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The Most Monstrous Kind of Art: Frankenfictions
Published June 28, 2020

Book review:

de Bruin-Molé, Megen. Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture. London: Bloomsbury Academic, 2019. x + 264 pages. ISBN 978-1350103054. Hb. £76.50.

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The Hunger Games Trilogy as a Text for Education
Published June 26, 2020

    

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Dracula Addressing Old and New
Published June 24, 2020

Book review:

Crişan, Marius-Mircea, ed. Dracula: An International Perspective. Palgrave Gothic. Cham: Palgrave Macmillan, 2017. xi + 280 pages. ISBN 978-3-319-63365-7. Hb. $101.51.

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Theater within the Graphic Novel about Theater: Neil Gaiman’s Concept of the Artist in His “A Midsummer Night’s Dream”
Published June 24, 2020

In his own version of A Midsummer Night’s Dream, Neil Gaiman exploits the possibilities in doubling: he presents the Shakespearean comedy as a play within the artistic space of his graphic novel and Such a reading reveals that what is a tool in Shakespeare’s play to visualize that art is capable of mirroring reality becomes a means... to express the interchangeability of the realistic and the fantastic realms. Gaiman’s strategy of doubling thus suggests an understanding of life that surpasses the narrow interpretation of historical facts, and thereby it may offer a viable alternative to what we experience as reality.

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