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  • “Step by Step” in Camp Prose: Aleksandr Solzhenitsyn’s ”One day in the Life of Ivan Denisovich” and Imre Kertesz’s “Fatelessness”
    Views:
    276

    The paper is devoted to the disclosure of the concrete and abstract images of "step(ping) " and the reinvention of related other meanings (concepts like ’path’, ’fate’and ’happiness’)in the novel by A.I. Solzhenitsyn "One Day in the Life of Ivan Denisovich" and in the novel by Imre Kertesz "Fatelessness". In order to identify the similarities and differences concerning these fundamental text-forming components in these outstanding works of camp prose, it is necessary to turn to the study of trophes, i.e. creating new meanings on the basis of the combination of incompatible things and images. This allows us to approach the author's picture of the world in both cases.

  • Grammatical Rules and Analogy in Natural Morphology
    Views:
    189

    Analogy plays a significant role in problem solving, as well as in decision making, argumentation, perception, generalization, memory, creativity, invention, prediction, emotion, explanation, conceptualization, and communication. Analogy is important not only in ordinary language and common sense (where proverbs and idioms give many examples of its application) but also in science, philosophy, law, and the humanities. Still, in linguistics it causes many uncertainties. The main purpose of this work is to study and examine the principles of Natural Morphology on the historical change of Bulgarian verbs. This study is a summary of how grammatical rules and analogy, and their antithesis dissolve in the theory of Natural Morphology. The focus of the paperis the historical variation of the Bulgarian Aorist.

  • Teffi as a Person and Woman Writer: A View from Overseas
    6 p.
    Views:
    349

    This review describes the conceptual and content side of the book by an American specialist Edith Haber on the life and work of Teffi (1872-1952). This is the only monograph on Teffi in the world. In the review a subtle combination of historical method and literary criticism is noted. The biography of an outstanding person and a talented woman writer is reconstructed against a well-known historical background – three Russian revolutions, two world wars and the first wave of Russian emigration. Special attention is paid to the E. Haber`s analysis of evolution in Teffi`s writing. The characters and plots were changed, the author’s tone and part were altered. The book is praised for its uniqueness and the author – for her high professionalism.

  • Fragmentation in Byron’s “The Giaour” as a model for Lermontov’s “A Hero Of Our Time”
    Views:
    177

    Lermontov never hid his enthusiasm for Western literature and especially for Byron’s poetry. The similarity between the two poets’ personalities and certain character types and motifs in their works has already been established in the literature in the 19th century. This paper aspires to prove that there can also be a connection between the narrative poem The Giaour and the novel A Hero of Our Time from the perspective of literary fragmentation, especially omissions and gaps found in narration, structure and chronology in the two texts.

  • Slavica 2021: 60 Years, 50 Issues
    Views:
    258

    The article gives an overview of the process, by which Slavica, the periodical of the University of Debrecen and its institutional predeccesors has developed from a local publication into a periodical of national and even international significance. The historical overview of the past 60 years highlights those changes that have occured in the profile of the periodical compared to the initial objectives, commemorates the outstanding perspective-minded heads of previous editorial committees, points out situations, when serious decisions had to be taken, in which a special balance of compulsion and neccessity brought the solution, which looking back from the future, moved the periodical forward. The article is concluded by enumerating the benefits offered by the online format and by formulating new objectives

  • The Theory of Metaphors in Contemporary Literary Studies
    17 p.
    Views:
    318

    This article is designed as a brief overview of the methods of how metaphor is defined in contemporary scholarship. In the discussion of the similarities and differences of the basic Russian and Western poetic, philosophical and logical approaches to metaphors are compared to each other. Besides, Hungarian comprehensive syntheses and reconsiderations of metaphors are also touched upon. Finally, suggestions are made as to which aspects of literary studies and linguistics can be used in the analysis of the system of tropes in literature.

  • Female archetypes of Bunin’s images
    Views:
    316

    The system of ideas, Sophiology and philosophy of love of Vladimir Solovyov had a significant influence on the religious philosophy and formation of aesthetic views of the Russian Silver Age. Although the Nobel Prize-winning Russian writer in exile, Ivan Bunin, consciously distanced himself from the ideological and poetic tendencies of Russian Symbolism, the philosophical roots of Bunin’s prose after 1910 can be traced in Russian religious philosophy and Eastern religious teachings (Buddhism and Taoism). Bunin’s philosophy of love is also imbued with the dualistic vision that is fundamental to his philosophy of being, and the dichotomy of ‘heavenly’ and ‘earthly’ love is reflected in the ‘angelic’ and ‘demonic’ opposites of his female figures. Yet the former is the embodiment of the unattainable ideal of the Eternal Feminine, the latter, the Femme Fatale, the bearer of the earthly promise of carnal pleasures, of sexuality. The author’s female heroines also include the avatar of the Wise Woman (the embodiment of some ancient, archaic wisdom) or the Emanation of Isis (as the embodiment of cosmic energy, standing above the earthly laws of life and death). And like the symbols of yin and yang in Chinese philosophy, in the depths of each of Bunin’s female figures lurks something of its opposite.

  • With them or without them? Jangfeldt, B.: Mi és ők: Az orosz eszme története [Us and them: History of the “Russian idea”]. Swedish to Hungarian translation by Imre Bartók. Budapest, Helikon Kiadó, 2024, pp. 224. ISBN: 978-963-620-057-2
    Views:
    162

    Jangfeldt's book Us and Them: History of the "Russian idea" was published in Hungarian translation in 2024. The author is a Swedish writer and translator from Russian, associate professor of Slavic languages ​​at Stockholm University. The aim of the review is to show what ideological and philosophical currents Jangfeldt's book discusses, and how all of these have influenced Russian history and culture in the past 300 years.

  • Mysterious Artist with a Movie Camera - Александр Риганов:«Тиссэ. Оператор Эйзенштейна», Санкт-Петербург: Издательство «Сеанс»,2020. ISBN 978-5-6042795-1-9, 384 pp.
    Views:
    263

    This review is a content and critical review of Alexander Riganov’s book on Soviet cinematographer Eduard Tisse (1897-1961), Tisse: Eisenstein’s cameraman, which was the first monograph of its kind published in Russian. The book follows the life of the first Soviet cameraman in chronological order from birth until his last days, with the author overviewingrelevant historic and cinematographic events throughout. Thus, there are three major stories in Riganov’s book: the life and artistic path of an artist, the history of a country, and the golden age of cinematography. Several unique archival documents, e.g. letters, diary segments, photographs etc., were first published in this book. The book’s author paid special attention to Tisse’s and Eisenstein’s joint works. The uniqueness and high professional standard of Riganov’s book makes it a piece of art worthy of attention.

  • Bugs, Burrow, Inquisitor: Dostoevskian Intertexts in Eyeless in Gaza
    Views:
    262

    The present article is devoted to the discussion of intertextual connections between Aldous Huxley’s Eyeless in Gaza (1936) and three works by Dostoevsky: Notes from the Underground(1864), Crime and Punishment (1869) and The Brothers Karamazov (1880, Grand Inquisitor scene). As is well-known, the Dostoevskian novel of ideas was a major inspiring force for Aldous Huxley’s art: Huxley’s rewriting of the Grand Inquisitor episode in Brave New World (1932) is probably the best-known case in point. Nonetheless, insufficient critical attention has been devoted to the actual intertextual connections between the two novelists’ output. As I have demonstrated earlier, on closer inspectionPoint Counter Point (1928) turns out to be a rewriting of Devils (1872), which, however, alsoproves to be a low point in Huxley’s assessment of Dostoevsky – a companion piece to his incidental vicious critique included in his 1929 essay on Baudelaire, in which Huxley also targets spiritual quest. Let me argue that Eyeless in Gaza can be read as a sequel to that polemic, in which a change of Huxley’s attitude to Dostoevsky is clearly notable: the novel provides a much more subtle and even respectful critique of Dostoevsky by implying the universal relevance of the Dostoevskian underground to the understanding of the modern human condition and by re-embracing spiritual quest.

  • Singularity of Novel Discourse in Dostoevsky's The Idiot
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    201

    The article examines Dostoevsky's novel discourse as a singular unity in the novel The Idiot. This discourse is dominated by the principle of indeterminacy, and the category of subjectivity is closely connected with the novel model of singularity. The aim of the article is to understand the principles of discursive unity organization in the novel on the level of its basic metaphors. These basic metaphors are "point" and "line".

  • Ekphrasis - Chameleon of Literary studies “Theory and History of Ekphrasis: Results and Prospects of Study” Siedlce, 2018
    9 p.
    Views:
    459

    This article aims to highlight the various methods in which ekphrasis can be analysed and new interpretations of the phenomenon in the monograph “The Theory and History of Ekphrasis: Results and Prospects of the Study” published for the 15th year anniversary of the previous work “Ekphrasis in Russian Literature” (2002). The articles touch upon the history of the study of ekphrasis, its typology, the dynamics of its functions as well as the poetics of description in the history of literature, theory and classification, including the theme of narratology, and works containing analysis from autobiographical points of view. The novelty of the monograph is that it also includes contemporary fiction which provides an excellent opportunity to redefine and reinterpret the phenomenon.

  • Ecological terminology: The term "use of natural resources " in Russian texts of various registers
    Views:
    194

    The relevance of this paper stems from the rapid development of ecological knowledge, accompanied by the active formation and integration of new specialized terminology. Due to a growing interest in issues of applied ecology, sustainable development, and rational use of natural resources, ecological vocabulary is steadily expanding and becoming established in texts of various genres and functional styles. This dynamism necessitates a linguistic analysis of word formation of new terminology and the use of specialized vocabulary in the context of the environment. The paper examines the specifics of how the term prirodopol'zovanie “use of natural resources” functions in Russian-language texts representing different functional styles such as scientific, official-administrative, and journalistic texts.

  • The Current Status of Corpus Linguistics in Russian Linguistics (Shuneyko, A. A. : Корпусная лингвистика. Учебник для вузов. 2020. Moscow, Yurayt ISBN 978-5-534-13603-6)
    Views:
    391

    Corpus linguistics is a relatively new, however rapidly developing area of linguistics. Nevertheless, the methodology of corpus research and its results are scarcely applied in current linguistic research. In the present article a short overview of the history of corpus linguistics is given. The difficulties of the development and spreading of this discipline in Russia is also described. A brief outline of Russian textbooks on corpus linguistics is also provided with special focus on Shuneyko’s latest work.

  • "React with Cobra's Speed to Everyday Life" On the Trap of Actuality - Andrzej Stasiuk's Beskidy and World Chronicles (2018)
    11 p.
    Views:
    245

    The goal of the paper is to analyze and depict the essays written by Polish contemporary
    author Andrzej Stasiuk in the wider context of writing strategies. The essays were collected
    in Beskidy and World Chronicles (2018). The paper also deals with Stasiuk's "workshop
    comments" about the art of writing and is concerned with author's attitude to changes in social,
    cultural and political life. Stasiuk searches for harmony and calmness. What he writes
    about is not topicalities but universal themes: nature, philosophy of living, everyday life.
    All that he can see in mass media is very strange and outlandish for him, while he looks for
    eternal values, describing chaos in modern world.

  • On the threshold of change: Annamária Vass: Down with Socialist realism – Long live postmodernism! Paradigm shift in Russian literature in the second half of the 1980s. Debrecen, Debrecen University Press, 2024, pp. 184. ISBN: 978-963-615-163-8
    Views:
    202

    The review examines a new book by Hungarian researcher Annamária Vass on paradigm shift in Russian literature. The volume analyses in detail the literary and cultural changes that began in the mid-1980s, shedding light on how socialist realism was transformed into postmodernism. Annamária Vass focuses on understanding the characteristics of postmodernism and provides a fascinating historical overview of how socialist realism gradually lost its dominance. By analysing the works of Yevgeny Popov and Vasily Aksyonov demonstrate the specific characteristics of postmodern literature. The volume provides an excellent overview of this chaotic period of Russian literature.

  • Aglaya Returns Home, The Mystery of The Apocryph of Aglaia. Ed. by Elena Kozmina. INTMEDIA, Yekaterinburg 2020, 231 pp. ISBN 978-5-6040560-8-0
    Views:
    235

    This collection of studies is a unique example of a collective monograph written by Russian, Polish and Hungarian scholars on a contemporary Polish literary work. The novel by Jerzy Sosnowski entitled Aglaia’s Apocrypha is an ideal subject of analysis because of its complicated narrative structure, multilevel composition and genre complexity. The authors of the studies describe the connections between the storytellers and the author, define the context of the novel both in high and popularculture. Some of them represent the best traditions of Russian poetics of prose. Jerzy Sosnowski began his career as a literary critic and literary historian, he was an influential interpreter and promoter of the new tendencies in the Polish literature of the eighties.When he became a prosewriter, he followed the new aesthetic trend of Polish postmodernism. Jerzy Sosnowski as the author of a novel written about an erotic cyborg, its/her admirer and the operator was a forerunner of posthumanism.

  • The Heritage of Tolstoy’s Artistic Detail in the Poetics of Chekhov (Defamiliarization and „Randomness”)
    Views:
    330

    One type of the “random Chekhovian detail ”can be referred to as a special cognitive phenomenon arising during the perception of the background and foreground within the depicted perception of the hero. In this paper, I suggest that this technique works if we perceive Chekhov’s laconicity against the detailed descriptions of the inner world of Tolstoy’s characters in the process of their estrangement. In the first part using the example of “War and Peace” I examine the “random” details concerning various features of Tolstoy's defamiliarization and show their transformation in Chekhov’s poetics. The examples from Chekhov’s early short stories “Grisha” and “Polinka” demonstrate an intermediate level of this transformation. In the second part I turn to the story “The Lady with the Dog” and consider the transformation of Tolstoy's technique through parallels with the novels “War and Peace” and “Anna Karenina”. The situation of Gurov and Tolstoy’s characters (Natasha, Prince Andrei, Levin) is similar with regard to the fact that they retain true love in their hearts and get  into an everyday social situation, where they are exposed to the the automatism and lies of everyday life with special intensity.

  • Issues of Translation from Russian to Hungarian and from Hungarian to Russian: Studia Litteraria 2020/1-2, LIX. évfolyam. Orosz irodalom fordításokban. Debrecen 2020, 146 p. HU ISSN 0562-2867
    Views:
    213

    This review is a content overview of the issue 1-2/2020 of Studia Litteraria, a Journal of Literary and Cultural Studies. This collection of scholarly articles is an excellent material for a varied and comprehensive look at current matters of translation and contemporary literature. The authors of the articles are practicing translators, therefore the general positions are explained through their own, specific works and practical experience. The purpose of this review is to briefly acquaint readers with the content of scholarly papers which have been categorized by topics for convenience.

  • Images of the East in the Short Fiction of Ivan Bunin
    16 p.
    Views:
    405

    The article examines the images of the East in the short fiction of Ivan Bunin. With the help of the narrative model of Jan van der Eng, consisting of three basic thematic levels (action, characterization, geographical and social setting) we read and arrange the works of Bunin through the prism of postcolonial criticism. On the one hand, we will consider the arguments of traditional postcolonial studies; on the other hand, we will also take into account the postcolonial theory regarding the “second world” (Russia, Eastern and Central Europe).We start our analysis with the texts in which images of the East are only featured on one thematic level, gradually directing our attention towards the short stories in which these images determine the whole semantic structure.