Search
Search Results
-
Culture in Digital Format
12 p.Views:368The article analyzes the changes in traditional culture triggered by technologies and development of its new formats as a result, such as clip culture, screen culture, culture of computer games, etc. It touches upon the influence on culture of the personal computer and other numerous digital devices, in particular the Internet, artificial intelligence, computer graphics, and virtual reality. Traditional means of communication (books, photographs, audio and video recordings, digital TV, etc.) that are most influenced by digital technologies are also discussed. As traditional culture is losing its original features that emphasize the difference between different peoples, societies and their individual characteristics, all these processes are extensive, generating not only progressive, but negative trends. On the one hand modern culture has become accessible to everybody, on the other hand, it has lost the «romance» of personal communication. The article points out that nowadays the investigation of culture in digital format does not primarily mean analyzing its phenomena and artifacts in themselves. It is rather a matter of monitoring further transformations and contributing the unique features of traditional culture preservation, without diminishing the importance of digital technologies as a whole in society.
-
Global Culture: Discursive and Social Practices
10 p.Views:465The dynamics of modern society development is directly proportional to changes in its culture. In the discourse of global culture, there are many supporters of its real presence, and many opponents who claim that such a phenomenon does not exist in principle. The article considers various polar points of view. Arguments are presented that confirm the existence of a global culture formed as a result of multiple cultural contacts, including cultural tourism. Digitalization has become a new impetus for the development of global culture, which has large-scale ways to spread the achievements of world culture in General, and art in particular, to the population of the planet, regardless of location. Digital formats have proven their worth in specific social practices.
-
Culture and Normative Sociable Systems in a Period of Crisis: Issues of Theory and Practice
Views:193This article is devoted to the analysis of topical questions of the development of culture and normative sociable systems in a period of crisis. People faced new concept of reality in the third decade of 21st century. In the era of a brittle, anxious, nonlinear, incomprehensible world the question of responsibility for the state of culture and normative sociable systems is most acute. As representatives of culture, education and science, researchers can create the space of clean, healthy, favorable opportunities for the development in the post crisis period.
-
Trans-Disciplinary Methodology: Procreation Capital as a Basic Factor in the Viability of a Civilizational-Cultural Unit
12 p.Views:298The main problem raised in the paper is in line with a new trend of research, conceptual programs and practical activity that can be termed “hygiene of culture”. The study is transcritical in its character and proposes to consider the category of capital generated by the economy in relation to the reproduction of the population in its structural units of civilization and as a cultural community. Trans-discipline methodology is currently being developed, which makes the work is up-to-date. It develops basic aspects of the procreation capital category, which claims to be a generalization of the human capital category. The problem is the restoration of European culture, which has been eroded by the distortion of the ideas of market economy. The reason why it is particularly urgent to find a solution to the problem is the threat posed by the demographic situation of the developed countries of European culture and the adjacent countries of the Slavic-Orthodox cultural cluster by the actual organization of housing.
-
Era of Post-Pragmatical Strategies
12 p.Views:259An extended definition of culture as a phenomenon that includes processes and results of human communities interaction with wildlife, e.g. viruses is propounded. An indicator of development limitations of Global civilization-cultural integrity is proposed. We put forward the concept of a post-pragmatic strategy of a cultural unit. The latter signifies social integrity that represents a separate culture – a stable set of traits, categories, patterns reproduced in series of generations. We believe a cultural unit to be a large-scale system. Our study is carried out in the context of the emerging intellectual discipline Hygiene of Culture with the help of methodology of sustainable reproduction of a cultural unit. The aim of the study is to form methodological bases for the reaction of cultural unit aimed at confronting phenomena similar to COVID-19. The result is altruistic post-pragmatic strategy, free of mistrust. We propose to supplement the known security dilemma as follows. Actors allocate their military budgets in proportion to confidence/mistrust rates to opponents while likelihood of risk events in the environment increases according to sandpile model and information noise rises.
-
One can only Understand a Journey by Embarking on it
Views:234The present article is devoted to a new field of research in humanities–the „hygiene of culture” and its leader – Olga Szűcs. The formation of an international researh community is a long and difficult procedure. In the course of the development of the theoretical and the empirical basis of the „hygiene of culture” owing to Olga Szűcs’s personal qualities,the scientific and ethnic norms of a collective of researchers working in different fields of humanities have been set. The results of the research have been published in collective monographs. The paper considers Olga Szűcs’s main scientific contributions to this field and the role she played in this scientific project.
-
Linguistic Means of Constructing “Own” and “Other” in B. Akunin’s Novel "The Diamond Chariot"
Views:240The article discusses the ways of linguistic construction of the concepts of “own” and “other” in B. Akunin's novel The Diamond Chariot. The methodological basis of the study is cognitive discursive analysis. The protagonist of the novel arrives in Japan and meets with new realities, objects, places, social organization of life. In this process, we observe the contact of two cultures – the Japanese and European-Russian. Japanese appears in the novel in a wide layer of Japanese vocabulary, which is introduced into the text in a variety of ways (translation in the text, translation in a footnote, explanation, repetition with translation, the use of a foreign word in a typical context).The process of cognition of a foreign culture is accompanied by constant assessments through the prism of one's, previously learned experience. Evaluation is a structural characteristic of the construction of one's “own” and “others'” and reflects the dynamic nature of the process of acquaintance with a foreign culture. Other way stoembed foreign words in the text – using the structure of the concept – are also presented in the article. The experience of the meeting of two cultures also appears in the linguistic form in the communication of multilingual heroes of the novel among themselves, the characteristics of this discourse of strangers are described (interspersed in English, as well as interspersed in English and Japanese, written in Cyrillic).
-
The Transformation of Spiritual Culture in the Context of the Formation of the "New Ethics" (Problem Statement)
Views:327The article is devoted to the analysis of the spiritual values that are being formed today and the reasons for the actualization of the New Ethics. Catastrophic dynamism leads to the elimination of the stable social groups as well as to the maximum diffuseness of personal boundaries. At the same time, the transformation of the communication system brings an extremely vulnerable virtual body to the forefront of cultural life. The new communication system, social atomization, the lack of understandable guidelines in the process of socialization and self-identification - all this turns the concept of “border” into a basic one for the New Ethics. However, the design of boundaries and self-defense mechanisms does not always lead to the expected positive results. We come to the conclusion, that an initially inadequate assessment of the aggressiveness of the environment forces a person to build the most aggressive defense mechanisms: the man himself is transformed into a source of toxicity, which in turn makes the environment even more toxic than it was originally.
-
Hungarian–South Slavic film relations: An introduction
Views:241This study is an introduction to a larger work on Hungarian and Southern Slavic film relations. After reviewing the theoretical and conceptual considerations, the paper attempts to interpret the concepts of national film and transnational film, and it also outlines the types of Hungarian–Slovenian, Hungarian–Croatian, and Hungarian–Serbian film relations. Thus, from the Southern Slavic community, the study focuses on Slovenian, Croatian, and Serbian culture and film. Films from Bosnia and Herzegovina, Bulgaria and Northern Macedonia, and their Hungarian dimensions are also referenced, but the primary focus is the film culture of the three countries neighboring Hungary.
-
European Cultures in Leo Tolstoy’s Interpretation: Ambiguous and Unambiguous (on the Basis of the Sketch “Sevastopol in May” and the Novel “War and Peace”)
Views:274The article examines the embodiment of the interactions of Russian culture with French and German cultures in the course of global historical eventsin Tolstoy’s works. The review includes the Crimean War of 1853-1856 and the Patriotic War of 1812. The author analyzes the use of foreign language inclusions by the heroes of Tolstoyʼs works and the authorʼs assessment of them. Special attention is paid to the analysis of the ideas and images of European cultures, which help to express the worldview of the writer.
-
The chronotope of O. E. Mandelshtam’s Poems about the Unknown Soldier
Views:324The chronotope of O.E. Mandelstam’s Poems about the Unknown Soldier has at least three levels: (1) the level of internal time-space as immanent to the subject, the author-hero; this is the level of subjective refraction of events in individual consciousness/thinking; (2) the level of external time-space: the historical and natural beginning of world life (historical and physical cosmos) in their correlation; here worldly life is presented as if outside any of its perception from the outside, “by itself”; and (3) the mythical-symbolic dimension shining through the other two; the events here are interpreted in their parabolical content, including in the aspect of the philosophy of culture and intertextuality as a kind of “new mythology”.
-
Turgenev Today: On the Problem of Perception
17 p.Views:354The article deals with the question of how Turgenev’s work is perceived by the modern
reader. There are identified aspects related to the complexity of understanding the writer’s
texts, which are largely due to stereotypes that have developed in the culture of perception,
and are also features of his poetics. There are different ways of new interpretations of Turgenev’s
famous texts – those of the novels “Fathers and Sons” and “The Noble Nest”. In “Fathers
and Sons” the idea of reconciliation with contradictions is emphasized, and ‘The Noble’s
Nest” is considered a successful social project in literature. The article briefly highlights
the main stages of Turgenev’s popularizing Russian culture in the West. -
The Hungarian reception of Dostoevsky until the 1920s in the context of European and Hungarian Modernism
Views:285This paper deals with the questions Dostoevsky’s reception in Hungary in the late 19th and early 20th centuries. The author investigates the growing interest in Dostoevsky in the context of the new trends of art and literature and gives a detailed survey of the most characteristic reactions (i.e. reviews, studies, introductions to books) about the new translations and editions of Dostoevsky’s works. Among the most relevant questions addressed arestereotypes about Russian culture and people, living in Hungary duringthe past centuries, the various interpretations of Crime and Punishment, and some comparative aspects in the analyses of this novel.
-
The Features of Theatre Activity in Hungary: The Legal and Financial Basis (II)
12 p.Views:318Hungarian theatre system is the main object of the following article. The first part of article contains the general questions connected with the existing model of theatrical activity. Then there is the analytical review of the modern Hungarian legislation of area of culture and special attention is paid to the structure and content of Law XCIX / 2008 “On support and rules of employment in organizations of performing arts”. In the following part of the article all models which exist and develop in the country nowadays of direct and indirect financial support of theatrical organizations are considered. Since Hungarian and Russian theatre systems have some similar characteristics, the final part is devoted to possible partial adoption of Hungarian experience with a view to develop the institutions for the additional funding of Russian theatres.
-
Boldino as a carnival topos in the film “Guard Me, My Talisman” (1986) (Preliminary Notes)
Views:268The paper attempts to interpret the Boldino topos in the film directed by Roman Balayan “Guard Me, My Talisman” (1986). It discusses the main tendencies in the reception of the Pushkin myth in Soviet culture in the period from the 1960s to the 1980s – the neoromantic attitude to Pushkin’s personality and works in the texts of the “sixtiers”, the transformations of the myth in documentary cinema, and dissident literature over the next two decades. It examines the elements of cinema poetics of the time of “stagnation” and the cinema of Perestroika in the artistic structure of the film. The carnival character of the Boldino topos in the film is traced on several levels: the resemanticization of the “Paradise” topos, the discreditation of the social hierarchy and eclecticism of poetic texts, functions of the carnival dress-up, and deviance as an ostensible feature of the characters.
-
Curator of Culture
Views:292In 2024 we celebrate the 80th birthday of Professor Zoltán Hajnády. The articles in this issue of Slavica have been written by his colleagues to express their respect for him and his work. In addition to the international significance of Zoltán Hajnády’s research on Tolstoy, which is the main focus of his articles, the laudation introducing the series of articles also mentions a broader aspect of his work on Russian–European relations and reveals his deep personality. A representative of humanistic values, a great educator and scientist, he works for the mediation and mutual enrichment of Russian–Russian and Hungarian cultures. For this endeavour, Hajnády was honoured with the Pushkin Medal in 2006.
-
The Czech Language in Volhynia A. Arkhanhelska, O. Bláha, U. Cholodová (eds.): Čeština na Volyni. 2020. Olomouc. Univerzita Palackého v Olomouci. ISBN 978-80-88278-62-7
Views:217In 2020, a collective monograph was published in Olomouc dedicated to the nature of the Czech language and culture in Volhynia in today’s Ukraine, overviewing the settlement and history of Czech migrants in this area, including culture-specific features of the local Czech identity, especially in the late 19th and early 20th centuries. Language features, which play a significant role,are also described. The volume sheds light on phenomena of language contact, in subsystems such as phonetics and phonology, morphosyntax, and lexicology. In this context, the authors present and analyze empirical material. The book is an important contribution to the study of Czech cultural heritage outside the country’s borders.
-
The Features of Theatrical Life in Hungary: The Legal and Financial Basis
18 p.Views:229The present study is concerned with the Hungarian theatre system. In the first part general
questions connected with the existing model of theatrical activity are treated. This is
followed by an analytical review of modern Hungarian cultural legislation, in which special
attention is paid to the structure and content of Law XCIX / 2008 “On the support and rules
of employment in organizations of performing arts”. Then all the existing present-day models
of direct and indirect financial support of theatrical organizations are considered. Since the
Hungarian and Russian theatre systems have some similar characteristics, the final part is
devoted to possible partial adoption of Hungarian experience with a view to developing the
institutions for the additional funding of Russian theatres. -
Hero of Contemporary Russian Prose: Anna Skotnicka, Szczelina. Bohater współczesnej prozy rosyjskiej i jego światy, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2020, 335 s. ISBN: 978-83-233-4771-2
Views:220The text contains a review of the monograph by the Polish literary critic Anna Skotniсka A fissure: A hero of contemporary Russian prose and his worlds. The author considers incompleteness, absence, and insufficiency as a property of the existence of the character of the works of Russian writers of the late 20th to early 21st centuries. The sources of this problem, according to Skotnicka, can be seen in the state of disintegration of the social, psychological and mental image of the world in a changing reality, especially historical changes: the collapse of the Soviet Union, as well as political, cultural and social transformations. With these phenomena, the Polish literary critic also connects the concept of chaos, which is characteristic of the postmodern perception of the world as disunited, incomprehensible, alien in relation to people. Skotniсka considers these problems based on the works of Mikhail Kuraev, Svetlana Aleksievich, Roman Senchin, Lyudmila Petrushevskaya, Lyudmila Ulitskaya, Vladimir Makanin, and Mikhail Shishkin. The author refers to the current achievements of the humanities, especially philosophy. The work is innovative and stimulates reflection on the state of the modern human.
-
«Chekhov’s Stage Set»: «The Cherry Orchard» in the Russian Poetry of the 20th – Early 21st Century
8 p.Views:368Chekhov’s text is one of the most significant constituents of the Russian poetry of the 20th – early 21st centuries. The one most frequently alluded to is the play by Chekhov – «The Cherry Orchard». The play written at the break of historical epochs turns out to be in tunes with the times of another turning-point. This fact conditions the allusion to the Chekhov’s text in a poem «The Young Poetry» by V. Kornilov. The main feature of the crucial time period in the poem is the category of freedom, unexpectedly granted during the historical turn and change. The key theme, which determines the historiosophical sense of the text, is a quotation from «The Cherry Orchard», a dialogue between Gaev and Fiers. I. Kabysh perceives the Chekhov’s play both mythopoetically and symbolically in such poems as «How Niveous-White Everything Is in Russia Today! » and «The Snow Started to Fall Without Delays». She introduces a different time into the text, models the reality after the events described in «The Cherry Orchard» and interpreted by the author of the poem in the lower clef (as in «crumbled estate»). The loss of the Garden, its disintegration, the loss of entity, is a gradual, step by step, process – into dachas, then into dust; that is the way the motif of vanishing space and culture appears.
-
The Search for a Social Ideal as a Cultural Tradition of Russian Thought
Views:268This study investigates some important lines of Russian social thought of the 19th and early 20th centuries in the context of the interpretation of the social ideal. Four perspectives of the problem are outlined: the first one is cultural geographic, divided into three branches (Westernism, Slavophilism and, Eurasianism), the second one is sociological positivism, the third one is philosophical liberalism, and the fourth one is religious thought. The cultural-geographic orientation created a wide field of the work of social thought in studying the paths of social development. Sociologists positivists P. Lavrov and N. Mikhailovsky, who were founders of ‘narodnichestvo’ movement, formulated the notion of social ideal as an object of sociological research. The positivist perspective that was intended for the ideals of social solidarity, transformed into the left the traditionalism that was narodnichestvo ideology. Narodnichestvo created the ideal prerequisites for the dissemination of Marxism in Russia. Liberal philosophic thought offered the original concept of the development of personality as a social ideal (P. Novgorodtsev). The fourth perspective was closest to the modern comprehension of the processes of unification of humankind and the development of the world economic system. The issue of social ideal thus became the main tradition of thought in the pre-revolutionary Russia.
-
Cultural Policy of Russia and Hungary: Modern Discourse and New Actors
11 p.Views:360The authors of the article argue that contemporary cultural policy discourse is in the focus
of attention of scientific communities, social and political organizations and government institutions.
It represents a sort of symbolic struggle and nominations and has necessitated a
new approach to cultural policy structuring. The article shows that this necessity is demonstrated
by the development of cooperation between Russia and Hungary in terms of cultural
sectors and cultural heritage. Expert communities and non-governmental organizations are
becoming significant elements in the structure of cultural policy subjects. The association
“For Hungarian-Russian cooperation named after Leo Tolstoy” has become such a key issue.
The authors of this article attempt to highlight the most essential contemporary issues in
the sphere of cultural policy in general and in relation of two separate countries – Russia and
Hungary – through the scientific project “Hygiene of culture”. -
On the Mystery of Interpretation: Studia Humanitatis. Ars Hermeneutica. Metodologie A Theurgie Hermeneutické Interpretace IX. Kolektiv autorů. red.: Jan Vorel. Ostravská univerzita: Ostrava 2022., 148 p., ISBN: 978-80-7599-333-5
Views:160The aim of this review is to introduce the ninth volume of the publication series Studia Humanitatis, Ars Hermeneutica, published by the Department of Slavonic Studies, Faculty of Arts, University of Ostrava in the Czech Republic. The monograph is an output of proceedingsfrom conferences which are regularly organized by this department. Attention to the art of interpretation and the related need to situate works of art in a complex web of cultural and historical connections is an important part of the effort to understand the deep context of artistic creation as such and the possibility for recipients to gain the most accurate understanding of the message conveyed by a work of art. The monograph highlights a number of aspects of artisticcreation: it notes the circumstances of the creation of the artwork, the ability of the interpreter to place the artwork in the context of the historical conditions in which it is created, and the theoretical concepts that can be used for its interpretation.
-
The Audience of Art: Myth and Reality
13 p.Views:418Interest in the audience arose while art became public and since then it has not weaken, rather it has become more and more special. For more than a century the audience of art has been the subject of systematic scientific research. Why then is the problem of the relationship between art and its audience becoming once again a topical issue? The consequences of the civilizational shifts in the last decade have clearly shown: the things that have for a long time been considered true suddenly turn out to be illusive or banal in the changing world. In the modern market paradigm of the artistic culture development, the problem of the relationship between art and its audience acquires a new sound. A theater, a museum or a concert organization needs not the social and cultural portrait of the spectator, but an understanding of the causes and characteristics of its consumer behavior in the wider context of cultural life. And the first step to overcome the communication barriers between art and its potential consumers should be the abandonment of stereotypes and outdated research approaches.
-
The Emigré Writers of the Empire : Other Coasts of Russian Literature and Culture: Ideas, Poetics, Contexts. Collective Monograph. Eds. Elżbieta Tyszkowska-Kasprzak, Ilona Motiejunaite and Alfija Smirnova in cooperation with Maria Gej. Scriptum, Wroclaw ‒ Krakow 2021, p. 494 ISBN 978-83-66812-37-6
Views:225This volume of studies on Russian émigré literature was published during the last year before the war in a form of scholarly cooperation between Polish, Russian, Ukrainian, and Czech scholars unthinkable today. The theme of joint research makes the work even more interesting, because Poles have a very different understanding of the mission of émigré writers than Russians. In the first chapter of the monograph, entitled The History of Emigration, we find interesting biographical portraits of prominent figures such as Alexander Herzen and Gleb Struve. In the next part we read mainly about ideological problems and ethnic stereotypes. The third chapter focuses on the problems of poetics, and the last on heterotypes. The aspects of the analyses also touch upon the poetics of space and imagology.
