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"The Very Seeds of Fire”: Chris Lee’s The Map Maker’s Sorrow
Published June 26, 2020

Chris Lee’s The Map Maker’s Sorrow (1999), produced at the Abbey Theatre only six years after Ireland decriminalized suicide, proved prescient in focusing on this national health problem among the young. The very structure of the play mirrors the fragmentation and messy aftermath that suicide almost inevitably produces. The abrupt ...beginning, where a character that the audience does not know and cannot know kills himself, leaves the audience in a position similar to that of survivors who find a suicide. Drawing on the work of Ludwig Binswanger, Kay Renfield Jamison, and national studies of suicide the essay argues that young Jason’s suicide represents a direct challenge to life understood as an orderly progression from birth to death and as an attempt to deny the very premise of lived life itself. (DEM)

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Introduction
Published June 28, 2020

Introduction to the Special Section: Negotiating Aging and Ageism in English-Speaking Fiction and Theatre

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Experimental Dramaturgy, Intellectual and Art-related Subjects in Irish Theatre
Published June 26, 2020

Book review:

Woodward, Guy, ed. Across the Boundaries: Talking about Thomas Kilroy. Dublin: Carysfort Press, 2014. 112 pages. ISBN 978-1-909325-51-7. Pbk. €25.00

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Alternative Readings of J. M. Synge’s Drama Predicated on Archival Material
Published June 24, 2020

Book review:

Collins, Christopher. Theatre and Residual Culture: J. M. Synge and Pre-Christian Ireland. London: Palgrave Macmillan, 2016. 301 pages. Hb. ISBN 978-1-349-94871-0. €106.99.

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