Search

Search Results

• Reading Rieder by Lamplight

  Vera Benczik

  Views:

  62

  Book review:

  Rieder, John. Science Fiction and the Mass Cultural Genre System. Middletown, CT: Wesleyan UP, 2017. 224 pages. ISBN 9780819577160. Pbk. $22.95.

• Orson Scott Card’s Speculative Fictions: Blending Science Fiction and Fantasy

  W. A. Senior

  Views:

  103

  A prolific author, Orson Scott Card has written works that encompass a range of genres including a large body of commentary, Mormon drama, science fiction, fantasy, and horror, and often melds elements of one into another. In particular, as John Clute notes, “a ‘feel’ of fantasy pervades much of his s[cience] f[iction] work.” In fictions such as Enders Game, Treason, and Wyrms, and stories like “The Originist,” his tribute to Asimov’s Second Foundation, he employs traditional elements of fantasy: its language in references to wizards, dragons, magic, and such characters as dwelfs, a portmanteau of “elf” and “dwarf”; the episodic quest narrative of escalating perils undertaken by the protagonist, who moves from isolation to community; and the conventional, often medieval, fantasyscape of fabulous forests, rivers, and mountains. Through such a strategy Card establishes a heightened significance to human experiences that both genres address, and opens another portal to the sense of wonder that informs each. (WAS)

• Policing the Boundaries: The “Mission Street Station Scene” in Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968)

  Dániel Panka

  Views:

  136

  The essay focuses on the “Mission Street Station” episode in Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968). The episode revolves around two central problems: the human/android divide and fake realities. The first part of the paper concentrates on theories of classification and analyses the problems of the Voigt-Kampff test understood as a classificatory apparatus. The second part focuses on the Mission Scene as a fake reality and identifies a potentially problematic race-focused reading. Dick, a prolific essayist and public speaker, expressed his preoccupation with questions that constitute the conceptual core of the scene on several occasions. Therefore, the essay also relies on the author’s nonfiction to discover and establish the importance of the oft-neglected Mission Scene in the novel’s critical reception. (DP)

• Race, Ethnicity, Gender, and Home Planet: The “Other” in Robert Heinlein’s Juvenile Science Fiction

  C. W. Sullivan III

  Views:

  264

  This essay examines Heinlein's Young Adult (YA) stories—commonly referred to as his “juveniles”—and argues that Heinlein's "Others" are not defined by race, gender, or planet of origin but by their inability to understand and deal with the changes that inter-planetary travel will bring. (CWS)

• Theater within the Graphic Novel about Theater: Neil Gaiman’s Concept of the Artist in His “A Midsummer Night’s Dream”

  Ildikó Limpár

  Views:

  108

  In his own version of A Midsummer Night’s Dream, Neil Gaiman exploits the possibilities in doubling: he presents the Shakespearean comedy as a play within the artistic space of his graphic novel and Such a reading reveals that what is a tool in Shakespeare’s play to visualize that art is capable of mirroring reality becomes a means to express the interchangeability of the realistic and the fantastic realms. Gaiman’s strategy of doubling thus suggests an understanding of life that surpasses the narrow interpretation of historical facts, and thereby it may offer a viable alternative to what we experience as reality.

• Her Dark Materials: What Makes the Fantastic Dark

  Ildikó Limpár

  Views:

  70

  Book review:

  Thomas, Ebony Elizabeth. The Dark Fantastic: Race and the Imagination from Harry Potter to The Hunger Games. New York UP, 2020. 240 pages. ISBN 9781479806072. Pbk. $16.95.

• The Most Monstrous Kind of Art: Frankenfictions

  Ildikó Limpár

  Views:

  80

  Book review:

  de Bruin-Molé, Megen. Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture. London: Bloomsbury Academic, 2019. x + 264 pages. ISBN 978-1350103054. Hb. £76.50.

• Mapping the Potentials of Monster Studies

  Ildikó Limpár

  Views:

  140

  Book review:

  Weinstock, Jeffrey Andrew, ed. The Monster Theory Reader. University of Minnesota Press, 2020. ix + 560 pages + 33 b&w photos. ISBN 978-1-5179-0525-5. $35.00. Pbk.

• Dracula Addressing Old and New

  Ildikó Limpár

  Views:

  81

  Book review:

  Crişan, Marius-Mircea, ed. Dracula: An International Perspective. Palgrave Gothic. Cham: Palgrave Macmillan, 2017. xi + 280 pages. ISBN 978-3-319-63365-7. Hb. $101.51.

• All the World’s a Monster

  Ildikó Limpár

  Views:

  77

  Book review:

  Nirta, Caterina and Andrea Pavoni, eds. Monstrous Ontologies: Politics Ethics Materiality. Series in Philosophy. Wilmington: Vernon Press, 2022. xxxiv + 220 pages. ISBN 978-1-64889-307-0. Pbk. $51.00.

• “. . . one part life and nine parts the other thing”: Painters and the Stage

  Teresa Botelho

  Views:

  59

  Bringing the act of artistic creation to the stage involves a multiplicity of strategies and interrogations that are not easily contained within the boundaries of the “drama of the artist” as understood in its quasi-biographical sense. This is especially true of visual art which cannot be represented by words only but requires a different kind of presence on stage. In many Künstlerdramas the biographical presence tends to impose recognizable limits to the fictionalization exercise, which frequently turns to the individual creator as the center of an inquiry into the problematics of artistry. This paper discusses how two contemporary Künstlerdramas, John Logan’s Red (2009) and John Murrell’s The Far Away Nearby (1996), attempt to reinvent the trope by weaving the biographical record with the performative presence of acts of staged visuality that re-center the act of artistic creation. (TB)

• World Enough and Time

  W. A. Senior

  Views:

  85

  Book review:

  Morse, Donald E. It’s Time: A Mosaic Reflecting What Living in Time is Like. Debrecen: Debrecen UP, 2022. 326 pages. ISBN 978-963-615-004-4. Open Access E-book and Pbk. HUF 4,000.

• Transgressions and Reterritorializations as Markers of Minor Literature in Kurt Vonnegut’s Slapstick, or Lonesome no More!

  Meryem Mengouchi

  Wassila Hamza Reguig Mouro

  Views:

  162

  Deterritorialization and reterritorialization are transgressive techniques in literature that characterize subversive literature. Gilles Deleuze and Félix Guattari suggest that questions about marginal literature or other forms of peripheral literatures must all be covered within the designation and definition of minor literature, not only if they are written in the language of the mainstream. Kurt Vonnegut’s Slapstick, or Lonesome no More (1976) is a set of deterritorializations and reterritorializations made possible through creative assemblage, a technique that allows a continuous flow of meaning, that is, meaning is not fixed, as language moves from one territory to another, constructing new assemblages and acquiring new meanings. Meaning changes each time a new assemblage is composed. Through the re-construction of family, love, and human relationships, the novel defies the alienating practices of the American society as presented in Vonnegut’s novel. (MM and WHRM)

• The Cultural and Intersectional Politics of Nomadism in Zadie Smith’s Swing Time

  Malou Kürpick

  Views:

  581

  Zadie Smith’s most recent novel, Swing Time (2016) continues her exploration of individual identity in relation to the broader social context by telling the story of an unnamed narrator and her childhood friend, Tracey, members of the second-generation British-Jamaican diaspora in London, whose cultural and racial hybridity positions them against hegemonic discourses in contemporary British society. The text vividly portrays the consequences of their deviance, particularly how the specific intersections of race, gender, and class they embody limit either their cultural or socio-economic agency, and impair their capacity to construct a sustainable identity. Since the desire to transcend bodily determination in performative ways is as crucial a dimension of the characters’ life journey as is the experience of the effects of socio-economic stratification arising out of intersectional difference, this essay explores the complex relationship between intersectional difference and agency in Swing Time through the double theoretical lens of Rosi Braidotti’s nomadic performative model of identity and Kimberlé Crenshaw’s concept of intersectionality, arguing that Smith’s novel does not simply bear out Braidotti’s theory but rather interrogates it, especially its insufficient attention to the diverse and disempowering effects resulting from certain intersections of what Braidotti calls “variables” or “axes of differentiation.”  (MK)

• "The Very Seeds of Fire”: Chris Lee’s The Map Maker’s Sorrow

  Donald E. Morse

  Views:

  47

  Chris Lee’s The Map Maker’s Sorrow (1999), produced at the Abbey Theatre only six years after Ireland decriminalized suicide, proved prescient in focusing on this national health problem among the young. The very structure of the play mirrors the fragmentation and messy aftermath that suicide almost inevitably produces. The abrupt beginning, where a character that the audience does not know and cannot know kills himself, leaves the audience in a position similar to that of survivors who find a suicide. Drawing on the work of Ludwig Binswanger, Kay Renfield Jamison, and national studies of suicide the essay argues that young Jason’s suicide represents a direct challenge to life understood as an orderly progression from birth to death and as an attempt to deny the very premise of lived life itself. (DEM)

• The Fabulous Adventures of Alice with Fashion, Science, and Pinocchio

  Anna Kérchy

  Views:

  369

  The three scholarly monographs published between 2017 and 2020 by Laura White, Laura Tosi and Peter Hunt, and Kiera Vaclavik, are recent contributions to Lewis Carroll scholarship. They belong to what Michael Heyman calls “the sense school” of nonsense literary criticism in so far as they attribute a specific agenda, a systematic structure, a decipherable message, and a homogenised reading to the Alice tales (Alice’s Adventures in Wonderland, and its sequel, Through the Looking Glass). Each re-explores a well-known children’s classic from fresh new perspectives by relying on interdisciplinary methodologies, mingling the literary historical approach with insights of critical fashion studies, evolutionary biology, and comparative cross-cultural analysis (translation studies), respectively. Like adaptations, these critical theoretical interpretations of the Alice books are in a constant dialogue with one another within a Genettian transtextual network of multimodal narratives.