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  • Hero of Contemporary Russian Prose: Anna Skotnicka, Szczelina. Bohater współczesnej prozy rosyjskiej i jego światy, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2020, 335 s. ISBN: 978-83-233-4771-2
    Views:
    274

    The text contains a review of the monograph by the Polish literary critic Anna Skotniсka A fissure: A hero of contemporary Russian prose and his worlds. The author considers incompleteness, absence, and insufficiency as a property of the existence of the character of the works of Russian writers of the late 20th to early 21st centuries. The sources of this problem, according to Skotnicka, can be seen in the state of disintegration of the social, psychological and mental image of the world in a changing reality, especially historical changes: the collapse of the Soviet Union, as well as political, cultural and social transformations. With these phenomena, the Polish literary critic also connects the concept of chaos, which is characteristic of the postmodern perception of the world as disunited, incomprehensible, alien in relation to people. Skotniсka considers these problems based on the works of Mikhail Kuraev, Svetlana Aleksievich, Roman Senchin, Lyudmila Petrushevskaya, Lyudmila Ulitskaya, Vladimir Makanin, and Mikhail Shishkin. The author refers to the current achievements of the humanities, especially philosophy. The work is innovative and stimulates reflection on the state of the modern human.

  • The Cult of Pushkin in the Context of Popular Literature Over the Course of a Century (1837–1937): Kalavszky Zsófia: A totális Puskin. Populáris műfajok a Puskin-kultuszban, 1837–1937 [Zsófia Kalavszky: The total Pushkin. Popular genres in the Pushkin cult, 1837–1937]. Budapest, Reciti, 2024, 398 p. ISBN: 978-963-672-015-5
    Views:
    75

    The publication of Zsófia Kalavszky’s monograph is a landmark event in the field of Russian studies in Hungary. In this thorough scholarly work, Kalavszky explores the nature of the Pushkin cult, offering important findings into the century following the Russian poet’s death and tracing his evolution into an iconic figure. Rather than focusing on commemorative texts by literary giants, she ventures into the realm of popular literature to track the shifts in the myth surrounding Pushkin, reflecting changes occurring in specific historical eras and within the receiving audience. The monograph conveys in-depth expertise in a way that makes it an engaging read for a broad audience.

  • The first steps in the study of the Bulgarian language in Hungary
    Views:
    333

    The article analyzes the handwritten notes from a book in the ELTE library (BOL/ Или-002), which preserves the testimonies of the activities of the first Hungarian Slavist, prof. Oszkár Asbóth (1852–1920). The only copy of the Collection of At. Iliev (1889) contains unique information about the beginning of academic Bulgarian studies in Hungary and restores lost traces of professional and personal contacts between Hungarian and Bulgarian scholars.

  • The Current Status of Corpus Linguistics in Russian Linguistics (Shuneyko, A. A. : Корпусная лингвистика. Учебник для вузов. 2020. Moscow, Yurayt ISBN 978-5-534-13603-6)
    Views:
    438

    Corpus linguistics is a relatively new, however rapidly developing area of linguistics. Nevertheless, the methodology of corpus research and its results are scarcely applied in current linguistic research. In the present article a short overview of the history of corpus linguistics is given. The difficulties of the development and spreading of this discipline in Russia is also described. A brief outline of Russian textbooks on corpus linguistics is also provided with special focus on Shuneyko’s latest work.

  • “... studying travelogues often becomes a journey...”: A. Y. Sorochan: Travel writing as literature. Monograph. Tver, “Alpha Press”, 2024, pp. 254. ISBN: 978‐5‐98721‐073‐4
    Views:
    308

    The present review analyzes the monograph of A. Y. Sorochan, published in 2024. The author is a philologist, a professor at Tver State University who specializes in the history and theory of literature. He defended his doctoral dissertation titled “Motivation in the Russian Historical Novel of the 1830s–1840s”, which focuses on a unique combination of historical and literary approaches. This monograph is thematically close to Sorochan's dissertation and consists of three parts: in the first the author speaks generally about travel literature; the second section is devoted to works of Russian literature; and the third section contains reviews of books on travel literature. In this critical article, the specificity of historical and imagological approaches in Sorochan's work on travel literature is analyzed.

  • On the Mystery of Interpretation: Studia Humanitatis. Ars Hermeneutica. Metodologie A Theurgie Hermeneutické Interpretace IX. Kolektiv autorů. red.: Jan Vorel. Ostravská univerzita: Ostrava 2022., 148 p., ISBN: 978-80-7599-333-5
    Views:
    183

    The aim of this review is to introduce the ninth volume of the publication series Studia Humanitatis, Ars Hermeneutica, published by the Department of Slavonic Studies, Faculty of Arts, University of Ostrava in the Czech Republic. The monograph is an output of proceedingsfrom conferences which are regularly organized by this department. Attention to the art of interpretation and the related need to situate works of art in a complex web of cultural and historical connections is an important part of the effort to understand the deep context of artistic creation as such and the possibility for recipients to gain the most accurate understanding of the message conveyed by a work of art. The monograph highlights a number of aspects of artisticcreation: it notes the circumstances of the creation of the artwork, the ability of the interpreter to place the artwork in the context of the historical conditions in which it is created, and the theoretical concepts that can be used for its interpretation.

  • Trans-Disciplinary Methodology: Procreation Capital as a Basic Factor in the Viability of a Civilizational-Cultural Unit
    12 p.
    Views:
    340

    The main problem raised in the paper is in line with a new trend of research, conceptual programs and practical activity that can be termed “hygiene of culture”. The study is transcritical in its character and proposes to consider the category of capital generated by the economy in relation to the reproduction of the population in its structural units of civilization and as a cultural community. Trans-discipline methodology is currently being developed, which makes the work is up-to-date. It develops basic aspects of the procreation capital category, which claims to be a generalization of the human capital category. The problem is the restoration of European culture, which has been eroded by the distortion of the ideas of market economy. The reason why it is particularly urgent to find a solution to the problem is the threat posed by the demographic situation of the developed countries of European culture and the adjacent countries of the Slavic-Orthodox cultural cluster by the actual organization of housing.

  • Scientists in Lyudmila Ulitskaya’s Novels
    Views:
    305

    This study focuses on a characteristic type of hero in Ulitskaya’s works and analyses the image of the scientist heroes and their poetic functions in three of the author’s novels (The Kukotsky Enigma, The Big Green Tent and Jacob’s Ladder). These heroes represent a special kind of syncretic thinking. Firstly, in their conversations and debatesthe genre code of the Socratic dialogue is activated, as Mikhail Bakhtin described it in connection with the development of the polyphonic novel. Secondly, these heroes, who always appear in pairs, invoke the duo of Don Quixote and Sancho Panza, as well as certain characteristics of “Quixotism”, which has a central role in the critique of the role that intellectuals have played in Russian culture. It is against the above background that the role of 20th-century intellectuals gains a new interpretation in Ulitskaya’s three novels.

  • Fragmentation in Byron’s “The Giaour” as a model for Lermontov’s “A Hero Of Our Time”
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    248

    Lermontov never hid his enthusiasm for Western literature and especially for Byron’s poetry. The similarity between the two poets’ personalities and certain character types and motifs in their works has already been established in the literature in the 19th century. This paper aspires to prove that there can also be a connection between the narrative poem The Giaour and the novel A Hero of Our Time from the perspective of literary fragmentation, especially omissions and gaps found in narration, structure and chronology in the two texts.

  • The Emigré Writers of the Empire : Other Coasts of Russian Literature and Culture: Ideas, Poetics, Contexts. Collective Monograph. Eds. Elżbieta Tyszkowska-Kasprzak, Ilona Motiejunaite and Alfija Smirnova in cooperation with Maria Gej. Scriptum, Wroclaw ‒ Krakow 2021, p. 494 ISBN 978-83-66812-37-6
    Views:
    266

    This volume of studies on Russian émigré literature was published during the last year before the war in a form of scholarly cooperation between Polish, Russian, Ukrainian, and Czech scholars unthinkable today. The theme of joint research makes the work even more interesting, because Poles have a very different understanding of the mission of émigré writers than Russians. In the first chapter of the monograph, entitled The History of Emigration, we find interesting biographical portraits of prominent figures such as Alexander Herzen and Gleb Struve. In the next part we read mainly about ideological problems and ethnic stereotypes. The third chapter focuses on the problems of poetics, and the last on heterotypes. The aspects of the analyses also touch upon the poetics of space and imagology.

  • The Image of Europe in Nikolay Karamzin’s “Letters of a Russian Traveller”
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    67

    “Russia or Europe?” Nikolay Mikhailovich Karamzin undertook a journey to Western Europe and, whilst travelling, wrote travel letters describing his impressions. In Russian literature, even before Karamzin, there were works of travel literature written for the purposes of pilgrimage or trade, but in the 18th century the emphasis shifted to enlightenment and to the description of the national characters of the peoples of Western Europe. How does the Russian traveller perceive Western Europeans, how does he describe representatives of Western nations, and what does he pay attention to upon arriving in a foreign city? This article seeks to answer these questions.