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• REVISION OF HUNGARIAN VERSIONS OF THE ALTERNATIVE USES AND CIRCLES CREATIVITY TESTS IN CASES OF ELEMENTARY AND SECONDARY SCHOOLS STUDENTS

  41-47

  Katalin Mező

  Ferenc Mező

  Views:

  1036

  Although time plays a role as a latent or explicit factor in all creative processes, a direct examination of the role of time occurs less frequently in creativity research (Mező K., 2017; Mainemelis, 2002; Runco, 1999). This study focuses on the revision of Hungarian versions of creativity tests because the last standardization of these tests had been for more than 30 years. The applied tests were the Alternative Uses Test (as verbal creativity test), the Circles Test (as a figural test), and the Raven nonverbal intelligence test (as a complementary means of study). The sample of this study was 1363 elementary and secondary school students, whose 35331 responses were recorded and analyzed. According to the results, the differences in scores of the old and new (revised) evaluation tables of all tests and age groups are significant (p ≤ 0,05). From the viewpoint of the revised scores, there is a significant difference with respect to fluency, originality, and flexibility in both tests and all age groups. However, the differences in scores of other indicators (average originality, relative flexibility, and revised average originality) are not significant.

• MANIFESTATION OF AGGRESSION IN THE CREATIVITY TESTS

  43-55

  Katalin Mező

  Ferenc Mező

  Views:

  431

  Although the research of interaction of aggression and creativity dates back to the beginning of the early 1900, the possibility of creativity tests to use to examine aggression is novel. In the present study (as a pre-study of long-term research which aimed to create and validate an aggression index) we focus on frequency and correlations of aggressive responses which manifest in creativity tests. Methods. We analyze the differences and correlations of a number of aggressive responses which were given to stimuli the Unusual Uses and the Circle test (verbal and nonverbal creativity tests; N = 356 people). According to our results, the numbers of aggressive responses to the different stimuli of creativity tests: a)  are significantly different (p<0,001), b) do not correlate with each other widely (max r=0,414), c) depend on sample-variables of gender and age. In the case of creativity tests, we think it is possible to elaborate on a special aggression index, but during this work, we have to consider the results of this study.

• THE SHAPING OF PSYCHOMETRIC CREATIVITY AMONGST SECONDAY GRAMMAR SCHOOL STUDENTS IN A FOUR YEAR LONGITUDINAL STUDY

  41-53

  Katalin Mező

  Views:

  161

  In this study, we analyze the test-retest reliability of psychometric creativity tests and their connection with intelligence. Sample: n =107 (males: 66; females: 41) secondary grammar school students. Method: in the year 2011 we applied the verbal Unusual Uses and the figural Circles creativity tests, and (as an additional test) the APM intelligence test, and we repeated these examinations in 2014. Results: there are moderate correlations between pre-and posttests (after four years) in the cases of creativity tests (rs = 0,30-0,51) and intelligence test (r = 0,53), too. The students with higher pre-test scores will probably have higher score differences between pre- and post-test than the students with lower pre-test scores (rs = 0,28-0,57).

• The Vampire as the Mythological Creature in the Cinematography of South Slavic Countries: Vampire in Films “Leptirica” and “Holy Place” - Folkloric Juxtaposition

  83-96

  Milena Medojevic

  Views:

  109

  Mythological creatures have enchanted and intrigued human beings for ages, and humans unconsciously stimulated their fears and insecurities. People have created a vampire-paranormal obsession that is reflected in everything that human creativity has touched, especially in film adaptations. In this article, readers will see the representation of the mythological creature Vampire on the Serbian film screen. The article dissects two selected films, “She-Butterfly” and “The Holy Place” from the vampire-induced horrors of the South Slavic cinematography. They will representatively be the focus of the study. These examples will reveal how the film of that time conjured up the horror, fear, and general aura of the mythological creature Vampire that has haunted the human race for centuries. In contrast to film representations, the author places a vampire from folklore as a pillar for comparison or a test sample to analyze the similarities, differences, and credibility of the representations in the film. Regarding the supportive material, we will extensively rely on the "Serbian Mythological Dictionary" as it provides a solid collection of various folk explanations and descriptions, which we will use for comparison. The methodological approach includes a description of the film plot with important elements, the analysis of the mentioned elements of interest within separate important parts of the plot, and a comparison with a folklore vampire within the analysis.