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• Nature, the Picturesque and the Sublime in Mary Wollstonecraft Shelley’s Travel Narratives

  Antonella Braida

  Views:

  364

  The article explores Mary Shelley’s approach to the sublime and the picturesque in her two travel narratives, History of a Six Weeks’ Tour and Rambles in Germany and Italy. These two accounts of her travels through France, Switzerland, Italy, and Germany reveal her debt to a variety of contemporary sources aimed at exploring the nature of a sublime or picturesque experience. The analysis illustrates the complexity of Mary Shelley’s approach: while moving beyond the “egotistical sublime” typified by some key passages from William Wordsworth’s Prelude, her travel narratives reveal a variety of approaches to nature and the landscape, aimed at bridging present and past, personal experience and recent historical events.  Thus, while in History, the experience of the landscape offers a way out of the suffering caused by the Napoleonic Wars, in Rambles, Mary Shelley turns to poetry and painting, this way transforming the eighteenth-century aesthetic appreciation of landscape based on the pictorial categories of the sublime and the beautiful, and embracing a modern, cultivated sensibility nourished by guidebooks and art history manuals.  (AB)

   

• Of Monsters and Migrants: On the Loss of Sanctuaries in Literature as a Parable of Biopolitics in the Twentieth and Twenty-First Centuries

  Peter Arnds

  Views:

  277

  To understand the cultural predecessors to the dehumanizing metaphors found in current populist rhetoric, it is beneficial to revisit some of the literary uses of such metaphors in the context of migration, xenophobia, and the notion of sanctuary. By rereading Mary Shelley’s Frankenstein (1818), Victor Hugo’s The Hunchback of Notre Dame (1830), and Bram Stoker’s Dracula (1897) in light of these paradigms, the article explores the links between the monster and the city as sanctuary: while Mary Shelley’s novel shows us the classical scenario of the undesirable being banned from human community, Stoker’s vampire breaks into the sanctuary of both city and nation state, reflecting time-worn fears of invasion and contamination by the racial Other. Hugo demonstrates a third common form of undesirability within the sanctuary, calling into mind Foucault’s concept of inclusion within the city/nation state while also being excluded from it. This article bridges between these texts and prominent scenarios in the treatment of migrants today. (PA)

• Between Addiction and Cultivation: Coleridge’s Modern Turn

  Annalisa Volpone

  Views:

  123

  Book review:

  Timár, Andrea. A Modern Coleridge: Cultivation, Addiction, Habits. Basingstoke: Palgrave Macmillan, 2015. 264 pages. ISBN 9781137531452. Ppk. £55.