Search

Search Results

• The Success of Jewish Agricultural Colonies in Western Canada

  Eric Wilkinson

  Views:

  98

  This article assesses the history of Jewish agricultural settlements created in Western Canada in the late nineteenth and early twentieth centuries. The first settlements were founded following the 1881 Russian pogroms, at which time Canada’s Jewish community tried to resettle refugees in Western Canada. The result was the establishment of over a dozen farming colonies at the turn of the nineteenth and twentieth centuries. By examining the documentation produced by the colonists and the organizations that facilitated their settlement, it is possible to reconstruct the lives of the colonists in each community. This study investigates documents available for twelve different communities that span the Prairies. Settlers report several impediments to their success, including inexperience, poor soil, natural disaster, anti-Semitism, poor administration, and financial hardship. However, the decisive factor which brought an end to the colonies was upward social mobility. They were victims of their own success, unable to maintain their numbers as younger generations moved away, and parents joined them when they retired. The analysis of the farm colonies reveals the causes of their decline and provides grounds for re-evaluating their legacy. (EW)

• Re-Running the Rising: Centenary Stagings

  Nicholas Grene

  Views:

  50

  Drawing on his experience as an Irish Times Theatre Awards judge through 2016, the author analyzes a range of shows relating to the Easter Rising produced in Irish theatre in that centenary year. The aim is to show their variety of styles, realistic and experimental, but also the political viewpoints, whether belonging to a traditional nationalist historiography or its revisionist alternative. Some of the plays maintained the conservative representational dramaturgy so characteristic of much Irish drama, but more worked with dance, song, and video in theatrical mixed modes, including a radically innovative production of Sean O’Casey’s The Plough and the Stars at the Abbey Theatre. Site-specific shows sought to immerse audiences in the original experiences of the Rising, while the most formally experimental plays avoided direct representation altogether. The political positions were as varied as the theatrical styles from conventional nationalist hagiography to those which questioned the value and meaning of the Rising.

• Chronotopes of the City: Spatial Injustice and Narrative Form in Helena María Viramontes’s Their Dogs Came with Them

  Babett Rubóczki

  Views:

  326

  Combining Mikhail Bakhtin’s concept of the chronotope and Sarah Dillon’s notion of the palimpsest, the essay highlights the dialogic relationship between narrative time and space in Chicana author Helena María Viramontes’s novel, Their Dogs Came with Them (2007). Set in East Los Angeles in the 1960s and 1970s—the heyday of urban renewal projects and the rapid spread of freeways—the novel registers the geographical displacement and constrained socio-economic mobility of Mexican Americans whose homes are demolished by the freeway building bulldozers. The spatial form of intersectionality characterizing the architectural structure of the freeways also describes the narrative form of the novel. The non-linear narrative is structured upon multiple intersecting plotlines, each of which portrays the social struggles of a young Chicana woman inhabiting the city. Focusing on the interplay of environmental theme and narrative form, the paper explores the narrative representation of East Los Angeles as a spatially and temporally multilayered landscape that palimpsestously overlays and interconnects the personal memory of the characters and the collective history of Mexican Americans’ socio-political oppression in North America. (BR)