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• O joy, O joy, the Hobby-Horse is Remembered

  Veronika Schandl

  Views:

  316

  Book review:

  Pikli, Natália. Shakespeare’s Hobby-Horse and Early Modern Popular Culture. New York: Routledge, 2021. 286 pages. ISBN 9780367514150. Hb. $160.00

• Unruly Audiences and Dissenting Scholars

  Natália Pikli

  Views:

  200

  Book review:

  Dunnum, Eric. Unruly Audiences and the Theater of Control in Early Modern London. Abingdon-New York: Routledge, 2020. viii + 264 pages. ISBN 978-0-8153-6933-2. Hb. $140.

• Civic Pageantry in Early Modern London: Contexts and New Research Methodologies

  Natália Pikli

  Views:

  274

  Book reviews:

  Finlayson, J. Caitlin and Amrita Sen, eds. Civic Performance. Pageantry and Entertainments in Early Modern London. Abingdon-New York: Routledge, 2020. xiv + 254 pages. ISBN 978-1-138-22839-9. Hb. £96.

• Shakespeare’s Literary Architecture in King Lear

  Laura Mike

  Views:

  334

  Book review:

  Mudriczki, Judit. Shakespeare’s Art of Poesy in King Lear: An Emblematic Mirror of Governance on the Jacobean Stage. Budapest–Párizs: L’Harmattan, 2020. 126 pages. ISBN 978-2-343-20808-4. Pbk. 1990 HUF.

• Disruptive Domesticity in Shakespearean Drama

  Zita Turi

  Views:

  212

  Book review:

  Whipday, Emma. Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home. Cambridge: Cambridge UP, 2019. 262 pages. ISBN 9781108474030. Pbk. £29.99

• Our Affairs from England

  Máté Vince

  Views:

  118

  Book review:

  Kiséry, András. Hamlet’s Moment. Drama and Political Knowledge in Early Modern England. New York, Oxford: Oxford UP, 2016. 340 pages. ISBN 9780198746201. Hb. £66.

• Re-Running the Rising: Centenary Stagings

  Nicholas Grene

  Views:

  152

  Drawing on his experience as an Irish Times Theatre Awards judge through 2016, the author analyzes a range of shows relating to the Easter Rising produced in Irish theatre in that centenary year. The aim is to show their variety of styles, realistic and experimental, but also the political viewpoints, whether belonging to a traditional nationalist historiography or its revisionist alternative. Some of the plays maintained the conservative representational dramaturgy so characteristic of much Irish drama, but more worked with dance, song, and video in theatrical mixed modes, including a radically innovative production of Sean O’Casey’s The Plough and the Stars at the Abbey Theatre. Site-specific shows sought to immerse audiences in the original experiences of the Rising, while the most formally experimental plays avoided direct representation altogether. The political positions were as varied as the theatrical styles from conventional nationalist hagiography to those which questioned the value and meaning of the Rising.

• Theater within the Graphic Novel about Theater: Neil Gaiman’s Concept of the Artist in His “A Midsummer Night’s Dream”

  Ildikó Limpár

  Views:

  262

  In his own version of A Midsummer Night’s Dream, Neil Gaiman exploits the possibilities in doubling: he presents the Shakespearean comedy as a play within the artistic space of his graphic novel and Such a reading reveals that what is a tool in Shakespeare’s play to visualize that art is capable of mirroring reality becomes a means to express the interchangeability of the realistic and the fantastic realms. Gaiman’s strategy of doubling thus suggests an understanding of life that surpasses the narrow interpretation of historical facts, and thereby it may offer a viable alternative to what we experience as reality.

• The Hunger Games Trilogy as a Text for Education

  Ildikó Limpár

  Views:

  273

      

• Between Addiction and Cultivation: Coleridge’s Modern Turn

  Annalisa Volpone

  Views:

  124

  Book review:

  Timár, Andrea. A Modern Coleridge: Cultivation, Addiction, Habits. Basingstoke: Palgrave Macmillan, 2015. 264 pages. ISBN 9781137531452. Ppk. £55.