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• Notes on László Gáldi's (Italian) stylistics

  108-121

  Diego Stefanelli

  Views:

  129

  The paper deals with László Gáldi’s Introduction to Italian Stylistics (1971), placing it in the coeval context of the methodological discussions between stylistics and structuralism in the 60s and 70s, as well as in the history of the Italian stylistics in the 20^th century.

  It investigates the theoretical sources of Gáldi’s book, which was influenced by different reference points: the European Romance philology, the Russian literary theory (mainly Viktor Žirmunskij’s approach to stylistics) and the Rumanian aesthetics and literary criticism.

  Moreover, it shows the connection between the Introduction and Gáldi’s previous works, particularly the important book on the poetical style of Mihai Eminescu (1964), maybe Gáldi’s most relevant stylistic study, and other significant works of the same period (an interesting stylistic analysis of Musset’ Stances and a historical study of Rumanian versification).

  In doing so, it shows the rich methodological and theoretical sources of Gáldi’s Introduction and the peculiar position of the Hungarian scholar in the history of European stylistics.

• "Sad is such art and sad what spends / all its time in such works": critical edition and commentary on the Alfabeto de' giuocatori by Giulio Cesare Croce

  110-124

  Gloria Camesasca

  Views:

  153

  Giulio Cesare Croce (1550-1609) was a polygraph who composed several poetical works that describe the daily life of the Bolognese people. This paper examines Alfabeto de’ giuocatori, a poem dedicated to the theme of the game and of the vices and virtues of the players. The author analyzes the poem and discusses the transmission of the text and philological variants. The article is concluded by the critical edition and the commentary (regarding philological, linguistic, lessical and literary aspects).