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• Journeying Across Languages, Cultures, and Literatures: The Poetry of Mervyn Morris

  Pavlína Flajšarová

  Views:

  129

  The West Indian poet Mervyn Morris (1937-) is renowned for espousing the importance of a national language in creating national literature as well as for integrating European poetic heritage with Caribbean literary traditions. Through an exploration of Morris’s selected poems, the paper discusses the role language plays in shaping the themes of diasporic writing and of postcolonial identity, and argues that his works show a deep awareness of the fundamental aspects of West Indian and British culture. Since Morris “refuses to be trapped in the excesses of post-modern Romanticism or political propaganda parading as nationalism” (Thompson), the paper also looks at the presentation of eternal values like love and humanity celebrated in his poems. By foregrounding the frequent use of epiphanies in his poetry, Morris conveys human affection in the frame of colonial and postcolonial history. (PF)

• Transgressions and Reterritorializations as Markers of Minor Literature in Kurt Vonnegut’s Slapstick, or Lonesome no More!

  Meryem Mengouchi

  Wassila Hamza Reguig Mouro

  Views:

  185

  Deterritorialization and reterritorialization are transgressive techniques in literature that characterize subversive literature. Gilles Deleuze and Félix Guattari suggest that questions about marginal literature or other forms of peripheral literatures must all be covered within the designation and definition of minor literature, not only if they are written in the language of the mainstream. Kurt Vonnegut’s Slapstick, or Lonesome no More (1976) is a set of deterritorializations and reterritorializations made possible through creative assemblage, a technique that allows a continuous flow of meaning, that is, meaning is not fixed, as language moves from one territory to another, constructing new assemblages and acquiring new meanings. Meaning changes each time a new assemblage is composed. Through the re-construction of family, love, and human relationships, the novel defies the alienating practices of the American society as presented in Vonnegut’s novel. (MM and WHRM)

• Chronotopes of the City: Spatial Injustice and Narrative Form in Helena María Viramontes’s Their Dogs Came with Them

  Babett Rubóczki

  Views:

  360

  Combining Mikhail Bakhtin’s concept of the chronotope and Sarah Dillon’s notion of the palimpsest, the essay highlights the dialogic relationship between narrative time and space in Chicana author Helena María Viramontes’s novel, Their Dogs Came with Them (2007). Set in East Los Angeles in the 1960s and 1970s—the heyday of urban renewal projects and the rapid spread of freeways—the novel registers the geographical displacement and constrained socio-economic mobility of Mexican Americans whose homes are demolished by the freeway building bulldozers. The spatial form of intersectionality characterizing the architectural structure of the freeways also describes the narrative form of the novel. The non-linear narrative is structured upon multiple intersecting plotlines, each of which portrays the social struggles of a young Chicana woman inhabiting the city. Focusing on the interplay of environmental theme and narrative form, the paper explores the narrative representation of East Los Angeles as a spatially and temporally multilayered landscape that palimpsestously overlays and interconnects the personal memory of the characters and the collective history of Mexican Americans’ socio-political oppression in North America. (BR)

• Introduction

  Ewa Mazierska

  Zsolt Győri

  Views:

  128

  Introduction to the Special Thematic Block: British Seaside Resorts and Their Representation in Literature and Cinema

• Novel Approaches to Understanding and Conceptualizing Diaspora

  Éva Pataki

  Views:

  116

  Book review:

  Ilott, Sarah, Ana Cristina Mendes, and Lucinda Newns, eds. New Directions in Diaspora Studies: Cultural and Literary Approaches. London, New York: Rowman and Littlefield, 2018. xxxiii + 165 pages. ISBN 978-1-78660-516-0. Hb. £85.

• Emotional Urban Spaces: Atmosphere, Fascination, and Phantasmagoria in Sunetra Gupta’s The Glassblower’s Breath (1993)

  Éva Pataki

  Views:

  78

  Investigating the literary representation of urban spaces and identities the essay untangles the complex psychological and emotional relationship between the heroine and her beloved and hated cities in Sunetra Gupta’s The Glassblower’s Breath (1993). Drawing on Gernot Böhme’s (1993) theory of the atmospheric qualities of space, Steve Pile’s psychogeographical approach to reading cities, Walter Benjamin’s concept of phantasmagoria, and various interpretations of fascination, it explores the creation of atmospheres in the novel and the role of fascination in the perception of London and Gupta’s female protagonist as phantasmagorias. I argue that—as urban imaginaries—the emotional fabric and atmosphere of the cities portrayed are as much created by their spaces and places, their inhabitants and visitors, as they are manifested and formulated in emotional states of being, whether real or fictional, phantasmagoric or imaginary. (ÉP)

• Afroeuropean Studies in Perspective

  Madhu Krishnan

  Views:

  57

  Book review:

  Beezmohun, Sharmilla, ed. Continental Shifts, Shifts in Perception: Black Cultures and Identities in Europe. Newcastle: Cambridge Scholars Publishing, 2016. 190 pages. ISBN 9781443888240. Hb. £41.99.

• Cities: Literature and the Urban Imagination

  Ágnes Györke

  Views:

  90

       

• The Middle Passage in Black Expressive Culture

  Dorottya Mózes

  Views:

  152

  Book review:

  Wilker, Frank. Cultural Memories of Origin: Trauma, Memory, and Imagery in African American Narratives of the Middle Passage. Heidelberg: Universitätsverlag Winter, 2017. 302 pages. ISBN 9783825361921. Hb. $49.05.

• Immigrant Memories of Healing: Textual and Pictorial Images in Erika Gottlieb’s Becoming My Mother’s Daughter

  Mária Palla

  Views:

  143

  Erika Gottlieb’s narrative is a transgenerational family memoir, a search for identity, and also the testimony of the protagonist Eva Steinbach, the thinly disguised authorial self, a child survivor of the Holocaust in Hungary, which provides a larger historical perspective for the personal narrative written in Canada. The satisfactory completion of the tasks involved in these three strands of Gottlieb’s life writing depends on how successfully memories can be preserved without allowing them to paralyze the remembering subject. Since these three themes are inseparable from each other, they can only result in self-understanding and healing for the author/protagonist if they evolve together. At the same time, Gottlieb’s narrative is intricately linked to her artwork, which calls for an intermedial discussion of the book to reveal how the graphic images further enhance the protagonist’s struggle to comprehend herself. While the multi-layered text is constructed in a non-linear structure, the sketches and paintings incorporated in it are employed to fulfill various functions. They serve both as illustrations of characters and locations at times, while on other occasions they are made to serve as structural devices. When describing or representing existing artwork, the text also turns into ekphrastic writing at certain points, thus multiplying the interpretative possibilities opened up and the aesthetic impressions created. (MP)

• Imagined Homeland: Inummariit as the Basis for the Concept of Inuit Nationhood

  Rita Nandori

  Views:

  152

  The Arctic is home to many distant and distinct Inuit communities and dialects. The strength of the Inuit originates in their being tethered to the same ancient narrative harkening back to common ancestral traditions, songs, and stories that characterize the Inummariit, the “real Inuk.” The wisdom of these traditions called quajimajatuqangit, or Inuit knowledge, is the key to creating nationhood among the Inuit via unikkausivut, sharing stories. This paper examines how affirming shared roots, common goals, and speaking with a united voice—the credo of the Circumpolar Council, the prime Inuit organization in the North—has helped establish an Inuit national identity for all Inuit living in several different regions and countries across the Arctic. In Canada, the creation of the semi-sovereign territory of Nunavut and the acknowledgement of the Inuit Nunangat, or homeland, have further aided the Inuit in redefining themselves. (RN)

• Black Flânerie, Non-White Soundscapes, and the Fantastic in Teju Cole’s Open City

  Dorottya Mózes

  Views:

  324

  This essay develops an alternative notion of Black flânerie, one that foregrounds the flâneur’s auditory experiences and practices in the city, explaining how sound patterns work as indexes of historical traumas such as slavery, colonialism, and indigenous dispossession. More specifically, it investigates how sound and space are connected and what these connections may reveal about acoustical and historical conditions of urban sites. Analyses advance readings of spaces as shadowed by sonic traces, echoes, afterlives, and memories, which point to the sedimentation of sound in geographic as well as psychic structures and ruptures and hence show how different soundscapes suggest different forms of relationality: alienation, rupture, intersection, connection, and transformation. Finally, it demonstrates how sound imagery—including music, dialects, noise, voices, and silence—functions to signal fantastic spaces and places, fantastic or speculative linkages in particular, and produces a version of the non-White fantastic. (DKM)

• Anglo-Saxon and Arab Encounters

  Achraf Idrissi

  Views:

  128

  Book review:

  Stampfl, Tanja. A Century of Encounters: Writing the Other in Arab North Africa. New York: Routledge, 2019. 197 pages. ISBN 9781138363106. Pbk. $155.