a feminist genre, the androgyne as a late-Victorian subtype of the grotesque freak, and nineteenth-century female identities as the reservoir of disempowering pseudo-choices.  (EU)

• What Makes the Olfactif of Victorian Literature?

  Zsolt Bojti

  Views:

  71

  Book review:

  Maxwell, Catherine. Scents and Sensibility: Perfume in Victorian Literary Culture. Oxford: Oxford UP, 2017. xviii + 361 pages. ISBN 978-0-19-870175-0. Hb. £30.00.

• Sage, Hero, Ironist: Sublimity and Irony in Thomas Carlyle’s Sartor Resartus and Lectures on Heroes

  Nataliya Novikova

  Views:

  59

  The paper focuses on the complex interplay between sublimity and irony, explored through a parallel reading of Sartor Resartus and On Heroes, Hero-Worship and the Heroic in History by the Victorian philosopher and historian Thomas Carlyle. The essay shows how a common philosophical framework, firmly based on a sublime principle, is affected by the style and structure of the analyzed works: it finds total affirmation in one case (On Heroes), while it undergoes ironic subversion in the other (Sartor Resartus). Carlyle’s transcendental ideal is dramatically at odds with what he identifies as the delusions of language and history, therefore, it requires an unusual agency and extraordinary cognitive powers defined as “heroic” to transform the common individual and ordinary collective being. The “hero” in Sartor Resartus, however, is radically different from those in the lectures On Heroes: the value of his sublime experience is repeatedly questioned through the intervention of an editorial persona and the fragmentation of the text.  (NN)

• Slum or Arcadia? Hungary as “Other Space” in Imre by Edward Prime-Stevenson

  Zsolt Bojti

  Views:

  100

  This essay substantiates the reasons why Edward Prime-Stevenson’s novelette, Imre (1906), which is considered to be the first openly gay novel in English with a happy ending, is set in an imaginary Budapest called Szent-Istvánhely. The paper suggests that there is a list of references to Hungary in late-Victorian gay literature that Prime-Stevenson builds upon. Another common element in these works is that the location, more specifically, the city landscape, plays an important role that maps the gay city and reflects on the English slumming culture in the East End. The paper substantiates the claim that Prime-Stevenson’s fictional Budapest functions as a Foucauldian heterotopias, which can juxtapose and reconcile oppositions coming from associations with Western and Eastern cultures, the slum and an Arcadia, respectively. (ZsB)

• Kindred Spirits: Lajos Gulácsy and Oscar Wilde

  Éva Péteri

  Views:

  159

  Lajos Gulácsy (1882-1932), the acknowledged Hungarian painter of the early twentieth century, was a kindred spirit to Irish playwright and poet Oscar Wilde (1854-1900), sharing his love of beauty, his escapism, and his belief in the superiority of art over mundane reality. Gulácsy’s art cannot be easily described in relation to the artistic groups and tendencies of his age; however, the literary portion of his oeuvre reveals definite affinities and parallels with dominant artistic trends of the millennium. Gulácsy wrote a number of essays, short-stories and tales, and even a novel, Pauline Holseel (1910), which all give evidence to an aesthetic similar to that of Oscar Wilde. Pauline Holseel, in particular, shows close correspondences with Wilde’s novel, The Picture of Dorian Gray (1890). Besides displaying the typical features of the Künstlerroman of the late nineteenth, early twentieth century, such as the lack of a plot, artists as protagonists, or a heavy reliance on sensual experiences, they also share more particular parallels concerning structure and attitude to art. (ÉP)

• The Fabulous Adventures of Alice with Fashion, Science, and Pinocchio

  Anna Kérchy

  Views:

  406

  The three scholarly monographs published between 2017 and 2020 by Laura White, Laura Tosi and Peter Hunt, and Kiera Vaclavik, are recent contributions to Lewis Carroll scholarship. They belong to what Michael Heyman calls “the sense school” of nonsense literary criticism in so far as they attribute a specific agenda, a systematic structure, a decipherable message, and a homogenised reading to the Alice tales (Alice’s Adventures in Wonderland, and its sequel, Through the Looking Glass). Each re-explores a well-known children’s classic from fresh new perspectives by relying on interdisciplinary methodologies, mingling the literary historical approach with insights of critical fashion studies, evolutionary biology, and comparative cross-cultural analysis (translation studies), respectively. Like adaptations, these critical theoretical interpretations of the Alice books are in a constant dialogue with one another within a Genettian transtextual network of multimodal narratives.

• The Female Gentleman and the Myth of Englishness in the Detective Novels of Dorothy L. Sayers and Margery Allingham

  Renáta Zsámba

  Views:

  452

  Golden Age detective fiction by women offers insights into the competing gender ideologies of the 1930s and early 1940s. The female protagonist these novels delineate is called “the female gentleman” by Melissa Schaub, who describes her as the detective’s equal based on her intellectual abilities and independence. Although the female gentleman seems a revolutionary figure as she is forward-looking in gender politics, her strong belief in class hierarchy, her Victorian morals and relationship with the gentleman detective relocate her in the heritage of the English pastoral. This essay focuses on the female gentleman as a bridge figure whose marriage to the detective not only restores him to his masculinity but also portrays the woman embedded in the pastoral idyll of the English landscape. Her decision to accept traditional femininity reinforces the female gentleman’s role in the recreation of the stability and security of pre-war England. (RZs)

• Transgressions and Reterritorializations as Markers of Minor Literature in Kurt Vonnegut’s Slapstick, or Lonesome no More!

  Meryem Mengouchi

  Wassila Hamza Reguig Mouro

  Views:

  185

  Deterritorialization and reterritorialization are transgressive techniques in literature that characterize subversive literature. Gilles Deleuze and Félix Guattari suggest that questions about marginal literature or other forms of peripheral literatures must all be covered within the designation and definition of minor literature, not only if they are written in the language of the mainstream. Kurt Vonnegut’s Slapstick, or Lonesome no More (1976) is a set of deterritorializations and reterritorializations made possible through creative assemblage, a technique that allows a continuous flow of meaning, that is, meaning is not fixed, as language moves from one territory to another, constructing new assemblages and acquiring new meanings. Meaning changes each time a new assemblage is composed. Through the re-construction of family, love, and human relationships, the novel defies the alienating practices of the American society as presented in Vonnegut’s novel. (MM and WHRM)

• J. M. Synge’s Images of Society and Social Critique

  Michal Lachman

  Views:

  88

  J. M. Synge’s artistic contribution to the revival of the Irish theatre remains an undeniable fact. However, his consistently developed and dramatized views on the condition of Irish society, on the social and economic problems facing the newly formed state, are issues which seem to have been sidelined by critical emphasis placed on artistic and theatrical issues of his writing. This essay traces the line of Synge’s social thinking and imagery to show its continued effort to critically review the conservative, patriarchal system of values that Irish society had developed in the first decades of the twentieth century. The main part of the article concentrates on presenting the figures of dramatic protagonists who oppose the conservative social order and who simultaneously develop their independent ethical and social consciousness. The article argues that by presenting strong, Nietzschean, individuals who are vehemently rejected by their communities Synge formulates his own critical views of the Victorian and patriarchal normativity of the Irish state. (ML)

• Journeying Across Languages, Cultures, and Literatures: The Poetry of Mervyn Morris

  Pavlína Flajšarová

  Views:

  129

  The West Indian poet Mervyn Morris (1937-) is renowned for espousing the importance of a national language in creating national literature as well as for integrating European poetic heritage with Caribbean literary traditions. Through an exploration of Morris’s selected poems, the paper discusses the role language plays in shaping the themes of diasporic writing and of postcolonial identity, and argues that his works show a deep awareness of the fundamental aspects of West Indian and British culture. Since Morris “refuses to be trapped in the excesses of post-modern Romanticism or political propaganda parading as nationalism” (Thompson), the paper also looks at the presentation of eternal values like love and humanity celebrated in his poems. By foregrounding the frequent use of epiphanies in his poetry, Morris conveys human affection in the frame of colonial and postcolonial history. (PF)

• Blending Beauty and the Beast: Metamorphic Body Regimes of a Somatic Society

  Anna Kérchy

  Views:

  293

  Book review:

  Steinhoff, Heike. Transforming Bodies: Makeovers and Monstrosities in American Culture. Houndmills, Basingstoke: Palgrave Macmillan, 2015. ix + 267 pages. ISBN 978-1-137-49378-1. Hb. €85.59.

• Action Hero vs. Tragic Hero: First Blood, Cultural Criticism, and Schelling’s Theory of Tragedy

  Balázs Sánta

  Views:

  286

  The paper explores the possibility of analyzing Ted Kotcheff’s 1985 film, First Blood, the first piece of Sylvester Stallone’s Rambo series, from the perspective of dramatic structure as conceived in Schelling’s concept of tragedy and Schiller’s notion of the sublime. Perplexing as this critical context may appear at first, the paper argues for a reassessment of the movie’s aesthetic qualities as its protagonist is placed between Hollywood’s male-gendered stock figure of the action hero and the more complex character of the tragic hero, familiar from classical drama. Taking account of Rambo’s reception in recent cultural studies discourse regarding gender criticism and American post-Vietnam War cinema, the essay attempts to show the correlation between some of the aesthetic tenets of German idealism and the consequences of a close-reading approach to this popular classic. (BS)

• Reading in the Dark, Sleeping with the Lights On: Uses and Abuses of Horror in Children’s Literature

  Anna Kérchy

  Views:

  210

  Book review:

  McCort, Jessica R., ed. Reading in the Dark. Horror in Children’s Literature and Culture. Jackson: UP of Mississippi, 2016. pp. 256. ISBN 978-1496806444. Hb. $56.99.

• Preserving Past Tastes

  Eszter Ureczky

  Views:

  60

  Book review:

  Wall, Wendy. Recipes for Thought: Knowledge and Taste in the Early Modern English Kitchen. Philadelphia: U of Pennsylvania P, 2016. 328 pages. ISBN 9780812247589. $69.95.

• Ruritania by the Sea : Detection by the Seaside in Dorothy L. Sayers’s Have His Carcase

  Brigitta Hudácskó

  Views:

  250

  Seaside resorts frequently served as locations of murder mysteries in Golden Age detection fiction, since these destinations could provide a diverse clientele, confined to manageably small groups essential to classic detective stories. The fictional seaside town of Wilvercombe serves as the location of Dorothy L. Sayers’s detective novel Have His Carcase (1932), in which Lord Peter Wimsey and detective-story writer Harriet Vane investigate the case of a man found dead on the beach. The location of the body turns out to be a source of confusion: while the detectives expect a traditional locked-room mystery to unfold (albeit in an open-air setting), the death cannot be resolved until the detectives realize that they are working in the wrong genre: instead of a clue-puzzle mystery, they are trapped in a Ruritanian romance, with outlandish tales of intrigue, unlikely members of the Russian aristocracy, and exaggerated and oppressive performances of heterosexual romance. (BH)

• Chimeric Visions: Posthuman Somaesthetics and Interspecies Communication in Contemporary Humanimal Body Art Performances

  Anna Kérchy

  Views:

  387

  Body art performances experiment in provocative, transgressive ways with the human body that becomes, simultaneously, an instrument, a medium, an agent, and an end product of artistic creation. They invite calculated corporeal reactions from audiences in a multitude of affectively, perceptually, and politically engaging ways. A brief overview is given of the evolution of body art from its roots in avant-garde performance arts to current trends of carnal art to shed light on the changing cultural-historical interpretation of human embodiment. It reveals how body art’s growing dissatisfaction with anthropocentrism entails an inevitable move toward humanimal poetics and politics. The shift of focal point from humanoid embodiment to interspecies relationalities and posthuman enworldedness marks a major paradigm shift of body art. Mapping the aesthetic manifestations, ethical stakes, and corporeal experience of this shift—that extends the notion of subjectivity beyond the human species—is the main aim of the essay. (AK)