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• PUBLICATIONS OF LECTURERS IN HUMANITIES IN THE DEBRECENI SZEMLE

  138-150

  Viktória Molnár Tamus

  Views:

  109

  The István Tisza Scholarly Society published the journal of high academic quality that had nineteen issues between 1927 and 1944. The authors of the articles were mainly lecturers at the University of Debrecen, teachers at secondary schools, professional writers, intellectuals working in the countryside, nationally renowned scholars and writers. Most of the lecturers in humanities examined in my doctoral thesis regularly published in the columns of Debreceni Szemle, one of the most significant forums of the city’s academic life. The journal was edited by two university professors, János Hankiss and Rezső Milleker. Every second issue covered a social or natural scientific theme. In the beginning, it was published ten times a year, later twelve times, then again ten times or even less frequently during the Second World War, until it was discontinued in 1944, and it was not started again until many years later. The journal was published with the support of the city of Debrecen, but its themes were not limited to regional ones, even though it considered that its primary task. In addition, it was run by the University of Debrecen and the István Tisza Scholarly Society in a relatively high number of copies. From 1932 until its termination, it functioned as the official review of the Society.

   

• Béla Pukánszky researcher and artist

  25-31

  Viktória Molnár-Tamus

  Views:

  151

  In the first phase of the history of the Faculty of Humanities, University of Debrecen, several lecturers were in close connection with arts. This study intends to introduce primarily the musical significance of Professor Béla Pukánszky from Pozsony. In the course of the research, I attempted to read and process the surviving documents of the personal legacy along with the critiques, reviews and jubilee studies written by contemporary scholars and colleagues. In Béla Pukánszky’s case, I relied on the documents preserved in the Manuscript Archive at the University of Debrecen (minutes, concert invitations, handwritten and typed music history performances), and especially on his wife’s correspondence. As a result, I report on Béla Pukánszky’s art-related scholarly and educational pursuits as writer and lecturer, and demonstrate the proactive role he undertook in the artistic life of Debrecen, Budapest, and the whole of Hungary. Thus, my work contributes to the previous research results on the important activities of the faculty’s and the town’s nationally outstanding intellectual circles in the fields of cultural history, cultural education and art patronage.