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• Gramsci and The South as a Space of Emancipation

  39-55

  Antonio Fontana

  Views:

  185

  The paper will actively engage with the contradictions found in Gramsci in an attempt to tease out the elements of emancipation found in his thought, as well as a sub-culture of opposition against Western notions of rationality. Antonio Gramsci’s analysis of the Italian South and of the Southern Italian peasantry in relation to the formation of a radical politics of emancipation constitutes one of the most salient features of his critique of orthodox Marxism. I argue that for the Italian Marxist theorist, the liberation of the Italian peasantry is not only a project of social, economic and political emancipation. Rather, the peasantry’s emancipation is also seen as a project of cultural liberation, a liberation from the dominant strands of rationalist and positivist Enlightenment thought, which Gramsci saw as encapsulated in Crocean philosophy. For Gramsci, the task of the organic intellectuals is to create an ideational sphere in which the colonized South can potentially articulate and celebrate a culture that has historically been deemed backward and primitive. However, Gramsci’s analyses of the South also contain historicist encrustations, which create a dialectical tension in his theory of politico-cultural emancipation that has never really been solved. I argue that the positivist and progressionist encrustations of Gramsci’s program for the emancipation of the South is an instantiation of a wider, Western, 19th and 20th century intellectual tradition which conflates “progress” as such with emancipation, a tradition that goes beyond the Italian and European context, and that is even paralleled by the model for black emancipation in the American South put forth by a figure as seemingly divergent as, say, W.E. B. Du Bois in the The Souls of Black Folk (1903).

• Ondina and the ondine: Representation issues (verbal and iconographic) of the sporty woman in fascist Italy (ca. 1933)

  140-160

  Marco Giani

  Views:

  579

  In late 1933, L'Osservatore Romano fuelled an argument against Il Littoriale, mouthpiece of the Fascist sport policy, about women’s sport: the Vatican Italian-speaking newspaper was against the public women’s athletic meetings, and the “immoral” shorts dressed by the young Italian athletes, such as Ondina Valla, going-to-be the first Italian woman to win an Olympic gold medal (1936, Berlin). Which was the situation of Italian female sports, at that time? Which was the influence of new women models coming from US? What was considered “immoral” by conservative people in 1933 Italy watching a women’s athletic or swimming meeting? How Hollywood stars could help Ondina and her mates on the road of female emancipation? These are the questions this essay is going to answer, helped by a lot of historical images, useful to reconstruct a whole collective imagination.