Search

Published After
Published Before

Search Results

  • The features of the use of color and light in the best works of the festival of video poetry “Videostikhiya”
    Views:
    63

    This paper deals with video poetry as a phenomenon of contemporary art. A brief excursion into the history of video poetry is presented. The popularity of video poetry in the early 21st century is explained in this paper throughmany factors, one of which is the systematic, since 2002, holding of various festivals and contests of poetic video clips. The main attention is focused on the analysis of video clips presented at the international festival of video poetry ‘Videostichia’. The peculiarity of the use of such a technique as color in the best video clips is revealed. It is noted that video poetry revises the idea of color, making it more symbolic and memorable. Each clip transforms the ordinary perception of color, turning it into a symbol of art and life.

  • The Cultural Heritage of the Ancient Russian City of Yelets
    Views:
    163

    This article provides scholarly evidence the small historical city of Yelets as a potential cultural heritage site in the context of its socio-cultural significance for the state, society and the local community. The paper overviews the results of a comprehensive sociological study of the issues of the cultural heritage of this ancient Russian city. The issues of the cultural heritage of Yelets is considered from the perspective of internal and external identification processes which transformed it and make it lose its unique urban identity. For the analysis of cultural heritage, the types of identity of the city are identified: historical and cultural, visual and spatial, socio-psychological and communicative spatial. The main factors of the identification processes of the city are analyzed, such as urban identity, history, culture, social interaction and language.

  • Trans-Disciplinary Methodology: Procreation Capital as a Basic Factor in the Viability of a Civilizational-Cultural Unit
    12 p.
    Views:
    170

    The main problem raised in the paper is in line with a new trend of research, conceptual programs and practical activity that can be termed “hygiene of culture”. The study is transcritical in its character and proposes to consider the category of capital generated by the economy in relation to the reproduction of the population in its structural units of civilization and as a cultural community. Trans-discipline methodology is currently being developed, which makes the work is up-to-date. It develops basic aspects of the procreation capital category, which claims to be a generalization of the human capital category. The problem is the restoration of European culture, which has been eroded by the distortion of the ideas of market economy. The reason why it is particularly urgent to find a solution to the problem is the threat posed by the demographic situation of the developed countries of European culture and the adjacent countries of the Slavic-Orthodox cultural cluster by the actual organization of housing.

  • Nowe dwudziestolecie (1989–2009). Rozpoznania, hierarchie, perspektywy [The New Twenties (1989-2009): Recognitions, Hierarchies, Perspectives]. Ed. by Hanna Gosk. Warsaw: Dom Wydawniczy Elipsa, p. 530, ISBN 978-83-7151-873-7
    Views:
    57

    The volume Nowe dwudziestolecie (1989-2009): Rozpoznania, hierarchie, perspektywy [The new twenties (1989-2009): Recognitions, hierarchies, perspectives] reflects on the twenty years of Polish literature and literary change between 1989 and 2009, and compares and contrasts this period with the twenty years between the two world wars. The two twenty-year periods are linked by the fact that their starting point is associated with a date of immense importance for Polish history: 1918 is the year when Poland was returned on the map of Europe, and 1989 is also the year of the change of regime in Poland. The period between the two world wars is also regarded as a separate period in Polish literary history, while the second twenty years covered in this volume are questionable as a literary unit, a question which the essays in this book seek to answer. The volume is divided into three large sections, the first focusing primarily on theory, the second on Polish characteristics and themes that characterised Polish literature after 1989, and the third large section on the genre characteristics that have characterised Polish literature since the fall of communism to this day but were also important between the two world wars.

  • The relationship between Excellent People by Chekhov and the ideological position and artistic attitude in the late short stories of Leo Tolstoy
    Views:
    91

    In Chekhov and His Prose (first published in 1965), the author, Thomas G. Winner contends that the subject matters of a few of Chekhov’s short stories written in the 1880s (such as «Хорошие люди» [Excellent People]) were created in the spirit of Leo Tolstoy, yet the one called «Несчастье» [Misfortune], written also in 1886, already marked the beginning of a series of texts that can be interpreted directly as “a light parody” of Anna Karenina (1873–1877) as well. The basic question posed here concerns whether there is really a significant difference that can be observed between the above two works and whether they reveal this sharp difference in the reception of Tolstoyan ideas that Winner's monograph suggests. The paper seeks to answer this query on the basis of the interpretation of Excellent People and the textual representation of the issue of goodness. In this analysis, particular attention is given to the way in which Tolstoy's ideas are represented and to the author's poetic choices that bring the text close to Tolstoy's late short stories.

  • Lecturer, Researcher and Translator in One Person. In Honour of József Goretity's 60th Birthday
    Views:
    149

    József Goretity has been working at the Institute of Slavonic Studies at the University of Debrecen since 1985 and has been the head of the institute since 2012. During this time he has been teaching courses on 19th and 20th century West-European and Russian literature focusing on the tradition of the novel and mythopoetics at the Department of Comparative Literature as well. In 1996 he was appointed head of the department. Between 1992 and 1999 he was a lecturer at the Faculty of Arts at the University of Miskolc. Besides his teaching activity, József Goretity’s work in the field of literary translation is also outstanding. He has brought such prominent Russian writers to Hungarian-speaking audiences as Narine Abgaryan, Sergey Dovlatov, Viktor Yerofeyev, Viktor Pelevin, Lyudmila Petrushevskaya, Yuri Polyakov, Grigoriy Ryazhskiy, Marina Stepanova, Alexandr Terekhov or Lyudmila Ulickaya. Besides literary texts he also translated literary and cultural studies into Hungarian, such as P. P. Apryshko’s influential monograph The History of Russian Philosophy. József Goretity’s most influential academic works are Idézet paródia és mítosz Fjodor Szologub két regényében and Töredékesség és teljességigény. Huszadik századi orosz prózai művek értelmezése. In 2014 he was awarded the Medal of Pushkin by the President of the Russian Federation. In 2019 he received the prestigous state award, the Golden Cross, for his achievement.

  • Types and Functions of Comparative Tropes in Contemporary Prose Texts (as represented in L. Ulitskaya’s Short Story ”The Queen of Spades”)
    5 p.
    Views:
    348

    This article studies the types and functions of comparative tropes in Lyudmila Ulickaya’s short story ”The Queen of Spades”, a reference to Alexander Pushkin’s famous masterpiece. This question is connected with the main heroine’s figure constructed on the basis of the system of tropes. In the analysis suggested by the authors, special attention is paid to the animalistic, vegetative and theatrical metaphors, parallels and similes. In the conclusion the difference between traditional and individual tropes in the woman writer’s literary work is discussed.