Tanulmányok
De tuinman, de geldschieter, de koelie-werver en de mandoer: Vier portretten van László Székely en de Delische Kunstkring
Megjelent:
2021-03-01
https://doi.org/10.36392/ACTANEERL/2020/16-17/6
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Copyright (c) 2020 Acta Neerlandica
This work is licensed under a Creative Commons Attribution 4.0 International License.
Hogyan hivatkozzuk
Kiválasztott formátum:
APA
Pusztai, G. (2021). De tuinman, de geldschieter, de koelie-werver en de mandoer: Vier portretten van László Székely en de Delische Kunstkring. Acta Neerlandica, 16-17, 101-117. https://doi.org/10.36392/ACTANEERL/2020/16-17/6
Absztrakt
The Hungarian planter László Székely was active as a painter on Sumatra during the first decennia of the 20th century. In 1923 he painted four portraits of people from the planters’ community: The Mandoer, The Moneylender, The Toekang-kebon and The Koelie recruiter, which appeared in the weekly paper De Zweep. In this article I will give an overview of the cultural life in Deli and place Székely’s work in this context. Furthermore, I will explain the uniqueness of Székely’s portraits, using the theory of the English cultural historian Peter Burke.