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• Grotesque and paradox: Female and male narratives in Victor Erofeyev’s novels

  Tünde Szabó

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  70

  This paper examines the narrative dynamics of two novels by Victor Erofeyev. The female discourse of Russian Beauty is characterized by the vertical dynamics of grotesque, while the discourse of the autobiographical narrator of Good Stalin is characterized by the dynamics of paradox, a horizontal movement between opposing truths. In both novels the Soviet aesthetic canon is undermined through the dynamics of narrative that denies the possibility of a singular truth.

• Scientists in Lyudmila Ulitskaya’s Novels

  Tünde Szabó

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  139

  This study focuses on a characteristic type of hero in Ulitskaya’s works and analyses the image of the scientist heroes and their poetic functions in three of the author’s novels (The Kukotsky Enigma, The Big Green Tent and Jacob’s Ladder). These heroes represent a special kind of syncretic thinking. Firstly, in their conversations and debatesthe genre code of the Socratic dialogue is activated, as Mikhail Bakhtin described it in connection with the development of the polyphonic novel. Secondly, these heroes, who always appear in pairs, invoke the duo of Don Quixote and Sancho Panza, as well as certain characteristics of “Quixotism”, which has a central role in the critique of the role that intellectuals have played in Russian culture. It is against the above background that the role of 20th-century intellectuals gains a new interpretation in Ulitskaya’s three novels.