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  • The Psychology of Literary Creativity in the Works of Mihail Arnaudov
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    208

    Mihail Petrov Arnaudov (1878-1978), a Bulgarian scientist, was a famous European researcher with significant contributions to several fields of scholarship, i.e., folklore, the history of Bulgarian literature of the Renaissance, comparative literary history, the literature and culture of ancient India, the theory of literary science, the history of German and French literature of Romanticism, etc. This paper is devoted to his contribution to the study of the psychology of literary creativity. It analyses the prerequisites for Arnaudov’s formation as a psychologist of creativity, and provisionally identifies several main stages in his scientific and professional path, during which he conducted research and produced works in this interdisciplinary field. With the help of historical and psychological analysis, the general and specific features in the development of his views on the essence of the psychology of creativity and the meaning of its use in literary criticism and literary history are presented.

  • Ekphrasis - Chameleon of Literary studies “Theory and History of Ekphrasis: Results and Prospects of Study” Siedlce, 2018
    9 p.
    Views:
    455

    This article aims to highlight the various methods in which ekphrasis can be analysed and new interpretations of the phenomenon in the monograph “The Theory and History of Ekphrasis: Results and Prospects of the Study” published for the 15th year anniversary of the previous work “Ekphrasis in Russian Literature” (2002). The articles touch upon the history of the study of ekphrasis, its typology, the dynamics of its functions as well as the poetics of description in the history of literature, theory and classification, including the theme of narratology, and works containing analysis from autobiographical points of view. The novelty of the monograph is that it also includes contemporary fiction which provides an excellent opportunity to redefine and reinterpret the phenomenon.

  • From Gregory of Nyssa to Boris Akunin and Eugene Vodolazkin – and beyond : “the language, which I spake and fram’d”: Linguistic Presence: Collection of Academic Papers in Honour of Arpad Kovacs’s 80th Jubilee. Edited by A. Molnár and M. Hoványi. Budapest, ELTE Eötvös József Collegium, 2024, pp. 416. ISBN: 978-615-5897-67-2
    Views:
    183

    This review discusses the Festschrift published in honour of Professor Árpád Kovács’s 80th birthday. Professor Kovács is an eminent Hungarian scholar whose research on Russian Literature (mainly on Dostoevsky’s oeuvre) and innovations in literary theory are well-known, respected and followed by the Slavic studies specialists throughout the world. The volume consists of 30 papers written by Professor Kovács’s friends, colleagues and admirers. In the high standard and innovative approach of each paper, the volume is undoubtedly worthy of Professor Kovács’s legacy and represents the unique approach to literary texts which he established during his career.

  • Nowe dwudziestolecie (1989–2009). Rozpoznania, hierarchie, perspektywy [The New Twenties (1989-2009): Recognitions, Hierarchies, Perspectives]. Ed. by Hanna Gosk. Warsaw: Dom Wydawniczy Elipsa, p. 530, ISBN 978-83-7151-873-7
    Views:
    146

    The volume Nowe dwudziestolecie (1989-2009): Rozpoznania, hierarchie, perspektywy [The new twenties (1989-2009): Recognitions, hierarchies, perspectives] reflects on the twenty years of Polish literature and literary change between 1989 and 2009, and compares and contrasts this period with the twenty years between the two world wars. The two twenty-year periods are linked by the fact that their starting point is associated with a date of immense importance for Polish history: 1918 is the year when Poland was returned on the map of Europe, and 1989 is also the year of the change of regime in Poland. The period between the two world wars is also regarded as a separate period in Polish literary history, while the second twenty years covered in this volume are questionable as a literary unit, a question which the essays in this book seek to answer. The volume is divided into three large sections, the first focusing primarily on theory, the second on Polish characteristics and themes that characterised Polish literature after 1989, and the third large section on the genre characteristics that have characterised Polish literature since the fall of communism to this day but were also important between the two world wars.

  • The Theory of Metaphors in Contemporary Literary Studies
    17 p.
    Views:
    314

    This article is designed as a brief overview of the methods of how metaphor is defined in contemporary scholarship. In the discussion of the similarities and differences of the basic Russian and Western poetic, philosophical and logical approaches to metaphors are compared to each other. Besides, Hungarian comprehensive syntheses and reconsiderations of metaphors are also touched upon. Finally, suggestions are made as to which aspects of literary studies and linguistics can be used in the analysis of the system of tropes in literature.

  • Issues of Translation from Russian to Hungarian and from Hungarian to Russian: Studia Litteraria 2020/1-2, LIX. évfolyam. Orosz irodalom fordításokban. Debrecen 2020, 146 p. HU ISSN 0562-2867
    Views:
    210

    This review is a content overview of the issue 1-2/2020 of Studia Litteraria, a Journal of Literary and Cultural Studies. This collection of scholarly articles is an excellent material for a varied and comprehensive look at current matters of translation and contemporary literature. The authors of the articles are practicing translators, therefore the general positions are explained through their own, specific works and practical experience. The purpose of this review is to briefly acquaint readers with the content of scholarly papers which have been categorized by topics for convenience.

  • Images of the East in the Short Fiction of Ivan Bunin
    16 p.
    Views:
    397

    The article examines the images of the East in the short fiction of Ivan Bunin. With the help of the narrative model of Jan van der Eng, consisting of three basic thematic levels (action, characterization, geographical and social setting) we read and arrange the works of Bunin through the prism of postcolonial criticism. On the one hand, we will consider the arguments of traditional postcolonial studies; on the other hand, we will also take into account the postcolonial theory regarding the “second world” (Russia, Eastern and Central Europe).We start our analysis with the texts in which images of the East are only featured on one thematic level, gradually directing our attention towards the short stories in which these images determine the whole semantic structure.

  • “... studying travelogues often becomes a journey...”: A. Y. Sorochan: Travel writing as literature. Monograph. Tver, “Alpha Press”, 2024, pp. 254. ISBN: 978‐5‐98721‐073‐4
    Views:
    198

    The present review analyzes the monograph of A. Y. Sorochan, published in 2024. The author is a philologist, a professor at Tver State University who specializes in the history and theory of literature. He defended his doctoral dissertation titled “Motivation in the Russian Historical Novel of the 1830s–1840s”, which focuses on a unique combination of historical and literary approaches. This monograph is thematically close to Sorochan's dissertation and consists of three parts: in the first the author speaks generally about travel literature; the second section is devoted to works of Russian literature; and the third section contains reviews of books on travel literature. In this critical article, the specificity of historical and imagological approaches in Sorochan's work on travel literature is analyzed.