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• «Odio finanche la lingua che si parla». Power and freedom in Vincenzo Consolo's Nottetempo, casa per casa

  85-95

  Giuseppe Traina

  Views:

  18

  The essay studies the relationships between the novel Nottetempo, casa per casa and the linguistic considerations disseminated by Consolo in other texts. Consolo does not limit himself to criticising the language of fascism but broadens his critical analysis to the language of power as such and the languages of opposition, when they are tainted by empty rhetoric. In this sense, the protagonist’s final escape also takes on a palingenetic value from a political point of view

• Populism: A Controversial Historiographical Category

  80-94

  Marco Pignotti

  Views:

  286

  The note stems from the need to carry out a survey on recent international literature dedicated to populism, starting above all from the considerations contained in The Populist Temptation by Eichengreen, and in From Fascism to Populism in History by Finchelstein, as well as the results from the Oxford Handbook of Populism, edited by Rovira Kaltwasser, Taggart, Ochoa Espejo and Ostiguy. The contrasting reflections recorded around a phenomenon so debated allow to delineate the elements, that justify the introduction of a historiographical category in its own right and to project some definitions on the entire history of the Italian political system. The intention of this overview is to construct a catalog of the various interpretations of populism that have emerged in recent years. It is noteworthy that in the years following World War II until the present day, publications on populism have been produced in a discontinuous fashion, thus rendering the subject even more elusive and unclassifiable.

• Ondina and the ondine: Representation issues (verbal and iconographic) of the sporty woman in fascist Italy (ca. 1933)

  140-160

  Marco Giani

  Views:

  536

  In late 1933, L'Osservatore Romano fuelled an argument against Il Littoriale, mouthpiece of the Fascist sport policy, about women’s sport: the Vatican Italian-speaking newspaper was against the public women’s athletic meetings, and the “immoral” shorts dressed by the young Italian athletes, such as Ondina Valla, going-to-be the first Italian woman to win an Olympic gold medal (1936, Berlin). Which was the situation of Italian female sports, at that time? Which was the influence of new women models coming from US? What was considered “immoral” by conservative people in 1933 Italy watching a women’s athletic or swimming meeting? How Hollywood stars could help Ondina and her mates on the road of female emancipation? These are the questions this essay is going to answer, helped by a lot of historical images, useful to reconstruct a whole collective imagination.