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• The Jinn – The Culprit of the Arabic World

  107-122

  Kinga Németh

  Views:

  59

  The article attempts to ponder on the prevalent religious beliefs, urban (vernacular) legends, everyday customs and traditions related to the figure of the jinn and its origins. The study will discuss the mentioned from the point of view of official Sunni Islam, in order to better unweave the disposition Islam towards superstitions and vernacular beliefs.  The aim of study is to provide the generic Islamic concept about the jinn and to place it into a context within the framework of individual interpretations of the interview subjects who reside in Kuwait, are Sunni Muslims, men, and women, between the age of 18-65. The applied resources were the Holy Quran, websites marked authentic for Quran interpretations, and contemporary and past literature written on the subject. Further, several interviews with the local Arabic community, blogs, articles of urban legends, and Ruqyah are the backbones of the present paper.

• The Vampire as the Mythological Creature in the Cinematography of South Slavic Countries: Vampire in Films “Leptirica” and “Holy Place” - Folkloric Juxtaposition

  83-96

  Milena Medojevic

  Views:

  33

  Mythological creatures have enchanted and intrigued human beings for ages, and humans unconsciously stimulated their fears and insecurities. People have created a vampire-paranormal obsession that is reflected in everything that human creativity has touched, especially in film adaptations. In this article, readers will see the representation of the mythological creature Vampire on the Serbian film screen. The article dissects two selected films, “She-Butterfly” and “The Holy Place” from the vampire-induced horrors of the South Slavic cinematography. They will representatively be the focus of the study. These examples will reveal how the film of that time conjured up the horror, fear, and general aura of the mythological creature Vampire that has haunted the human race for centuries. In contrast to film representations, the author places a vampire from folklore as a pillar for comparison or a test sample to analyze the similarities, differences, and credibility of the representations in the film. Regarding the supportive material, we will extensively rely on the "Serbian Mythological Dictionary" as it provides a solid collection of various folk explanations and descriptions, which we will use for comparison. The methodological approach includes a description of the film plot with important elements, the analysis of the mentioned elements of interest within separate important parts of the plot, and a comparison with a folklore vampire within the analysis.