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• Cultural Heritage or Traces of the War? A Case Study From Oblivion to Memory and ’Heritagisation’

  139-154

  Melinda Marinka

  Views:

  140

  The paper explores the memory of the internment camp in Tiszalök (Upper Tisza region, Hungary) in selected social, historical, and ethnic contexts. After a brief theoretical overview of key concepts such as heritagization, the author highlights some significant facts and events from the history of the camp. This camp was established after the Second World War, and deportees of German origin, who could not go home to their families after returning to Hungary from Russian captivity, were held there. Furthermore, the paper outlines how the history of the camp was first concealed in public, then gradually discovered by scholars and memorialized through commemorative events and a monument which was erected by the local community and former inmates. Subsequently, the author presents the case study of a deceased Hungarian woman who used to work in the camp’s kitchen. Based on several interviews with her relatives and after the careful examination of a wooden box from her estate, the author demonstrates that her family history and the history of the interned members of the German minority are closely intertwined in a way, which had been unknown to her family. Finally, the author argues that similar personal objects may reveal further untold stories and entangled memories from the postwar years.

• Post-UNESCO Effect: Chhau’s journey from Cultural Sentiment to Commercialization

  69-88

  Ayantika Chakraborty

  Views:

  122

  Chhau, a traditional masked dance form of West Bengal has been enlisted as ‘UNESCO- Intangible Cultural Heritage of Humanity, 2010’. In 2015, UNESCO along with the MSME of Government of West Bengal developed a ‘Rural Craft Hub’ in Chorida village of Purulia district centring Chhau. Consequently, tourism in the area got international and national patronage. This entire phenomenon encouraged the commercialization of the traditional dance and craft form associated with Chhau as a result of heritagization. Unfortunately, the implication of the heritagization happened in a flawed fashion which eventually led to folklorization and institutionalization while compromising their contextual significance. The paper explores how heritagization ensures the sustainability of intangible tradition like Chhau while leading to folklorization and institutionalization of performance and craft. The paper also documents the history and ritualistic significance of Chhau to draw a lucid comparison between the traditional form and the form which is the result of folklorization. The paper establishes that the Heritagization- Folklorization- Institutionalisation are intertwined with each other in the context of Chhau.  From the interviews of the tourists and locals associated with Chhau, it is evident that the organization concerned with policy making should keep it in mind that an enormous distortion of craft and performance comes along when the target buyers in the market are alien to the traditional context. In such a scenario, the contextual significance of a craft form can be kept intact if the targeted buyers can be made aware of the contextual and functional relevance of the folkloric element that they are consuming in its modernized version.