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• The Outlines of Meaning’s Analysis of Social Phenomena in the Concept of S. L. Frank

  14 p.

  Natalya Matveeva

  Views:

  358

  The present paper deals with the problem of how cultural meanings are perceived in S. L.
  Frank’s social theory. His conception lies between two main paths of sociological thought:
  Durkheim’s cognition of social facts as objective phenomena on the one hand, and Weber’s
  cognition of subjective meanings of personal actions, on the other. In his theory Frank concentrates
  on the concept of objective forming idea-force, which resembles the concept of
  social fact in its quality of exerting pressure on individual consciousness and volition, but it
  should be brought into harmony with interpretive methodology. In Frank’s view social ideas
  are regarded as a force forming social relations and therefore lie in the foundation of social
  institutions. These are, for example, ideas of state, of family, of friendship and so on. Social
  ideas are connected with the consciousness of the individual by their moral force. That is
  why such ideas are accepted by the individual at the emotional level of his spiritual life,
  because they believe that these ideas are true and organize their meanings and activities according
  to them. Thus social meanings of moral good or evil in human relations and in the
  social structure arise. At the same time they signify the emergence of sacred phenomena in
  society. Human beings, according the Frank’s theory, have an internal need to be possessed
  by the sacred senses that give them the feeling of the participation in the implementation of
  the transcendent goals. Society is an objective living idea which provides sacred meanings
  for the individual. On the whole, a society’s life is formed by the historically specific complex
  of ideas that are freely accepted or rejected by individuals and determine their feelings and
  behavior. There is no contradiction between personal freedom, creativity and social structure
  in S. Frank’s theory. The author of the present paperfinds similarities between S.Frank’s ideas
  and the fundamentals of cultural sociology.

• The features of the use of color and light in the best works of the festival of video poetry “Videostikhiya”

  Svetlana Rudakova

  Views:

  25

  This paper deals with video poetry as a phenomenon of contemporary art. A brief excursion into the history of video poetry is presented. The popularity of video poetry in the early 21st century is explained in this paper throughmany factors, one of which is the systematic, since 2002, holding of various festivals and contests of poetic video clips. The main attention is focused on the analysis of video clips presented at the international festival of video poetry ‘Videostichia’. The peculiarity of the use of such a technique as color in the best video clips is revealed. It is noted that video poetry revises the idea of color, making it more symbolic and memorable. Each clip transforms the ordinary perception of color, turning it into a symbol of art and life.

• A Possible Slavic Etymology of Hungarian kullancs ’tick’

  9 p.

  Ádám Galac

  Views:

  108

  The present article is dedicated to the etymology of the Hungarian noun kullancs ”клещ (lat. Ixodes ricinus)”. The Slavic origin of the word was assumed in the 19th century, however this idea was rejected in the 20th century owing to phonetic reseasons. After a short overview of the history of the research of this word, arguments are lined up in favour of the fact that the phonetic difficulties can be ignored or at least taken as irrelevant when comparing the Hungarian word  kullancs with its Slavic equivalents. Therefore, it is inevitable to raise the question of its Slavic origin again.

• Peculiarities of the Historiosophic Content of M. V. Lomonosov's Odes for The New Year 1762 and 1764

  Aleksey Petrov

  Svetlana Rudakova

  Views:

  167

  The paper deals with the formation of artistic historiosophy in the Russian literature of the 18^th century. The main attention in the study is focused on the odic works of M.V. Lomonosov. The research demonstrates that in his odes Lomonosov used not only constant historiosophemes and ideologemes obtained from the general storehouse of philosophical, historical and political knowledge of his time, but also his own historiosophemes. The analysis of the two insufficiently studied M.V. Lomonosov's works – "… on Accession to the Throne and for the New Year 1762" and "… for the New Year 1764" – shows that an individualized historiosophic concept was developed in them. The range of Lomonosov‘s main historiosophic ideas is revealed, for example, summing up reign, the prosperity of Russia under the power of the House of Romanovs, "golden times", the dying and reviving god, and generally useful work for the benefit of Russia.

• B. Spinoza, N.V. Gogol, J. Baudrillard: On the Debate about Theocentrism and Anthropocentrism

  13 p.

  Sergey Shults

  Views:

  194

  Interest in the problem of man, in the structure of the world and in its foundations is brought together, with all the difference, Spinoza, Gogol, Baudrillard. In the lineup of authors, three main attitudes are revealed. Spinoza: all that exists is theocentric; one must strive to comprehend God and His "extensions" (not creatures!) in the form of the world and man. Gogol: comic-romantic criticism regarding intramural irrationality with the author's aspiration for an eschatological perspective. Baudrillard: immersion in the pan-social as the only being, although it has (starting from the Renaissance) an empty foundation. According to Spinoza, man, nature, the world, in general, everything in reality is an extension of God. Not "creation"! - it is a continuation, practically an integral part of God, some "doubles", although those with less "good."  It turns out that God is not able to separate himself from what is around him, what is in the outside world and everything that is not He considers himself to be. Gogol, on the other hand, strove to portray man as really different in relation to God and at the same time capable of changing (the concept of “Dead Souls”). Isn’t the “apocalypse of our time” outlined by Baudrillard? Its unchanging Marxist-Freudian jargon is intended only to serve the immediate intention of reforming social reality. The Baudrillard concept is marked by post- and neo-romantic skepticism regarding the nature of man and society. The extra-Marxist (and non-Freudian) in Baudrillard - his bet on "reversibility", on the "gift" (in the terminology of Moos and his followers) of the "gift", ie installation on a "symbolic exchange" between communicants in all spheres of existence. Thus, Baudrillard comes to recognize the linkage "modern / postmodern" and to recognize the benefits of modernity. The transformation of “dead souls” is a path that Gogol also thought about realizing on different grounds and which opposes the complacency of Spinozist machines.

• European Cultures in Leo Tolstoy’s Interpretation: Ambiguous and Unambiguous (on the Basis of the Sketch “Sevastopol in May” and the Novel “War and Peace”)

  Dmitry Romanov

  Views:

  115

  The article examines the embodiment of the interactions of Russian culture with French and German cultures in the course of global historical eventsin Tolstoy’s works. The review includes the Crimean War of 1853-1856 and the Patriotic War of 1812. The author analyzes the use of foreign language inclusions by the heroes of Tolstoyʼs works and the authorʼs assessment of them. Special attention is paid to the analysis of the ideas and images of European cultures, which help to express the worldview of the writer.

• Gogol’s Vij and L.N. Tolstoy’s War and Peace in V.V. Mayakovsky’s Poem War and Peace

  Sergei Shul’ts

  Views:

  277

  Representing himself in his poem War and Peace in the form of a fictional "absolute unit" - the new Vij - Mayakovsky demonstrates the infernality of a new type, in comparison with Gogol's one. Mayakovsky's ideacontrasts with Tolstoy's pacifism and the idea of "eternal peace" (the novel War and Peace). Unlike Tolstoy, refusing to notice and recognize the real diversity in the manifestations of man and the human principle, Mayakovsky reduces all people, their thoughts and concerns to their personal ideas.

• S. S. Bobrov’s Ode "The Kingdom of Universal Love": Erotogenesis and Phenomenology of Love (1785)

  Aleksey Petrov

  Svetlana Rudakova

  Views:

  169

  Among the genre concepts of Love formed in the poetry of the 18th century (erotic-political myth about the love of monarchs in an epithalamic ode; triumph of flesh and physiology in priapic ode; hedonism in anacreontic ode) a special place is occupied by the concept of historiosophical ode. In one of the works of this genre – «The Kingdom of Total Love» by S. S. Bobrov – an attempt was made to combine Eros and History. The ideas of Bobrov, a freemason poet, about the origin of Love go back to the myths of various genesis. Another idea was that Love brings light and harmony to non-living nature, and living nature is completely submitted to the Law of Love – the Law of the continuation of Life. In general, Love appears in Bobrov's historiosophical ode as a harmonizing cosmic force.

• Turgenev Today: On the Problem of Perception

  17 p.

  Irina Belyaeva

  Views:

  187

  The article deals with the question of how Turgenev’s work is perceived by the modern
  reader. There are identified aspects related to the complexity of understanding the writer’s
  texts, which are largely due to stereotypes that have developed in the culture of perception,
  and are also features of his poetics. There are different ways of new interpretations of Turgenev’s
  famous texts – those of the novels “Fathers and Sons” and “The Noble Nest”. In “Fathers
  and Sons” the idea of reconciliation with contradictions is emphasized, and ‘The Noble’s
  Nest” is considered a successful social project in literature. The article briefly highlights
  the main stages of Turgenev’s popularizing Russian culture in the West.