This article delves into the intricate nature of creative practice and its associated media usage. I substantiate theoretical approaches with practical examples, drawing primarily from my own work and experience. e analysis covers various aspects, such as the medium as message, the exhibition as a medium, and the role of structure, in a spatial network that can intersect and overlap. e article includes examples from my own artistic projects, including documentary photography, and discusses my creative insights on re-enactments. The article emphasizes the pivotal relationship between message and structure in the creative process. It underscores that combining different media can lead to deeper understanding and emotional connections with the audience.