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• Cultural Policy of Russia and Hungary: Modern Discourse and New Actors

  11 p.

  Olga Szűcs

  Tatyana Yudina

  Views:

  328

  The authors of the article argue that contemporary cultural policy discourse is in the focus
  of attention of scientific communities, social and political organizations and government institutions.
  It represents a sort of symbolic struggle and nominations and has necessitated a
  new approach to cultural policy structuring. The article shows that this necessity is demonstrated
  by the development of cooperation between Russia and Hungary in terms of cultural
  sectors and cultural heritage. Expert communities and non-governmental organizations are
  becoming significant elements in the structure of cultural policy subjects. The association
  “For Hungarian-Russian cooperation named after Leo Tolstoy” has become such a key issue.
  The authors of this article attempt to highlight the most essential contemporary issues in
  the sphere of cultural policy in general and in relation of two separate countries – Russia and
  Hungary – through the scientific project “Hygiene of culture”.

• The Features of Theatre Activity in Hungary: The Legal and Financial Basis (II)

  12 p.

  Olga Romanova

  Ekaterina Khaunina

  Views:

  250

  Hungarian theatre system is the main object of the following article. The first part of article contains the general questions connected with the existing model of theatrical activity. Then there is the analytical review of the modern Hungarian legislation of area of culture and special attention is paid to the structure and content of Law XCIX / 2008 “On support and rules of employment in organizations of performing arts”. In the following part of the article all models which exist and develop in the country nowadays of direct and indirect financial support of theatrical organizations are considered. Since Hungarian and Russian theatre systems have some similar characteristics, the final part is devoted to possible partial adoption of Hungarian experience with a view to develop the institutions for the additional funding of Russian theatres.