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The Current Status of Corpus Linguistics in Russian Linguistics (Shuneyko, A. A. : Корпусная лингвистика. Учебник для вузов. 2020. Moscow, Yurayt ISBN 978-5-534-13603-6)
Views:243Corpus linguistics is a relatively new, however rapidly developing area of linguistics. Nevertheless, the methodology of corpus research and its results are scarcely applied in current linguistic research. In the present article a short overview of the history of corpus linguistics is given. The difficulties of the development and spreading of this discipline in Russia is also described. A brief outline of Russian textbooks on corpus linguistics is also provided with special focus on Shuneyko’s latest work.
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Women's Prose: Past, Present and Future
Views:181The very expression "women's prose" in Russian literary discourse is debatable, since even many female writers refuse to identify themselves as such. A woman writer has all the rights of a writer, but she also has the additional right to self-identify as a representative of "women's prose". Women's prose requires a double research point of view: looking at it as an integral part of fiction and identifying the specific features of works created by women writers. During the period of perestroika (the second half of the 1980s), women's activity in Russian prose became more active, and L. Petrushevskaya and T. Tolstaya came to the forefront of literary life. An important milestone in the awareness of the specifics of women's prose was the series "Women's Handwriting" by the publishing house "Vagrius". A characteristic trend in the development of modern Russian women's prose is the democratization of the artistic thinking and language, the attraction of high prose tothe mainstream, to mass nature and the feeling of accessibility. In this regard, the article examines the prose of V. Tokareva, O. Slavnikova, D. Rubina, M. Stepnova, N. Abgaryan, G. Yakhina and others.
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S. S. Bobrov’s Ode "The Kingdom of Universal Love": Erotogenesis and Phenomenology of Love (1785)
Views:201Among the genre concepts of Love formed in the poetry of the 18th century (erotic-political myth about the love of monarchs in an epithalamic ode; triumph of flesh and physiology in priapic ode; hedonism in anacreontic ode) a special place is occupied by the concept of historiosophical ode. In one of the works of this genre – «The Kingdom of Total Love» by S. S. Bobrov – an attempt was made to combine Eros and History. The ideas of Bobrov, a freemason poet, about the origin of Love go back to the myths of various genesis. Another idea was that Love brings light and harmony to non-living nature, and living nature is completely submitted to the Law of Love – the Law of the continuation of Life. In general, Love appears in Bobrov's historiosophical ode as a harmonizing cosmic force.
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Peculiarities of the Historiosophic Content of M. V. Lomonosov's Odes for The New Year 1762 and 1764
Views:190The paper deals with the formation of artistic historiosophy in the Russian literature of the 18th century. The main attention in the study is focused on the odic works of M.V. Lomonosov. The research demonstrates that in his odes Lomonosov used not only constant historiosophemes and ideologemes obtained from the general storehouse of philosophical, historical and political knowledge of his time, but also his own historiosophemes. The analysis of the two insufficiently studied M.V. Lomonosov's works – "… on Accession to the Throne and for the New Year 1762" and "… for the New Year 1764" – shows that an individualized historiosophic concept was developed in them. The range of Lomonosov‘s main historiosophic ideas is revealed, for example, summing up reign, the prosperity of Russia under the power of the House of Romanovs, "golden times", the dying and reviving god, and generally useful work for the benefit of Russia.
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Russia and Hungary: A dialogue of cultures in the space of literary texts: Book Review: Through "Alien" to "Own": Dialogue of Russian and Hungarian Cultures: Monograph / Edited by M.A. Lappo, V.V. Marosha. NGPU Publishing House, pp. 240. ISBN 978-00226-049-2, Novosibirsk, 2023
Views:75This monograph presents the results of a joint interdisciplinary project of Russian and Hungarian philologists to study the facts of interaction between Russian and Hungarian cultures in the space of literary texts. It examines various manifestations of the interaction of cultures: from the study of cases of direct influence to intertextual forms of assimilation and interpretation of elements of a foreign culture, current trends in translation reception. The volume includes papers by a wide range of authors whose texts made up the material of the study (from F.M. Dostoevsky and S. Veresh to E. Vodolazkin and Y. Berg).
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The Hungarian reception of Dostoevsky until the 1920s in the context of European and Hungarian Modernism
Views:77This paper deals with the questions Dostoevsky’s reception in Hungary in the late 19th and early 20th centuries. The author investigates the growing interest in Dostoevsky in the context of the new trends of art and literature and gives a detailed survey of the most characteristic reactions (i.e. reviews, studies, introductions to books) about the new translations and editions of Dostoevsky’s works. Among the most relevant questions addressed arestereotypes about Russian culture and people, living in Hungary duringthe past centuries, the various interpretations of Crime and Punishment, and some comparative aspects in the analyses of this novel.
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«Doktor Zhivago» and Leonid Pasternak
Views:137In this article, we analyze the transformation of values in the literature and art of the first half of the 20th century through the creative strategies of two closely linked people: the poet Boris Pasternak and his father, the painter Leonid Pasternak. An academician of painting, Leonid Pasternak renewed the traditions of realism, being in close contact with Leo Tolstoy while working on the illustrations for Tolstoy’s novel “The Resurrection”. Having made a creative journey from the movement of “peredvizhniki” (“the Itinerants”) toward Impressionism, he did not accept the newest trends, as opposed to his son who had undergone a long period of fascination with Futurism, as well as the influence of Modernism. This conflict of aesthetics lost its poignancy with the passing of the years and with the geographical distance (Pasternak the father having emigrated in the beginning of the 20s). Thus, Boris Pasternak returned to the poetics of the classical Russian prose in his novel “Doctor Zhivago.” But the Christian values on which the conceptual basis of the novel rests, remained unknown to the father, who had passed away just before his son began working on the novel. The result was the novel itself with its covert subtextual influence and the polemics of the son and the father, the poet and the artist.
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Aglaya Returns Home, The Mystery of The Apocryph of Aglaia. Ed. by Elena Kozmina. INTMEDIA, Yekaterinburg 2020, 231 pp. ISBN 978-5-6040560-8-0
Views:126This collection of studies is a unique example of a collective monograph written by Russian, Polish and Hungarian scholars on a contemporary Polish literary work. The novel by Jerzy Sosnowski entitled Aglaia’s Apocrypha is an ideal subject of analysis because of its complicated narrative structure, multilevel composition and genre complexity. The authors of the studies describe the connections between the storytellers and the author, define the context of the novel both in high and popularculture. Some of them represent the best traditions of Russian poetics of prose. Jerzy Sosnowski began his career as a literary critic and literary historian, he was an influential interpreter and promoter of the new tendencies in the Polish literature of the eighties.When he became a prosewriter, he followed the new aesthetic trend of Polish postmodernism. Jerzy Sosnowski as the author of a novel written about an erotic cyborg, its/her admirer and the operator was a forerunner of posthumanism.
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On the Existence of Expletive Subjects in Russian
11 p.Views:154According to traditional grammars, Russian does not contain expletive subjects. However,
investigations in the generative framework suggest, that the pronoun это with certain
predicates can be perceived as an expletive subject. The present article gives a short overview
of previous investigations and aims at providing a unified analysis of constructions with -o
final adverbial predicates or with the verbs бывать and нравиться. -
The Features of Theatre Activity in Hungary: The Legal and Financial Basis (II)
12 p.Views:158Hungarian theatre system is the main object of the following article. The first part of article contains the general questions connected with the existing model of theatrical activity. Then there is the analytical review of the modern Hungarian legislation of area of culture and special attention is paid to the structure and content of Law XCIX / 2008 “On support and rules of employment in organizations of performing arts”. In the following part of the article all models which exist and develop in the country nowadays of direct and indirect financial support of theatrical organizations are considered. Since Hungarian and Russian theatre systems have some similar characteristics, the final part is devoted to possible partial adoption of Hungarian experience with a view to develop the institutions for the additional funding of Russian theatres.
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Cultural Policy of Russia and Hungary: Modern Discourse and New Actors
11 p.Views:232The authors of the article argue that contemporary cultural policy discourse is in the focus
of attention of scientific communities, social and political organizations and government institutions.
It represents a sort of symbolic struggle and nominations and has necessitated a
new approach to cultural policy structuring. The article shows that this necessity is demonstrated
by the development of cooperation between Russia and Hungary in terms of cultural
sectors and cultural heritage. Expert communities and non-governmental organizations are
becoming significant elements in the structure of cultural policy subjects. The association
“For Hungarian-Russian cooperation named after Leo Tolstoy” has become such a key issue.
The authors of this article attempt to highlight the most essential contemporary issues in
the sphere of cultural policy in general and in relation of two separate countries – Russia and
Hungary – through the scientific project “Hygiene of culture”. -
Intimacy or exposure: Ukrainian artists and the camp wound in relations with Russia
Views:169The aim of the paper is to provide an interdisciplinary analysis of cultural testimonies of the unique wound left by the camps in Ukrainian–Russian relations. Gulag literature, explored for decades in philology, is perceived mainly through the prism of the heritage of totalitarian systems and creative attitudes in the face of suffering, as extreme physical and mental experience. The aim of the paper is to analyze the works of Ukrainian artists of recent decades created as a result of imprisonment. Their literary and film creations make up the image of a wound inflicted in the name of achieving imperial goals while imprisoned in a camp. The juxtaposition of their diverse artistic reactions to the suffering of testimonies help to highlight the power with which the unsettled, forgotten, silenced, and now and unexpectedly updated wound of the camp past is reflected in today's attitudes of Ukrainians towards Russians.
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Ivan Goncharov’s Novel “A Common Story” and the Problem of “Petersburg Text”
Views:321The article raises the question about the nature of the “Petersburg text” in the novel “A Common Story”, about its correlation with the general body of the “Petersburg text” of Russian literature and about its individual meanings in Goncharov’s prose. Various levels of the “Petersburg text” are considered: the expression of the category of the “inner state” of the hero, as well as culture and nature. It is concluded that Goncharov’s novel does not fully fit into the mainstream of the “Petersburg text” of Russian literature, but adopts the basic principles of its construction, and also has great potential for the semantic increments of the individual local Petersburg dictionary, which is determined by Goncharov’s irony and symbolization.
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Scientists in Lyudmila Ulitskaya’s Novels
Views:139This study focuses on a characteristic type of hero in Ulitskaya’s works and analyses the image of the scientist heroes and their poetic functions in three of the author’s novels (The Kukotsky Enigma, The Big Green Tent and Jacob’s Ladder). These heroes represent a special kind of syncretic thinking. Firstly, in their conversations and debatesthe genre code of the Socratic dialogue is activated, as Mikhail Bakhtin described it in connection with the development of the polyphonic novel. Secondly, these heroes, who always appear in pairs, invoke the duo of Don Quixote and Sancho Panza, as well as certain characteristics of “Quixotism”, which has a central role in the critique of the role that intellectuals have played in Russian culture. It is against the above background that the role of 20th-century intellectuals gains a new interpretation in Ulitskaya’s three novels.
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Between Mystery and Riddle: From Narrative Strategy to Literary Genre
9 p.Views:174In the paper a difference is made between the mysterious and the enigmatic as fundamentally
different narrative and genre strategies. The first is typical of the so-called novelmystery
or the novel-myth, charcterized by the concept of impossible rational comprehension
of the mystery explained by the plot. The second represents a vast field of criminal literature,
where the plot is dependent on a riddle that has a pre-given answer. The differences between
these two types of novels are manifested at all the main levels of poetics, especially in the
specific traits of the subject-oriented organization. However, the paper shows that the general
strategy of the mysterious is also implemented through different moods in different criminal
genres such as classic detective stories, the police novel, the “adventurous investigation”, and
the “victim-centered investigation”. Thus, we can conclude that the mystery and the riddle
can reassemble genre constructive strategies not minus then narrative. -
Grotesque and paradox: Female and male narratives in Victor Erofeyev’s novels
Views:70This paper examines the narrative dynamics of two novels by Victor Erofeyev. The female discourse of Russian Beauty is characterized by the vertical dynamics of grotesque, while the discourse of the autobiographical narrator of Good Stalin is characterized by the dynamics of paradox, a horizontal movement between opposing truths. In both novels the Soviet aesthetic canon is undermined through the dynamics of narrative that denies the possibility of a singular truth.
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European Cultures in Leo Tolstoy’s Interpretation: Ambiguous and Unambiguous (on the Basis of the Sketch “Sevastopol in May” and the Novel “War and Peace”)
Views:143The article examines the embodiment of the interactions of Russian culture with French and German cultures in the course of global historical eventsin Tolstoy’s works. The review includes the Crimean War of 1853-1856 and the Patriotic War of 1812. The author analyzes the use of foreign language inclusions by the heroes of Tolstoyʼs works and the authorʼs assessment of them. Special attention is paid to the analysis of the ideas and images of European cultures, which help to express the worldview of the writer.
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Global Culture: Discursive and Social Practices
10 p.Views:345The dynamics of modern society development is directly proportional to changes in its culture. In the discourse of global culture, there are many supporters of its real presence, and many opponents who claim that such a phenomenon does not exist in principle. The article considers various polar points of view. Arguments are presented that confirm the existence of a global culture formed as a result of multiple cultural contacts, including cultural tourism. Digitalization has become a new impetus for the development of global culture, which has large-scale ways to spread the achievements of world culture in General, and art in particular, to the population of the planet, regardless of location. Digital formats have proven their worth in specific social practices.
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Mysterious Artist with a Movie Camera - Александр Риганов:«Тиссэ. Оператор Эйзенштейна», Санкт-Петербург: Издательство «Сеанс»,2020. ISBN 978-5-6042795-1-9, 384 pp.
Views:158This review is a content and critical review of Alexander Riganov’s book on Soviet cinematographer Eduard Tisse (1897-1961), Tisse: Eisenstein’s cameraman, which was the first monograph of its kind published in Russian. The book follows the life of the first Soviet cameraman in chronological order from birth until his last days, with the author overviewingrelevant historic and cinematographic events throughout. Thus, there are three major stories in Riganov’s book: the life and artistic path of an artist, the history of a country, and the golden age of cinematography. Several unique archival documents, e.g. letters, diary segments, photographs etc., were first published in this book. The book’s author paid special attention to Tisse’s and Eisenstein’s joint works. The uniqueness and high professional standard of Riganov’s book makes it a piece of art worthy of attention.
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Turgenev Today: On the Problem of Perception
17 p.Views:212The article deals with the question of how Turgenev’s work is perceived by the modern
reader. There are identified aspects related to the complexity of understanding the writer’s
texts, which are largely due to stereotypes that have developed in the culture of perception,
and are also features of his poetics. There are different ways of new interpretations of Turgenev’s
famous texts – those of the novels “Fathers and Sons” and “The Noble Nest”. In “Fathers
and Sons” the idea of reconciliation with contradictions is emphasized, and ‘The Noble’s
Nest” is considered a successful social project in literature. The article briefly highlights
the main stages of Turgenev’s popularizing Russian culture in the West. -
The Generational Narrative in Criticism of New Realism
Views:177At the end of the 20th century, New Realism emerged in contrast to postmodern literature. The representatives of this school defined themselves in their manifestoes and critical writings as a generation with the same aesthetic and ideological principles. The anthology of New Russian Criticism, edited by Roman Senchin, is a demonstration of this common action. The present study aims to present how and what elements of this generational consciousness and cultural identity are created, i.e. how thinking about literature has changed.
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Issues of Translation from Russian to Hungarian and from Hungarian to Russian: Studia Litteraria 2020/1-2, LIX. évfolyam. Orosz irodalom fordításokban. Debrecen 2020, 146 p. HU ISSN 0562-2867
Views:66This review is a content overview of the issue 1-2/2020 of Studia Litteraria, a Journal of Literary and Cultural Studies. This collection of scholarly articles is an excellent material for a varied and comprehensive look at current matters of translation and contemporary literature. The authors of the articles are practicing translators, therefore the general positions are explained through their own, specific works and practical experience. The purpose of this review is to briefly acquaint readers with the content of scholarly papers which have been categorized by topics for convenience.
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The Features of Theatrical Life in Hungary: The Legal and Financial Basis
18 p.Views:130The present study is concerned with the Hungarian theatre system. In the first part general
questions connected with the existing model of theatrical activity are treated. This is
followed by an analytical review of modern Hungarian cultural legislation, in which special
attention is paid to the structure and content of Law XCIX / 2008 “On the support and rules
of employment in organizations of performing arts”. Then all the existing present-day models
of direct and indirect financial support of theatrical organizations are considered. Since the
Hungarian and Russian theatre systems have some similar characteristics, the final part is
devoted to possible partial adoption of Hungarian experience with a view to developing the
institutions for the additional funding of Russian theatres. -
Object – Body – Flashback in “The Seagull” by Michael Mayer
6 p.Views:189The article features the transformation mechanisms of Chekhov’s play “The Seagull” in its film adaptation of 2018 by Michael Mayer. The director’s concept activates the opposition “memory – forgetfulness” and this is based on composition-visual reminiscences, i.e. flashbacks. The world of objects and the body discourse in the film complies with that specific film story of nostalgia in which the past is not simply going back to the things the characters were through, but also as a new reading of Chekhov’s intertextuality in the context of Anglo-Saxon cinema culture as well as a stylized memory of the Russian classic writer and his times.
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How E. Vodolazkin’s Laurus Was Made
Views:119In the paperan attempt has been made to define the basic principles of the composition of E. Vodolazkin's novel Laurus and their role in creating an atmosphere of timelessness and ahistoricism in the novel. The possible influence of the ancient Russian hagiographic icon on the nature of the composition is also investigated.