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• Italy's role in carrying out the Danube Confederation project of 1862

  146-161

  Dániel Varga

  Views:

  271

  In the autumn of 1861, a French-Italian-Greek plan was prepared to make Balkan peoples rebel. The leaders of the Hungarian emigration, expecting an upcoming war, consulted on establishing an offensive and defensive alliance between Hungary, Croatia, Serbia, and Romania. Their aim was, as opposed to in 1848-49, to make the peoples of the Danube region fight against Vienna instead of Pest, thus helping Torino acquire Venice. Ignác Helfy published the essential elements of the emigration discussions in the Alleanza newspaper, edited by himself, titled “Il programma ungherese”, which became a success in the Italian press. The Tribuno newspaper, led by Marco Antonio Canini, besides disputing Alleanza, asked the paper to reveal everything they knew. Shortly thereafter, Canini visited György Klapka and they prepared the plan of the Danubian Confederation - which Victor Emmanuel II approved as well. Canini, preparing for his diplomatic tour in the Balkan region, visited Lajos Kossuth, who thought establishing a defence alliance would be more realistic in that political situation - but Canini convinced him that a confederation had to be created between the nations involved. Kossuth’s comments on Klapka and Canini’s plan were put on paper. However, Helfy indiscreetly published them in his paper, making it impossible for Canini to conduct successful diplomatic negotiations between the countries. Finally, Victor Emmanuel II, who originally wanted one of his relatives to be the ruler of the Greek Kingdom and the leader of the Confederation, withdrew from the plans for the rebellion, due to lack of French support.

• Sardinia of linguists and Sardinia for tourists: discursive consonances and dissonances at the beginning of the twentieth century

  10-29

  Diego Stefanelli

  Views:

  207

  The aim of this contribution is to tackle an already highly researched subject by adopting a fairly unprecedented perspective. I would like to concentrate on the representation of Sardinia in one of the most important historical moments for the construction of the image of the island in a modern perspective: the first decades of the twentieth century. I will try to make two apparently distant text types interact: tourist guides and travel reports written by linguists. I will focus on two prototype examples: on one hand the Reisebilder aus Sardinien by Max Leopold Wagner; on the other, the Touring Club Guide dedicated to Sardinia, written by Luigi Vittorio Bertarelli. My intent is to trace the similarities and differences of the two textual typologies in presenting a region at the time universally imagined (and narrated) as different, atypical and in any case "peculiar". In doing so, I will also try to highlight continuity and discontinuity with respect to the nineteenth-century representative methods.