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The Vampire as the Mythological Creature in the Cinematography of South Slavic Countries: Vampire in Films “Leptirica” and “Holy Place” - Folkloric Juxtaposition
83-96Views:68Mythological creatures have enchanted and intrigued human beings for ages, and humans unconsciously stimulated their fears and insecurities. People have created a vampire-paranormal obsession that is reflected in everything that human creativity has touched, especially in film adaptations. In this article, readers will see the representation of the mythological creature Vampire on the Serbian film screen. The article dissects two selected films, “She-Butterfly” and “The Holy Place” from the vampire-induced horrors of the South Slavic cinematography. They will representatively be the focus of the study. These examples will reveal how the film of that time conjured up the horror, fear, and general aura of the mythological creature Vampire that has haunted the human race for centuries. In contrast to film representations, the author places a vampire from folklore as a pillar for comparison or a test sample to analyze the similarities, differences, and credibility of the representations in the film. Regarding the supportive material, we will extensively rely on the "Serbian Mythological Dictionary" as it provides a solid collection of various folk explanations and descriptions, which we will use for comparison. The methodological approach includes a description of the film plot with important elements, the analysis of the mentioned elements of interest within separate important parts of the plot, and a comparison with a folklore vampire within the analysis.
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INEXPLICABLE BEINGS, PHENOMENA, AND EVENTS, CATEGORIZED AS MYTHOLOGICAL, AMONG THE PEOPLES OF THE SOUTH SLAVS: COLLECTIONS OF FOLK TALES, INTERVIEWS WITH STORYTELLERS AND MYTHOLOGICAL BEINGS IN MODERN NOVELS
135-148Views:190This article contains the basic structural features of a same-named Ph.D. research thesis. The main tasks of the research are to identify three focal fields with mythological elements, whether they are phenomena, objects, people, or creatures that some believe and others doubt exist. These focal fields are found in various collections of folk stories, and contemporary literary texts as well as in interviews with storytellers. However, the focus of this article is primarily on the introductory story and on providing the background of the general idea. The goal is to acquaint the readers with the background that explains the origin of the mentioned stories among the people. It talks about death, man’s natural fear of it, and the world of the paranormal, religious, and mythological, which combined create inexplicable phenomena that contradict the rational reasoning of man. One of the hypotheses of the research itself is to understand why this phenomenon is still present in the human community and what benefits it brings. Furthermore, the methodology used in the research includes a comparison and contrast of information between folk stories and contemporary literary works. In addition, the most important research method used is the interview technique with the aforementioned storytellers with strategically selected persons who are assumed to possess quality information.