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A gyarmati élet pszichopatológiája: Kollektív trauma Paul Scott A Korona Ékköve című tetralógiájában
111–130.Megtekintések száma:91The essay intends to read Scott’s tetralogy as trauma fiction that is concerned with the traumatic experience of the Anglo-Indian community in the last days of the Raj. The novel stages the attempts of the community to come to terms with the traumatic nature of colonial intersubjectivity and with the loss of the symbolic identity attached to the civilising project. Although the traumatic kernel is condensed in the Bibighar affair and in the scene between Merrick and Kumar, I argue that these events are symptoms rather than sources of trauma, and that the repetitive nature of the text might be seen as a symptomatic and futile series of willed and unconscious attempts to work through the diffused, disseminated trauma.
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Emlékmű és kísértethang: Az első világháború emlékezetének két metaforája az angol irodalomban
47–79.Megtekintések száma:112The main hypothesis of the article is that the two opposing poles of the spectrum of the (British) cultural memory of the Great War – official, monumentalizing memory and the various strands of counter-memory – are represented respectively by the image of the memorial and the motif of the ghosty voice. The article describes the variations of this dichotomy, discussing poetry by Sassoon and Owen, as well as fiction by John Galsworthy, Henry Williamson, Christopher Isherwood, Alan Hollinghurst and Adam Thorpe, among others, concentrating on moments that could be called memorial ekphrasis, as well as on various aspects of the spectral voice contrasted to monumentalizing memory. What the readings show is that the stark contrast between the two kinds of memory and the two motifs associated with them is ultimately rather unstable.