Keresés

Keresési eredmények

• Fellélegzés és illúziók – Nagy Imre első miniszterelnökségének visszhangja Hajdú-Biharban az MDP iratainak tükrében

  5-20

  Husvéth András

  Megtekintések száma:

  1

  Both the power struggles after Stalin’s death, and the new course of Soviet leadership in the Cold War lead to a turn in the Hungarian government, as well. The Stalinist Rákosi was succeeded by Prime Minister Imre Nagy, and his reign started off with a huge wave of reform declarations. The whole country was relieved as a result of the measures that somewhat mitigated the repression of the system and slightly raised living standards. The reforms met also in Hajdú-Bihar an almost unanimous sympathy: from the cooperative owners through the individual peasants, from the working class through the intelligentsia, every social layer in the county found the parts they liked in the government program. However, several people wanted to see more in the reforms than what they indeed meant, at some places, people saw even the complete retirement of the system behind these measures. The party apparat took the measures facilitating everyday life (the “new period”) uncomprehendingly nation-wide, thus even in Hajdú-Bihar, and therefore they moved sluggishly to realize those measures, finding them too much. When the evolution of foreign policy of the Cold War created unfavourable conditions, the Soviet government also drew back from Imre Nagy. Therefore, the reform era – that was happily welcomed and that compelled further hopes, and at some places, illusions – ended.

• Adalékok a nagyváradi színjátszás dualizmuskori történetéhez. Két eltérő színi évad a nagyváradi színkörben: 1877 – Kolozsvár, 1878 – Debrecen összehasonlító elemzése a korabeli sajtódokumentumok fényében

  71-82

  Bényei-Csáky Szabolcs

  Megtekintések száma:

  1

  In my study, I aim to provide additions to the history of acting in the era of Dualism. I contrastively examine two summer acting seasons before the stone theatre of Oradea was built, mainly emphasizing the exploration of press documents. The literature of theatrical history only touched the two seasons I study. Therefore, the articles of the local press of the time that were of smaller scale, and provided a micro perspective, put into a new philological and historical perspective the migration movements of acting in Oradea in this period of a couple of decades. From a philological and literature-sociological point of view, I have processed all the articles, news, advertisements and other pieces of information from the two local newspapers, the political and economic Oradea, and the political Freedom dailies from the period between May 1877 and September 1878. During my work, I also used the Theatrical Pocketbook documenting the season of ClujNapoca, as well as the Acting Pocketbook of 1877 from Oradea, which remained in the local archives. Unfortunately, no other theatrical resource remained in Oradea from the 1870s and 1880s. I have experienced that the newspaper articles of the time are authentic documents, as they correspond about the life, theatre events, forming public taste, and opinions of theatre critics of the period. The articles, as micro-resources, provide an insight into the logic and expectations of the local audience. Analysing the gazette resources shed light on certain new correlations. During my research, I came to the conclusion that the Theatre of Cluj-Napoca continued classical acting and represented this as the oldest troupe of Transylvania during their tours. Similarly, to the travelling troupe of Debrecen, this was a guild of actors and actresses from several locations, led by one common goal: the successful guest appearances. During consecutive years in Oradea that had already been on the track of turning into a bourgeois settlement, of the two different troupes, the Debrecen-Oradea troupe accommodated more successfully to the circumstances and audience of the city than the Cluj-Napoca troupe. Perhaps this was the reason why Béla Mándoky’s troupe was called back in 1879, as well as 1880 to the city.

• A Vásáry-ügy interpretációja a Debreczen lapszámain keresztül

  26-40

  Zakkar Antónia

  Megtekintések száma:

  1

  This study analyses the legal case of István Vásáry, the mayor of Debrecen, which took place between 1934 and 1935. The research focuses on the political attacks initiated against him, the attempts by radical right-wing groups to discredit him, and investigations related to the ownership issues of the Vásáry family. The accusations triggered immense media response, with the conservative-oriented daily newspaper ‘Debreczen’, which acted as Vásáry’s main supporter, coming to his defense and emphasizing his integrity as mayor. The study examines the relevant issues of the ‘Debreczen’ newspaper, offering an opportunity to chronologically track the events occurring in the city, as well as to juxtapose various political viewpoints. Additionally, it includes a detailed examination of the collection of József Pálffy, the editor-in-chief of ‘Debreczen.’ The final part of the work concludes the Vásáry case, presenting the outcomes of the disciplinary investigation and the legal proceedings.