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• Images of Salvation: Rhetoric and Emotion in Jesuit Missionary Preaching

  30-49

  Orsolya Száraz

  Views:

  52

  This article examines the manuscript Opp. Nn. 211 of the Archivum Romanum Societatis Iesu, attributed to Antonio Baldinucci (1665-1717), as an exemplary case of Jesuit missionary preaching in the seventeenth and eighteenth centuries. The thirteen “ragionamenti” it contains reflect the Ignatian tradition of the Spiritual Exercises and the Tridentine doctrine of penance, but above all they reveal a homiletic strategy centered on the stirring of the emotions. The rhetorical-stylistic analysis highlights the systematic use of biblical and patristic quotations, of similes drawn from everyday experience, of exempla and vivid imagery, as well as figures such as hypotyposis, apostrophe, and dialogismus, all aimed at intensifying the dramatic and performative dimension of the sermon. Conceived for oral delivery rather than for print, these sermons demonstrate how Jesuit rhetoric deliberately selected techniques of strong emotional impact, adapting them to a rural and uneducated audience in accordance with the principle of accommodatio. Far from being improvised discourses, the “ragionamenti” of the manuscript show a solid and purposeful rhetorical culture, which made visuality and emotion the cornerstones of missionary persuasion.

• «Odio finanche la lingua che si parla». Power and freedom in Vincenzo Consolo's Nottetempo, casa per casa

  85-95

  Giuseppe Traina

  Views:

  80

  The essay studies the relationships between the novel Nottetempo, casa per casa and the linguistic considerations disseminated by Consolo in other texts. Consolo does not limit himself to criticising the language of fascism but broadens his critical analysis to the language of power as such and the languages of opposition, when they are tainted by empty rhetoric. In this sense, the protagonist’s final escape also takes on a palingenetic value from a political point of view

• The novel Libertà by Verga and the demythologization of Risorgimento rhetoric

  30-38

  Mario Cimini

  Views:

  413

  Giovanni Verga’s tale Libertà has often been object of multifaceted – and frequently discording –critical interpretations, being the most common readings those of who saw in it a clear bias for the Italian Risorgimento (despite its violent development), and those who read it as an expression of resilient skepticism by the author towards the same historic event. Leonardo Sciascia, for example, uses the term “mystification” to describe Verga’s attitude towards Bronte’s insurrection, at a time – 1860 – when Garibaldi was carrying out his well-known Expedition of the Thousand.

  The essay goes through all the noteworthy moments of this critical tradition, eventually deducting that it is by no means possible to draw firm assertions about Verga’s political ideology with the sole literary work as a point of reference. It argues instead that the author’s literary eminence must be seen in his outstanding ability to raise such a vast array of multilayered interpretations in the readers.