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Killing the Canard: Saint Stephen’s Crown, Nixon, Budapest, and the Hungarian Lobby
Views:107With the question of the return of the Holy Crown in the focus, the essay describes how certain leaders of the Hungarian-American community attempted to influence American foreign policy towards Hungary during the détente period. Whereas certain members of the Nixon and Ford administrations, as well as the State Department, had already considered returning the Crown to the People’s Republic of Hungary, many of the émigré groups were strongly opposed to this action, and voiced their protest whenever speculations surfaced in the press. With the help of certain American and Hungarian-American politicians in Congress as well as in the Republican Party, the decision to return the Crown could be presented as potentially too risky politically and postponed during the Nixon and the Ford administrations. But with the election of President Carter, the Hungarian-American groups seem to have lost their leverage, and as soon as the political decision was made they could no longer prevent the return. (MGB)
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“If the world is dystopic, why fear an apocalypse?”
Views:173Book review:
MacCormack, Patricia. The Ahuman Manifesto: Activism for the End of the Anthropocene. London: Bloomsbury Academic, 2020. 224 pages. ISBN 9781350081093. E-book. £15.83.
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Dracula Addressing Old and New
Views:87Book review:
Crişan, Marius-Mircea, ed. Dracula: An International Perspective. Palgrave Gothic. Cham: Palgrave Macmillan, 2017. xi + 280 pages. ISBN 978-3-319-63365-7. Hb. $101.51.
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Her Dark Materials: What Makes the Fantastic Dark
Views:80Book review:
Thomas, Ebony Elizabeth. The Dark Fantastic: Race and the Imagination from Harry Potter to The Hunger Games. New York UP, 2020. 240 pages. ISBN 9781479806072. Pbk. $16.95.
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“Literature on the Edge”: Austro-Modernism of the Long War
Views:59Book review:
Perloff, Marjorie. Edge of Irony: Modernism in the Shadow of the Habsburg Empire. Chicago: U of Chicago P, 2016. 204 pages. ISBN-13: 978-0-226-05442-1. Hb. $23.98.
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Vonnegut Reinvented
Views:105Book review:
McInnis, Gilbert. Kurt Vonnegut, Myth and Science in the Postmodern World. New York: Peter Lang Publishing, 2020. 184 pages. ISBN 978-1-4331-7435-3. Hb. CAD 42.08.
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Doubling Dublin: Mimetic and Anti-Mimetic Use of Urban Space in Flann O’Brien’s At Swim-Two-Birds
Views:87The article examines the use of references to the topography of Dublin in mimetic and anti-mimetic sections of Flann O’Brien’s At Swim-Two-Birds (1939). It studies the three different layers of fiction that have been defined on the basis of their ontological status within the narrative. The article argues that references to actual Dublin locations serve as a means of building and then breaking the mimetic framework of the seemingly realistic descriptions that belong to the first two layers (“reality” and “fiction” within the novel). The strikingly anti-mimetic Western novel sections (“fiction within fiction”), which lack any credibility in their depiction of Dublin, can be seen as a radical rewriting of the urban space that does in fact have the actual city’s character at its core. O’Brien thus unsettles the conventions (and the readers’ expectations) and explores the possibilities of representing elements of the real world in fiction.
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World Enough and Time
Views:97Book review:
Morse, Donald E. It’s Time: A Mosaic Reflecting What Living in Time is Like. Debrecen: Debrecen UP, 2022. 326 pages. ISBN 978-963-615-004-4. Open Access E-book and Pbk. HUF 4,000.
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Drink and Alcohol Literature: Two Critical Perspectives
Views:403The essay discusses two contrasting critical perspectives on the intersection between drink/alcohol and literature, claiming that criticism concerning the literature of the British Isles (English, Scottish, and Irish authors’ work) is generally text-oriented, that is, targets literature per se and the way writers thematize drink, while criticism concentrating on the American literary scene focuses on the alcohol-dependence of writers, and/or the way their alcohol-dependence affects their work, or the way alcoholism is portrayed in literary works. Whereas the criticism on authors in the British Isles emphasizes conviviality as a key trait of the way drink/drinking is represented in literature, studies on American authors often highlight drinking alcohol as a pathology, a physical, mental, and social malfunction. Thus, the former can be labeled drink/drinking literature, and the latter can be framed as what Marcus Grants has dubbed “alcoholism literature.” (WK)
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Telling the Untellable: Trauma and Sexuality in Big Little Lies
Views:589The problem of sexual violence, including rape, domestic assault, sexual harassment, and molestation has recently become a topical issue both in public discourse and popular culture. The unspoken individual traumas have found their way to the world of TV series, such as HBO’s mini-series Big Little Lies. The essay explores the unique ways in which the television series treats sexuality and personal traumas. It argues that while by no means can it be regarded as a soap opera, Big Little Lies occasionally uses and rewrites the genre-specific codes of this traditionally low-prestige television genre intended for women to alter the representation of individual traumas in popular culture. The use of flashbacks and involuntary repetition as narrative elements along with the retrospective framework of a criminal investigation make the serial form much suited to examine individual traumas. The television series attempts the almost impossible: to speak of the trauma’s unspeakability, and simultaneously it seeks to maintain its high viewership. (ZsOR)
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Transgressions and Reterritorializations as Markers of Minor Literature in Kurt Vonnegut’s Slapstick, or Lonesome no More!
Views:173Deterritorialization and reterritorialization are transgressive techniques in literature that characterize subversive literature. Gilles Deleuze and Félix Guattari suggest that questions about marginal literature or other forms of peripheral literatures must all be covered within the designation and definition of minor literature, not only if they are written in the language of the mainstream. Kurt Vonnegut’s Slapstick, or Lonesome no More (1976) is a set of deterritorializations and reterritorializations made possible through creative assemblage, a technique that allows a continuous flow of meaning, that is, meaning is not fixed, as language moves from one territory to another, constructing new assemblages and acquiring new meanings. Meaning changes each time a new assemblage is composed. Through the re-construction of family, love, and human relationships, the novel defies the alienating practices of the American society as presented in Vonnegut’s novel. (MM and WHRM)
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Experiments with Realism in Irish Language Short Stories by Daithí Ó Muirí
Views:138Relying on Joseph McMinn’s statement that the connection between realist and non-realist fiction is not a hierarchical relationship, this essay maintains that realism in Irish language fiction is, and has always been, an energizing force for experimentation. This is nowhere more evident than in the work of writer Daithí Ó Muirí (1954-), a native English speaker now residing in an Irish speaking area in Ireland. Much of Ó Muirí’s work is experimental due to his use of allegory and fantasy, yet many of the stories remain rooted in the realities of the world, particularly in his representations of masculinities and in works concerning the impact of war, violence, and displacement on men’s lives. The essay examines Ó Muirí’s first three collections, Seacht Lá na Díleann (1998), Cogaí (2002), and Uaigheanna agus Scéalta Eile (2002), in which he explores subjects that are classically realistic: war, death, religion, and relationships between men and women. The essay explores how Ó Muirí’s work often combines realism and magic realism, and shows that Ó Muirí’s fiction provides a fresh if somewhat bleak narrative of 21st century realism in Irish language prose fiction.
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Miles Franklin’s Growing Voice: Revisiting My Brilliant Career
Views:134Rather than any of her more mature writing, Miles Franklin’s debut romance, My Brilliant Career, has been cemented into the canon of Australian literary nationalism. The novel received ambivalent immediate responses upon its publication in 1901 for its unflattering representation of the author’s kin and society. Subsequent criticism soon accepted Franklin’s oeuvre as part of the dominant male discourse of late nineteenth-century Australia, but after the 1970s her writing came under new scrutiny from a feminist aspect. Recently, she has been placed in a long tradition of female writing and discussed for gendered ventures. Nonetheless, however dedicated a feminist Franklin later became, she did not yet search for women’s greater self-realization in her debut but for her own identity and place in the world as an adolescent. This article argues that although Franklin’s classic has become an icon of both nationalist and feminist literature, the dichotomy of these readings can best be appeased through the adolescent ramps of its protagonist. It is an adolescent novel, in which a growing voice argues with her superiors, peers, and self, thereby exploring her authorial, gendered, and national identity. (GTE)
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The Most Monstrous Kind of Art: Frankenfictions
Views:84Book review:
de Bruin-Molé, Megen. Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture. London: Bloomsbury Academic, 2019. x + 264 pages. ISBN 978-1350103054. Hb. £76.50.
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Irish History, Ethics, the Alethic, and Mise En Abîme in John Banville’s Fiction
Views:335A controversy within John Banville scholarship focuses on his seemingly ambivalent relation to his Irishness. The dominance of Banville’s philosophical topics has seemingly rendered the specifically Irish issues redundant. However, there are Irish traits that have significance for more subtle themes or motifs in certain novels. These passages often appear as side-paths in the eccentric protagonists’ meandering narration. In The Blue Guitar, Oliver Orme mentions that his “namesake Oliver Cromwell” attempted an attack upon the town in which his childhood home is situated, but eventually “the victorious Catholic garrison hanged half a dozen russet-coated captains” on the hill where the house stands and where “the Lord Protector’s tent” had been erected. Such casual remarks on violent historical incidents harbor a key to a particular Banvillean ethics. The frequently recurring prose structure of thematized mise en abîme and the mazes of signifiers indicate that no historical ontology in terms of a meta-narrative seems to exist. However, many of Banville’s novels revolve around the disclosure of a truth. This alethic element questions an all too convenient reliance on a completely constructivist understanding of history and thereby of Irish historical events appearing in the Banvillean oeuvre. (JW)
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Theater within the Graphic Novel about Theater: Neil Gaiman’s Concept of the Artist in His “A Midsummer Night’s Dream”
Views:112In his own version of A Midsummer Night’s Dream, Neil Gaiman exploits the possibilities in doubling: he presents the Shakespearean comedy as a play within the artistic space of his graphic novel and Such a reading reveals that what is a tool in Shakespeare’s play to visualize that art is capable of mirroring reality becomes a means to express the interchangeability of the realistic and the fantastic realms. Gaiman’s strategy of doubling thus suggests an understanding of life that surpasses the narrow interpretation of historical facts, and thereby it may offer a viable alternative to what we experience as reality.
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Migrants and Disaster Subcultures in the Late Anthropocene: An Ecocritical Reading of Octavia Butler’s Parable Novels
Views:341Affected by a shocking concatenation of ecological, economic, and political disasters, black, white, and multiracial characters in Octavia Butler’s Parable of the Sower (1993) and Parable of the Talents (1998) seek to cope with apparently insurmountable difficulties. These Afrofuturist Parable novels render a disintegrating US society in the 2020s-2090s, which is torn by internal and external chaos: it shows visible signs of pandemonium involving the crisis of individual, communal, and ecological survival. This ecocritical reading seeks to explore how Butler’s novels make up the fictional tapestry of an evolving human risk narrative whose anthropogenic effects on the planet might threaten an “ecological holocaust” (Charles Brown) unless fundamental green changes spur radically alternative modes of thinking and living. Throughout this paper, I am interested in how Butler’s texts address and construct the interaction of the human and the non-human world to create a storyworld in which distinct characters operate not only according to the logic of the narrative in their local places and (semi)private/communal spaces, but also as distinct configurations of the Anthropocene, that is, as agents of a larger story of humans. (EF)
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Stephen Daldry’s The Reader in Chekhov’s Mirror
Views:109This essay is devoted to a discussion of Stephen Daldry and David Hare’s film adaptation of Bernhard Schlink’s critically acclaimed but controversial Holocaust novel, The Reader (1995; 2008), through one of the film’s many intertexts—Anton Chekhov’s “The Lady with the Little Dog” (1899). The scenes related to this short story are crucial to the understanding of Daldry and Hare’s filmic reinterpretation of Schlink’s novel, since they form the mise en abyme of Hanna and Michael’s ambiguous story and stalled self-reflection. The parallels and contrasts of Chekhov’s and the filmmakers’ narratives call viewers’ attention to the ambivalences inherent in the main characters’ representation. Inspired by a passing reference to Chekhov in Schlink’s novel, the scenes alluding to “The Lady with the Little Dog” provide a metanarrative in The Reader, and, as such, reflect the adaptors’ heightened sensitivity to the ambivalences and complexities of reflecting the trauma of the Holocaust—not only for “the second generation” of Germans after World War II. (AR)