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• Cultural Resistance and Collective Memory: The Impact of Nationalism of the Vargas Dictatorship on Hungarian Heritage in Jaraguá Do Sul - SC

  71-82

  Fernanda Lucia Maes

  Views:

  50

  This work encompasses an analysis of the dictatorship experienced in Brazil between 1937 and 1945, during the Estado Novo (New State), the government of Getúlio Vargas, when there was an attempt to consolidate a fictitious homogeneity in the country, especially regarding culture. In a country where layers of different cultural influences converge, making it rich, unique, and celebrated for its diversity, cultural heritage is of extreme importance. During this period, in a contradictory manner, through repression and adaptation of culture to fit the interests of the State, the period witnessed censorship and sometimes even the forgetting of cultural heritages that somewhat conflicted with the interests of the regime at the time. The issues that emerge are related to the impact of nationalism in the face of the repression of the expression of different cultures, through documentary research in primary sources, including publications in local newspapers and testimonials from descendants of the local community about the collective memory of the repression of the cultural expression of immigrants in the southern region, finally reaching the feelings generated that resonate to this day. The analysis reached a possible rupture and distortion of the collective memory, indicating how nationalism shaped and still shapes imagined communities. Amidst a discussion that also presents an analysis of the role of nationalist discourses in architecture and its homogenization.

• READING THE CULTURAL LANDSCAPE THROUGH THE NARRATIVE OF LÉNÁRD SÁNDOR

  63-75

  Fernanda Lucia Maes

  Views:

  139

  The following analysis will focus on the relationship between literature and the reading of the cultural landscape. Based on the analytical descriptions of Lénárd Sándor, in his titled book Völgy a Világ Végén (1967), where the author presents, among others, the description of the houses, landscapes, and relationships between different ethnic groups and with the natives. Resulting in an analysis of physical and symbolic elements that constitute the concept of cultural landscape worked on in this analysis.

• SAYAW NG BATI: A PERSPECTIVE ON TRANSCULTURATION OF THE SPANISH COLONIAL HERITAGE IN THE SOUTHERN TAGALOG REGION OF THE PHILIPPINES

  173-188

  Jose Antonio Lorenzo L. Tamayo

  Views:

  929

  Just like other dances that developed during the Christianization of the Philippines, the Sayaw ng Bati (Dance of Greeting), a dance performance conducted during the dawn of Easter Sunday in the Southern Tagalog Region, is a byproduct of transculturation, a process where the subordinate culture (the colonized) selects certain cultural items in the dominant culture (the colonizer) that fits their contexts and preferences. This paper then aims to elucidate how transculturation occurred in the Philippines that dramatically altered the precolonial heritage of the Filipino people during the Spanish colonization of the country. Using a variety of sources from reputable Filipino scholars in the field of cultural anthropology and dance, the precolonial and Spanish colonial experiences were reviewed and contrasted to understand how transculturation happened in Philippine society and to look for parallels between the two historical contexts, which also affected how dance forms imported from Europe were perceived and developed through the ingenuity of Filipinos during the colonization of the archipelago.