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• Irish History, Ethics, the Alethic, and Mise En Abîme in John Banville’s Fiction

  Joakim Wrethed

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  360

  A controversy within John Banville scholarship focuses on his seemingly ambivalent relation to his Irishness. The dominance of Banville’s philosophical topics has seemingly rendered the specifically Irish issues redundant. However, there are Irish traits that have significance for more subtle themes or motifs in certain novels. These passages often appear as side-paths in the eccentric protagonists’ meandering narration. In The Blue Guitar, Oliver Orme mentions that his “namesake Oliver Cromwell” attempted an attack upon the town in which his childhood home is situated, but eventually “the victorious Catholic garrison hanged half a dozen russet-coated captains” on the hill where the house stands and where “the Lord Protector’s tent” had been erected. Such casual remarks on violent historical incidents harbor a key to a particular Banvillean ethics. The frequently recurring prose structure of thematized mise en abîme and the mazes of signifiers indicate that no historical ontology in terms of a meta-narrative seems to exist. However, many of Banville’s novels revolve around the disclosure of a truth. This alethic element questions an all too convenient reliance on a completely constructivist understanding of history and thereby of Irish historical events appearing in the Banvillean oeuvre. (JW)

• Introduction

  Andrea Timár

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  70

  Introduction to the Special Thematic Block: Human Boundaries / Boundaries of the Human

• Memorials of the Irish West: John McHugh, Paul Durcan, and Harry Clifton

  Joanna Kruczkowska

  Views:

  90

  The article examines John McHugh’s sculpture (1950s Boat, 2009), Paul Durcan’s poem which it inspired “1950’s Boat (after John McHugh)” (2009)—both focusing on the Achill island—and another poem referring to the Blaskets, Harry Clifton’s “The Year of the Yellow Meal” (2012), trying to answer the question in what respect they stay close to realism and in what they approach experimentation. McHugh’s sculpture takes on an experimental form made of fragments of real stories, Durcan’s poem begins with this experimental sculpture and drifts towards realistic details but triggers experimental speculations, while Clifton’s poem mediates the Blasket biography through a style akin to magical realism in prose. All three palimpsestic works investigate issues of parochialism and marginalization faced with migration and cosmopolitanism, touch on the ethics (or rather, the lack) of gender policy and globalization, and by doing so, enquire about the Irish West’s disappearing culture.

• All the World’s a Monster

  Ildikó Limpár

  Views:

  115

  Book review:

  Nirta, Caterina and Andrea Pavoni, eds. Monstrous Ontologies: Politics Ethics Materiality. Series in Philosophy. Wilmington: Vernon Press, 2022. xxxiv + 220 pages. ISBN 978-1-64889-307-0. Pbk. $51.00.

• The Success of Jewish Agricultural Colonies in Western Canada

  Eric Wilkinson

  Views:

  139

  This article assesses the history of Jewish agricultural settlements created in Western Canada in the late nineteenth and early twentieth centuries. The first settlements were founded following the 1881 Russian pogroms, at which time Canada’s Jewish community tried to resettle refugees in Western Canada. The result was the establishment of over a dozen farming colonies at the turn of the nineteenth and twentieth centuries. By examining the documentation produced by the colonists and the organizations that facilitated their settlement, it is possible to reconstruct the lives of the colonists in each community. This study investigates documents available for twelve different communities that span the Prairies. Settlers report several impediments to their success, including inexperience, poor soil, natural disaster, anti-Semitism, poor administration, and financial hardship. However, the decisive factor which brought an end to the colonies was upward social mobility. They were victims of their own success, unable to maintain their numbers as younger generations moved away, and parents joined them when they retired. The analysis of the farm colonies reveals the causes of their decline and provides grounds for re-evaluating their legacy. (EW)

• Metaleptic Confessions: The Problematization of Fictional Truth in Paul Auster’s Invisible

  Péter Csató

  Views:

  240

  This essay focuses on Paul Auster’s novel, Invisible (2009), aiming to explore the text’s intricate metafictional dimensions, especially the deployment of metalepsis as the main organizing principle of its narrative structure. The author argues that the novel employs a subtle metaleptic narrative structure, which moves beyond the classical postmodernist phase of textual experimentation, and serves as a means of raising questions of ethical and existential relevance. Metalepsis is construed in the paper as a trope of transgression, whereby its epistemological and ontological functions are regarded as a means to an end, which is the problematization of the interrelation between narrative structure and ethical agency. The main contention of the article is that the novel’s surreptitiously deployed metaleptic structure results in the ontological destabilization of the narrative, which in turn undermines the epistemic function (truth-telling) of the act of confession, so its ethical purpose (atonement, absolution) remains unfulfilled. (PCS)

  This article is a revised version of a previously published one which originally appeared in Hungarian. See the following link: http://www.epa.hu/00000/00002/00253/pdf/EPA00002_alfold_2019_09_080-096.pdf