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• The novel Libertà by Verga and the demythologization of Risorgimento rhetoric

  30-38

  Mario Cimini

  Views:

  305

  Giovanni Verga’s tale Libertà has often been object of multifaceted – and frequently discording –critical interpretations, being the most common readings those of who saw in it a clear bias for the Italian Risorgimento (despite its violent development), and those who read it as an expression of resilient skepticism by the author towards the same historic event. Leonardo Sciascia, for example, uses the term “mystification” to describe Verga’s attitude towards Bronte’s insurrection, at a time – 1860 – when Garibaldi was carrying out his well-known Expedition of the Thousand.

  The essay goes through all the noteworthy moments of this critical tradition, eventually deducting that it is by no means possible to draw firm assertions about Verga’s political ideology with the sole literary work as a point of reference. It argues instead that the author’s literary eminence must be seen in his outstanding ability to raise such a vast array of multilayered interpretations in the readers.

• The "facts of Bronte" (1860) and a “monument” of literary realism: Libertà by Giovanni Verga

  60-72

  Andrea Manganaro

  Views:

  122

  Giovanni Verga’s short story Libertà has often been read as a historical source, and its alleged alterations of the historical events of 1860, the bloody revolt in the town of Bronte, on Mount Etna, and the repression carried out by Garibaldi’s troops led by Nino Bixio (the ‘facts of Bronte’) have been noted, even sharply, with the authority of Leonardo Sciascia. We propose here an interpretation of this short story as a literary “monument”, and not as a “document”, noting the immanent tension towards a “truth content” to which Verga’s realism aspires, with its narrative proxy, the renunciation of authorial judgement, the multiplicity of points of view, the friction that derives from their juxtaposition in the narrative also with respect to the perspectives of the readers, who are necessarily called upon to assume responsibility.

• Pepe-Lamartine A literary controversy and a duel for the Risorgimento

  64-79

  Gabriele Paolini

  Views:

  245

  The essay reconstructs the reactions in Florence provoked by the publication of Alphonse de Lamartine’s Le dernier chant du pelerinage d’Harold (1825), inspired by Lord Byron’s unfinished work. The portrait of absolute decadence of contemporary Italy, with the definition of its inhabitants as “polvere d’uomini”, outraged the intellectuals, who would have liked to respond in Vieusseux’s Anthology, the most important periodical of the time. Pietro Giordani also intended to reply to Lamartine by publishing an essay about Operette Morali of the young (and still unknown) Giacomo Leopardi, portrayed as a great and living Italian. Censorship prevented this and other responses, but not a harsh reference contained in a booklet by the Neapolitan exile Gabriele Pepe. His pride wounded, Lamartine (at the time in charge of the French embassy in Florence) challenged Pepe to a duel.
  Pepe’s victory sparked a great enthusiasm in Florence and throughout Italy. The theme of offended honor (the symbolic kind, of the Italian homeland and of its Sons) and avenged with a Proof of Value became a constant and was imitated many other times, in reality and in literature, feeding the imagination of several generations.

• Italy between history and historiography. In search of national identity

  62-76

  Marco Trotta

  Views:

  24

  Starting from the fundamental studies of the historian Giuseppe Galasso and in the context of a close confrontation with the most experienced European historiography on these topics, the essay reconstructs some issues of the italian national identity through the different guidelines of the historiographical debate from the nineteenth century to today in a comparative and historical setting of european modernity. The centuries-old duration of the events related to the process of formation of the Italian identity, from the tradition of the Roman Empire to the Risorgimento and national independence, passing through the long domination of foreign powers, finally ended with the unification of the peninsula and the state-building in 1861. The most significant terms of the identity discourse are thus affirmed: territory and nation, whose underlying grounds, however, still struggle to find shared reasons for a unitary understanding of the national historical framework. In this respect the category of national identity starts its construction at the time of the Romantic ferments and remains intimately linked to those anthropological traits that would have provided to found in the mid-nineteenth century the community of Italians, finally rejoined under the frame of a new State. Not a single identity, therefore, but a multiplicity of references to the rich, centuries-old Italian cultural heritage, rethought in the light of a decisive season for national destinies.