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• Kölcsönzés, átszabás, reklamáció: Adalékok az újrajátszás kortárs popzenei változataihoz

  177–201.

  Péter Fodor

  Zsanett Lengyel

  Andrea Urbán

  Views:

  60

  As there have been major shi—fts in the field of modern pop music when it comes to multimedia presence, platform types, functions, and consumption, the content and form of music videos have changed consequently. Postmodern ideas, such as the recognition that everything has already been attained, appeared in 80s and 90s productions and impacted the blossoming age of music videos a—fter the millennium. ’is study explores major directions artists have taken visually from different techniques of citations (Madonna), through creating a patchwork of preceding trends and figures (Lady Gaga) as well as mimicking and altering culturally ingrained
  images (Lana Del Rey), to individually constructed, interreferential and reflective self-mythology (Taylor Swi—). Th’rough the interpretation of music videos and short clips, we aim to highlight various mechanisms of re-enactment, how techniques such as cutting, transferring, de- and recontextualizing certain details formulate meaning, and how methods varied throughout the years. When visual extensions of sound and lyrics are understood as a continuation or extraversion of tradition, artworks are inevitably linked to the past, whereas the usage of reenactment variants within one’s lifework vitalizes itself. With the rise of TikTok, revisiting and reclaiming the past, inviting memories as building blocks of self-mythology exceeds the level of the artist saliently, as the artwork is tailored by an audience; influence works as a pendulum.

• Testpraktikák enumerációja és az önértés dilemmái: (Tompa Andrea: Fejtől s lábtól)

  99–111.

  Péter Fodor

  Views:

  39

  The story of Andrea Tompa’s novel takes place in Transylvania in the first decades of the 20th century. In the first half of the novel both protagonists are medical students, in the second half they are practicing doctors. œrough using them as first-person narrators, the writer had the opportunity to use many of the discourses of medicine. Thœis article analyses how they are implemented into the language of the novel and the way they can sometimes function on a metaphorical level. Furthermore, I examine how these discourses represent the change in the way modern humans relate to their own bodies and the bodies of the others.

• Szerkesztői előszó

  3.

  Ágnes Balajthy

  Péter Fodor

  Views:

  67

  Folyóiratunk legfrissebb lapszáma olyan előadások tanulmánnyá bővített változatát tartalmazza, melyek eredetileg a Biopoétika a 20–21. századi magyar prózában című, 2022. szeptember 22–23-án Debrecenben megtartott konferencián hangoztak el. Az írások célja, hogy feltérképezzék a modern magyar próza biopoétikai tendenciáit: azaz, egy új keletű szóalkotással élve, bioepikaként olvassák az elmúlt közel száz év néhány meghatározó alkotását.