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  • Quintus Aurelius Symmachus and the Roman Religion
    135–146.
    Views:
    47

    Quintus Aurelius Symmachus, the renowned orator of Late Antiquity, took an active role in upholding the traditions of the ancient Roman religion. The present paper examines his relationship to religion and his priestly activities, mainly through his letters.

  • From domestic apotropaic magic to state religion in the Roman world: ways there and back
    113–128
    Views:
    100

    There are two main methodological approaches in relation to the study of apotropaic magic in the Graeco-Roman world. An historicist one, focused on the formal description of the data and on tracing their possible origins; and a psychologist-functionalist one, which interprets the data as a psychological relief to the anxieties produced by the misfortunes of dailylife. I propose to explore here an aspect of apotropaic magic frequently overlooked: its mutual relation with the religion of the State, which creates a common syntactic framework but also tensions and conflicts.

  • Sofocle: Magia, Medicina, Religione
    53–69.
    Views:
    167

    In Sophocles’ tragedies the interweaving of medicine, religion and magic produces a lot of meanings and concepts that show the complexity of the Greek thought of the Fifth century. In his tragedies, Sophocles shows his interest both in the magical and religious medicine and in the new Hippocratic medical science. The aim of this paper is to analyze the conceptual and lexical intertwining that reflects this interest, focusing on the character of Oedipus. In fact, Oedipus is the hero who best embodies this duplicity. At the beginning of the drama he assumes a rational investigation method through which he tries to discover Laius’ murderer and then to heal Thebes from the plague that afflicts it. However, his responsibility emerges during the tragedy; Oedipus’ fault has divine origin and makes him the first cause of the evil of the city. In the Oedipus at Colonus, Oedipus’ body is released from the contamination that had made him the origin of the plague and the hero’s body turns into a sort of magic amulet to protect the polis that will guard it when he will be dead.

  • Isis the immigrant and Roman toleration
    49–71
    Views:
    170

    In adopting a foreign cult, ancient Roman worshippers were not searching for a new religion to replace their old one, but rather seeking to expand the range of gods and practices at their disposal. They assumed that all traditional gods and religions were valid and effective. There was, therefore, an implicit toleration built into the system of ancient polytheism, and this was admired by the thinkers of the Enlightenment, though the Roman state never guaranteed freedom of worship. The cult of Isis was distasteful to the Roman élite, and the government often reacted brutally to particular actions by her worshippers. Nevertheless, her cult was always popular with the general public and the state never wished to abolish it, and eventually built a public temple to Isis. The worshippers of Isis tested the limits of Roman toleration and demonstrated its vitality.

  • How does a Goddess of the Earth became the Mistress of the Sea?
    35–48
    Views:
    184

    With the coming of the Ptolemaic dynasty to the Egyptian throne, the goddess Isis goes through a series of changes that will turn her into a very different divinity. This new Hellenistic or Greco-Roman Isis not only stands out for the degree of expansion attained throughout the Mediterranean world but also for displaying a series of attributes, among which we highlight one in particular: Her role as goddess of the Sea. This not only changed the attitude of her devotees but also entailed deeper ritual implications, festivities and iconographic motifs. There are innumerable variations that brought about her “metamorphosis” into a maritime deity, especially since this was one of the most popular facets of Isis that penetrated the Roman Empire.

  • The Gems in the Ustinow Collection, Museum of Cultural History, University of Oslo
    101-141
    Views:
    230

    Scientifically, the collection’s primary importance is its Middle-Eastern origin; collections of gemstones from the Middle East have rarely been published unlike those from European archaeological sites. Thus the possibility opens up to compare finds from the eastern and western parts of the Roman Empire with a focus on similarities and differences. While in the western provinces the gemstones typically spread during the era of the Roman Empire, in the eastern provinces the use of seals and gemstones goes back several thousand years. It follows that in the western regions, representations of the official themes of the age of the emperors, including the characteristic figures of gods of the state religion (Jupiter, Minerva, Mars, Venus Victrix), are the most common. In contrast, the eastern provinces saw the spread of representations of local gods (Zeus Ammon, Zeus Heliopolitanos, Sarapis) or the Hellenistic types of the Greek gods (Apollo Musagetes, Aphrodite Anadyomene, Hermes Psychopompos). However, there were figures of gods that were equally popular in both regions, such as Tyche–Fortuna, Nike–Victoria, Eros–Amor, Dionysos–Bacchus, Heracles–Hercules. Each of these became rather popular in the Hellenistic World, spreading basically spontaneously throughout the entire Roman Empire. There was a similar unity in the popularity of represenations of animals, too.
    The eastern region was, however, characterised by the relatively large number of magic gemstones. There is a piece among these which has no exact analogy (Cat. 69) and its analysis sheds new light on the previous interpretation of similar pieces. The popularity of magic gemstones is highlighted by the fact that some of their motifs became distorted beyond recognition in the popularisation process. Understandably, Sasanian gemstones and seals, which revived the Romans’ dying custom of sealing for some time, were also typical of the eastern regions. What is conspicuous is that the stone cameos (agate, sardonyx) so common in the western regions are completely missing from the collection, while there is a fair number of glass cameo pendants made in the eastern regions.
    From an educational and community cultural aspect, the significance of the Ustinow collection lies in the fact that it represents several historical and cultural eras between the fourth century B.C. and the fifth century A.D. for the benefit of the interested public, private collectors, and students of archaeology and the antiquities. The gemstones may be small, but the representations on them can be extraordinarily rich in meaning. With adequate enlargement and due professional expertise, which this catalogue aims to promote, all this information can come to life in front of us, allowing us a glimpse into the lives and thoughts of the citizens of a Mediterranean world two thousand years back.

  • De la Precatio Terrae y la Precatio omnium herbarum a un texto inacabado: las precationes herbarum de un recetario médico tardoantiguo
    167–192.
    Views:
    126

    The Curae herbarum is a late antique medical recipe book made up of 64 chapters; it is mostly based on a Latin translation of the De materia medica by Dioscorides. Chapters 1–32 always end with a precatio to the plant so that it ‘comes with all its healing powers’. The article argues for an erudite origin for the precationes of the Curae herbarum, which borrow epithets, phraseology, and verbs of entreaty from the Precatio Terrae and the Precatio omnium herbarum. Moreover, the study of internal references in the precationes demonstrates that they were written with the intention of being placed before the medical recipes, but, for unknown reasons, were instead copied at the end of the chapters without ever occupying the place they were intended for.

  • Women and Weasels: a Medico-religious Approach to Maternity in a Republican City of Lazio
    71–82.
    Views:
    117

    Medicine and magico-religious practices went hand in hand in Greco-Roman societies, because they attached enormous importance to divine manifestations. Insofar as the gods were present everywhere and in all circumstances, it was necessary to scrupulously respect the rituals which were practised in their honour. Without these rituals, peace with the gods could be disrupted. In the town of Palestrina (Lazio), a votive deposit was unearthed near the foundations of a sanctuary. It contained several effigies of Juno as well as eight very original little statuettes with the breasts of a woman but the body of a weasel. In addition, there were also weasel’s bones and metal keys. Even though it seems logical to think that the religious complex and these offerings were evoted to the goddess, it is more difficult, however, to understand the link between Juno and the different offerings. Why were they placed there and by whom?