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Orson Scott Card’s Speculative Fictions: Blending Science Fiction and Fantasy
Views:103A prolific author, Orson Scott Card has written works that encompass a range of genres including a large body of commentary, Mormon drama, science fiction, fantasy, and horror, and often melds elements of one into another. In particular, as John Clute notes, “a ‘feel’ of fantasy pervades much of his s[cience] f[iction] work.” In fictions such as Enders Game, Treason, and Wyrms, and stories like “The Originist,” his tribute to Asimov’s Second Foundation, he employs traditional elements of fantasy: its language in references to wizards, dragons, magic, and such characters as dwelfs, a portmanteau of “elf” and “dwarf”; the episodic quest narrative of escalating perils undertaken by the protagonist, who moves from isolation to community; and the conventional, often medieval, fantasyscape of fabulous forests, rivers, and mountains. Through such a strategy Card establishes a heightened significance to human experiences that both genres address, and opens another portal to the sense of wonder that informs each. (WAS)
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World Enough and Time
Views:85Book review:
Morse, Donald E. It’s Time: A Mosaic Reflecting What Living in Time is Like. Debrecen: Debrecen UP, 2022. 326 pages. ISBN 978-963-615-004-4. Open Access E-book and Pbk. HUF 4,000.
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Through A Xenophobic Lens: Degeneration Theory in W. Christy Cabanne’s Martyrs of the Alamo
Views:134At the turn of the twentieth century, social theories developed in both the U.S. and Europe suggested that those at the top, or those most well endowed with good genetics, would stay that way, while those with poor genetics had little hope of changing their circumstances. Degeneration theory, as this concept was called when it took root in the United States from the late 1890s, before it had evolved to formally become eugenics in the 1910s, and beyond. While eugenics offices opened in Berlin in 1905, in England in 1907-08, and in the United States in 1910, there were many forms of it, including degeneration theory. What bound all the theories together was the notion of biology and heredity.
Westerns like Martyrs of the Alamo became a vehicle to explore these concerns because they inundated everyday Americans with illustrations of national identity. Films like these often mixed fantasy with ideology. This is clearly evident in W. Christy Cabanne’s anti-Mexican sentiment in Martyrs of the Alamo. Examining Cabanne’s film through the lens of degeneracy theory provides a greater understanding of American social concerns in the 1910s. These concerns, characterized by xenophobic depictions of immigrants, particularly Mexicans, culminated in the linking of immigrant bodies and disease with heredity and genetics, namely through theories of degeneration . Cabanne’s Martyrs of the Alamo suggests, through the reproduction of the conflict surrounding the Alamo Mission, that the alternative to “race suicide” is a fantasy of American heroism, collectivism, and cultural exclusion. (SS and TZCS)
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Race, Ethnicity, Gender, and Home Planet: The “Other” in Robert Heinlein’s Juvenile Science Fiction
Views:264This essay examines Heinlein's Young Adult (YA) stories—commonly referred to as his “juveniles”—and argues that Heinlein's "Others" are not defined by race, gender, or planet of origin but by their inability to understand and deal with the changes that inter-planetary travel will bring. (CWS)
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“Life Is a Terminal Illness”: The War against Time and Aging in David Mitchell’s The Bone Clocks
Views:147David Mitchell’s The Bone Clocks (2014) centers on Holly Sykes, the main character whom the novel follows from her youth into old age, thus witnessing the major events of a lifetime through her. This recounting serves as the traditional plotline that is intertwined with a fantastic story of two warring organizations of quasiimmortals and a narrative of climate change that ultimately leads to “Endarkenment,” the environmental catastrophe that hits the globe in Holly’s lifetime. These three distinct stories converge on the novel’s protagonist, through whom the reader encounters questions about aging, time, and mortality. The war between two atemporal factions, the Horologists and the Anchorites in particular, sheds light on humankind’s aspirations for immortality and focuses on present society’s conceptualization of old age. The paper analyzes these three distinct but tightly connected issues for a complex view both on the aging process itself and on society’s reaction and relation to it, that is, ageism. Mitchell’s novel—fantastic and realistic at the same time—becomes an intricate statement about aging, one of the most pressing issues facing humankind. (NA)
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Theater within the Graphic Novel about Theater: Neil Gaiman’s Concept of the Artist in His “A Midsummer Night’s Dream”
Views:108In his own version of A Midsummer Night’s Dream, Neil Gaiman exploits the possibilities in doubling: he presents the Shakespearean comedy as a play within the artistic space of his graphic novel and Such a reading reveals that what is a tool in Shakespeare’s play to visualize that art is capable of mirroring reality becomes a means to express the interchangeability of the realistic and the fantastic realms. Gaiman’s strategy of doubling thus suggests an understanding of life that surpasses the narrow interpretation of historical facts, and thereby it may offer a viable alternative to what we experience as reality.
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The Aging of the “Youngest People in Europe”
Views:69Book review:
Ingman, Heather. Ageing in Irish Writing: Strangers to Themselves. Cham: Palgrave Macmillan, 2018. 209 pages. ISBN 978 3 319 96429-4. Hb. €74.89.
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Mapping the Potentials of Monster Studies
Views:140Book review:
Weinstock, Jeffrey Andrew, ed. The Monster Theory Reader. University of Minnesota Press, 2020. ix + 560 pages + 33 b&w photos. ISBN 978-1-5179-0525-5. $35.00. Pbk.
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The Most Monstrous Kind of Art: Frankenfictions
Views:80Book review:
de Bruin-Molé, Megen. Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture. London: Bloomsbury Academic, 2019. x + 264 pages. ISBN 978-1350103054. Hb. £76.50.
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Katherine Mansfield in the World of Modernist Magazines
Views:78Book review:
Mourant, Chris. Katherine Mansfield and Periodical Culture. Edinburgh: Edinburgh UP, 2019. 301 pages. ISBN 9781474439459. Hb. £80.
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Modernist Bildungsroman and Biology
Views:68Book review:
Newman, Daniel Aureliano. Modernist Life Histories: Biological Theory and the Experimental Bildungsroman. Edinburgh: Edinburgh UP, 2019. 234 pages. ISBN 9781474439619. Hb. £80.
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All the World’s a Monster
Views:76Book review:
Nirta, Caterina and Andrea Pavoni, eds. Monstrous Ontologies: Politics Ethics Materiality. Series in Philosophy. Wilmington: Vernon Press, 2022. xxxiv + 220 pages. ISBN 978-1-64889-307-0. Pbk. $51.00.
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Katherine Mansfield’s Many Windows
Views:91Book review:
Davison, Claire and Gerri Kimber, eds. The Edinburgh Edition of the Collected Letters of Katherine Mansfield, Volume 1. Letters to Correspondents A-J. Edinburgh: Edinburgh UP, 2020. 680 pages. ISBN 9781474445443. Hb. £175.
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Dracula Addressing Old and New
Views:81Book review:
Crişan, Marius-Mircea, ed. Dracula: An International Perspective. Palgrave Gothic. Cham: Palgrave Macmillan, 2017. xi + 280 pages. ISBN 978-3-319-63365-7. Hb. $101.51.
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Her Dark Materials: What Makes the Fantastic Dark
Views:70Book review:
Thomas, Ebony Elizabeth. The Dark Fantastic: Race and the Imagination from Harry Potter to The Hunger Games. New York UP, 2020. 240 pages. ISBN 9781479806072. Pbk. $16.95.
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Experiments with Realism in Irish Language Short Stories by Daithí Ó Muirí
Views:126Relying on Joseph McMinn’s statement that the connection between realist and non-realist fiction is not a hierarchical relationship, this essay maintains that realism in Irish language fiction is, and has always been, an energizing force for experimentation. This is nowhere more evident than in the work of writer Daithí Ó Muirí (1954-), a native English speaker now residing in an Irish speaking area in Ireland. Much of Ó Muirí’s work is experimental due to his use of allegory and fantasy, yet many of the stories remain rooted in the realities of the world, particularly in his representations of masculinities and in works concerning the impact of war, violence, and displacement on men’s lives. The essay examines Ó Muirí’s first three collections, Seacht Lá na Díleann (1998), Cogaí (2002), and Uaigheanna agus Scéalta Eile (2002), in which he explores subjects that are classically realistic: war, death, religion, and relationships between men and women. The essay explores how Ó Muirí’s work often combines realism and magic realism, and shows that Ó Muirí’s fiction provides a fresh if somewhat bleak narrative of 21st century realism in Irish language prose fiction.