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• Women in Contemporary Irish Theatre: Widening the Space

  Ruth Illingworth

  Views:

  57

  Book review:

  Haughton, Miriam, and Mária Kurdi, eds. Radical Contemporary Theatre Practices by Women in Ireland. Dublin: Carysfort Press, 2015. 251 pages. ISBN 978-1-909325-75-3. Pbk. €20.

• Experimental Dramaturgy, Intellectual and Art-related Subjects in Irish Theatre

  Mária Kurdi

  Views:

  69

  Book review:

  Woodward, Guy, ed. Across the Boundaries: Talking about Thomas Kilroy. Dublin: Carysfort Press, 2014. 112 pages. ISBN 978-1-909325-51-7. Pbk. €25.00

• Alternative Readings of J. M. Synge’s Drama Predicated on Archival Material

  Mária Kurdi

  Views:

  85

  Book review:

  Collins, Christopher. Theatre and Residual Culture: J. M. Synge and Pre-Christian Ireland. London: Palgrave Macmillan, 2016. 301 pages. Hb. ISBN 978-1-349-94871-0. €106.99.

• Introduction

  Mária Kurdi

  Views:

  113

  Introduction to the Special Section: Negotiating Aging and Ageism in English-Speaking Fiction and Theatre

• A Novel Inquiry into a Strategic Aspect of Irish Women’s Theatre across a Century

  Mária Kurdi

  Views:

  103

  Book review:

  Hill, Shonagh. Women and Embodied Mythmaking in Irish Theatre. Cambridge: Cambridge UP, 2019. 257 pages. ISBN 978-1-108-48533-3. Hb. ₤75.

• Dramaturgical Roles of Present and Past Teenage Characters in Post-Agreement Northern Irish Drama

  Mária Kurdi

  Views:

  117

  The Good Friday Agreement (1998) has set in motion significant changes in Northern Ireland, generating new conditions which, however, also brought numerous problems to the surface on various levels of society. Sociologists have called attention to how intensely the persistent afterlife of sectarian hostilities affect especially teenagers who are often unable to see their goals clearly. Several contemporary Northern Irish playwrights have relied on young characters to pinpoint timely and pressing social and cultural issues as well as to throw light on the precarity of the post-Troubles environment. This essay discusses three plays from different decades of the post-Agreement period: Gary Mitchell’s Trust (1999), Lucy Caldwell’s Leaves (2007), and Owen McCafferty’s Quietly (2012). Their respective dramaturgies showcase the long-lasting influence of the historical burden of the Northern Irish conflict on young peoples’ subjectivities as well as demonstrate how middle-aged characters are still haunted by memories of the psychic wounds they suffered during the most formative years of their lives. Through their underage protagonists, each playwright suggests that members of this generation might not be able to further strengthen the peace they have formally inherited. (MK)

• “Holding so Much of the Mind of Ireland” and Writing Modernist Drama: Celebratory Thoughts on the 150th Anniversary of the Birth of John Millington Synge

  Mária Kurdi

  Views:

  211

  Celebratory Thoughts on the 150th Anniversary of the Birth of John Millington Synge