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• Introduction

  Andrea Timár

  Views:

  70

  Introduction to the Special Thematic Block: Human Boundaries / Boundaries of the Human

• Policing the Boundaries: The “Mission Street Station Scene” in Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968)

  Dániel Panka

  Views:

  163

  The essay focuses on the “Mission Street Station” episode in Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968). The episode revolves around two central problems: the human/android divide and fake realities. The first part of the paper concentrates on theories of classification and analyses the problems of the Voigt-Kampff test understood as a classificatory apparatus. The second part focuses on the Mission Scene as a fake reality and identifies a potentially problematic race-focused reading. Dick, a prolific essayist and public speaker, expressed his preoccupation with questions that constitute the conceptual core of the scene on several occasions. Therefore, the essay also relies on the author’s nonfiction to discover and establish the importance of the oft-neglected Mission Scene in the novel’s critical reception. (DP)

• Reproduction and the Female Body in Anne Sexton’s Poetry

  Boglárka Kiss

  Views:

  574

  The essay focuses on two representative examples of Anne Sexton’s poems about reproduction, “In Celebration of My Uterus” and “The Abortion.” Contrary to most previous analyses which have foregrounded Sexton’s concern with personal identity, the paper claims that Sexton positions personal experience in the wider framework of cultural and social discourses. “In Celebration of My Uterus” explores the experience of the vitality of the speaker’s reproductive organ in the context of kinship with women in other geopolitical locations, also addressing how childbearing is implicated in processes of national economic production. “The Abortion” situates the termination of a pregnancy in the context of the Pennsylvanian landscape, raising questions regarding the embeddedness of the natural landscape in processes of human economic production, as well as the financial implications of the termination of a pregnancy. While questions of self-identity, personal boundaries, and physical experiences are undoubtedly central to “The Abortion” and “In Celebration of My Uterus,” they also attest to Sexton’s concern with the experience of the individual in their wider social context.  (BK)

• “. . . one part life and nine parts the other thing”: Painters and the Stage

  Teresa Botelho

  Views:

  87

  Bringing the act of artistic creation to the stage involves a multiplicity of strategies and interrogations that are not easily contained within the boundaries of the “drama of the artist” as understood in its quasi-biographical sense. This is especially true of visual art which cannot be represented by words only but requires a different kind of presence on stage. In many Künstlerdramas the biographical presence tends to impose recognizable limits to the fictionalization exercise, which frequently turns to the individual creator as the center of an inquiry into the problematics of artistry. This paper discusses how two contemporary Künstlerdramas, John Logan’s Red (2009) and John Murrell’s The Far Away Nearby (1996), attempt to reinvent the trope by weaving the biographical record with the performative presence of acts of staged visuality that re-center the act of artistic creation. (TB)