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• (Non-)fictitious war experiences and war stories

  155-166

  Andrea Horváth

  Views:

  131

  The First World War not only destroyed almost all life, it also restructured established traditions and structures and completely redefined social relations. In my contribution I try to present the generation and time experience of that time by examining in more detail the reactions of German intellectuals to the shattering of occidental values. It is about the crisis of the monarchical principle, the call for democratization, the experience of death and the evaluation of knowledge.

• The image of the multi-ethnic Habsburg Empire: From its dismissal in 1919 to its rediscovery for the European Union after 1989

  167-188

  Michael Prosser-Schell

  Views:

  145

  This article delineates the image of the Habsburg Empire in the 20^th century in order to analyse its current representation in historiography in the German language. Before the Great War, the comprehensive compendium „Die österreichisch-unga­rische Monarchie in Wort und Bild“ (The Austrian-Hungarian Monarchy in Word and Image) presented the old Habsburg Empire in a very positive light. According to the compendium, the strong and progressive multi-ethnic state served as a model for the institution of the nation state. After the Great War, the Habsburg Empire appears as a weak, even non-functional state in historiography in the German language.  It is described as internally divided due to ethnic conflicts of interest. However, after 1990, following the publication of Claudio Magris’ renowned works, in particular his book on the river Danube, the image of the multi-ethnic Habsburg Empire as a culturally and politically dynamic actor has been reclaimed. After the enlargement of the European Union in 2004, the state’s multi-ethnic character has frequently been presented as a role model for European integration. To further illustrate this point, this article will examine the reasons for which Temeswar in the Banat was selected as European Capital of Culture.

• Literacy of lower social classes at the turn of the century: Letters in the First World War

  37-50

  Csilla Schell

  Views:

  153

  The paper discusses the literacy of lower classes in the last decades of the Austro-Hungarian Empire and focuses on the correspondence of the First World War. Besides briefly reviewing the general contexts for the literacy of lower social classes (education, legislation), the paper discusses language/ethnicity issues as well. By summarizing linguistic remarks from selected research papers, the author underlines that the large number of letters was due to the increased need for communication and these pieces of writing reflect the literacy and the language of the masses; consequently, wartime correspondence is an accurate reflection of the communica­tion of lower social classes.

• Varieties of desire for peace on German postcards of World War I

  7-36

  Hans-Werner Retterath

  Views:

  235

  In this study the author is looking for correlations between figurative and handwritten messages on German postcards in World War I. In research literature it is mostly claimed that illustrations and news do not correlate with each other. As postcards were increasingly censored during war time and could be read by everyone the postcard writers very rarely mentioned any criticism about war matters. At first sight one can agree to this. But by deeper research of the front and back of the postcards, as well additional research in directories, archieves and historical literature the author elaborates connections between both sides and even more war criticism.

  On the basis of six picture postcards, mostly written by soldiers to their families the author discovers different critical attitudes towards war and peace which were depending on the actual war situation, social-cultural background of the writer himself and the offical war propaganda of those days. Sometimes the handwritten message is in contrast to the affirmative message of the postcard picture. Accordingly it can be claimed that the picture on the postcard was often used as a camouflage. Furthermore the longing for peace was mainly presented by postcard-illustrations and inscriptions with Christian references. The figurative message of these postcards were even more emphasized when the writer refered to the brutality of war.