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• Success and Translation of Italian Literature in Hungary

  20-35

  Péter Sárközy

  Views:

  241

  Literary criticism, both in Hungary and in Italy, has paid great attention to the fortune and irradiation of Italian literature in Hungary, just think of the thirteen volumes, the result of the scientific collaboration of the Giorgi Cini Foundation of Venice and of the Hungarian Academy of Sciences. The article aims to offer a broad overview of the success of the Italian literature in Hungary, especially through translations. The article reviews the various historical periods and literary movements that characterized the literary contacts between the two countries. Until the second half of the eighteenth century, the irradiation of Italian literature was first of all manifested in the use of literary models and poetic formulas in the works of the major authors of Hungarian literature. The 19th century saw instead the season of translation of the great classics of the first Italian literature (Dante, Petrarca and Boccaccio) translated again in the twentieth century, thanks also to the commitment of the Magyar Italianists. Finally, the article focuses on the present situation, describing the translations of contemporary authors

• For a dream grammar in the "Decameron". Forms and structures of the oneiric themed novels

  96-109

  Tancredi Artico

  Views:

  299

  This paper takes into account the oneiric issue in Giovanni Boccaccio Decameron, with the aim of defining Boccaccio’s overall “grammar of dreaming”: besides an accurate investigation on Decameron’s sources, which range from classic to Medieval literature, it retraces the narrative constructions of the short-novels with oneiric subjects, hypothesizing the existence of two main schemes. In the short-tales on a vision (which are the most known), it is almost always replied the scheme of the “tale in the tale”, due to the creation of a imaginary world with its own rules. Meanwhile, in the short tales of deceiving, the dream is useful to trick the naive antagonist, making him believe something unbelievable. In both cases, it has a deep influence on the so-called “statute of reality” (Amedeo Quondam): in the first, there is the invention of a new reality; in the second it is deconstructed instead.