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Henrik Finály and Roman Dacia: The Contributions of a 19th Century Hungarian Po-Lymath to the Development of Roman Provincial Archaeology in Transylvania
43-62.Views:156By any standards Henrik Finály was a true polymath, his overarching interests ranging from mathematics to classical studies, modern linguistics and literature, economics, medieval studies and archaeology. Although he was among the first Hungarian antiquarians to pursue systematic scholarly investigations of Roman Dacia, his contribution in this field has been unfairly downgraded in the intervening years, and his name almost erased from the research history of the province. The main goal of the paper is to provide a comprehensive insight into, and a critical overview of the early stages of Roman Dacia studies through the work of Henrik Finály in the social, political and cultural context of 19th century Transylvania.
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The Gems in the Ustinow Collection, Museum of Cultural History, University of Oslo
101-141Views:205Scientifically, the collection’s primary importance is its Middle-Eastern origin; collections of gemstones from the Middle East have rarely been published unlike those from European archaeological sites. Thus the possibility opens up to compare finds from the eastern and western parts of the Roman Empire with a focus on similarities and differences. While in the western provinces the gemstones typically spread during the era of the Roman Empire, in the eastern provinces the use of seals and gemstones goes back several thousand years. It follows that in the western regions, representations of the official themes of the age of the emperors, including the characteristic figures of gods of the state religion (Jupiter, Minerva, Mars, Venus Victrix), are the most common. In contrast, the eastern provinces saw the spread of representations of local gods (Zeus Ammon, Zeus Heliopolitanos, Sarapis) or the Hellenistic types of the Greek gods (Apollo Musagetes, Aphrodite Anadyomene, Hermes Psychopompos). However, there were figures of gods that were equally popular in both regions, such as Tyche–Fortuna, Nike–Victoria, Eros–Amor, Dionysos–Bacchus, Heracles–Hercules. Each of these became rather popular in the Hellenistic World, spreading basically spontaneously throughout the entire Roman Empire. There was a similar unity in the popularity of represenations of animals, too.
The eastern region was, however, characterised by the relatively large number of magic gemstones. There is a piece among these which has no exact analogy (Cat. 69) and its analysis sheds new light on the previous interpretation of similar pieces. The popularity of magic gemstones is highlighted by the fact that some of their motifs became distorted beyond recognition in the popularisation process. Understandably, Sasanian gemstones and seals, which revived the Romans’ dying custom of sealing for some time, were also typical of the eastern regions. What is conspicuous is that the stone cameos (agate, sardonyx) so common in the western regions are completely missing from the collection, while there is a fair number of glass cameo pendants made in the eastern regions.
From an educational and community cultural aspect, the significance of the Ustinow collection lies in the fact that it represents several historical and cultural eras between the fourth century B.C. and the fifth century A.D. for the benefit of the interested public, private collectors, and students of archaeology and the antiquities. The gemstones may be small, but the representations on them can be extraordinarily rich in meaning. With adequate enlargement and due professional expertise, which this catalogue aims to promote, all this information can come to life in front of us, allowing us a glimpse into the lives and thoughts of the citizens of a Mediterranean world two thousand years back. -
The Cup of Gaius Valerius Verdullus found at Arcobriga (Monreal de Ariza, Zaragoza)
63–68Views:75In this paper I present two fragments from a fine walled ceramic vase found in Arcobriga that are part of the production of Gaius Valerius Verdullus, and I advance some views regarding the restoration of the epigraphic text that characterizes it.
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From Grief to Superbia: the Myth of Niobe in Greek and Roman Funerary Art
281-296Views:207The Greek myth of Niobe was known in the ancient world both by literary sources and visual representations. Both in Ancient Greece and in Ancient Rome, the myth was represented, alongside a variety forms of art, in funerary art, but in a different manner during each period of time. In Ancient Greece, the myth was represented on Apulian and South Italian vases, portraying the finale scene of the myth: Niobe’s petrification. In Ancient Rome, a shift is visible: the portrayal of the scene of the killing of Niobe’s children on sarcophagi reliefs. The aim of this paper is to follow the iconography of each culture and to understand the reason for the shift in representation, while comparing the two main media forms.
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Minitrae Et Numini Eius. A Celtic Deity and the Vulgar Latin in Aquincum
179-193Views:143The subject of this paper is a curious and somewhat problematic inscription on an altar from Aquincum. Among the many features of this inscription that are interesting for our study, the most striking one is the beginning of the text: the name of the god or goddess is controversial. Who exactly was Minitra? A Celtic goddess, or someone much better known from Roman religious life? According to Géza Alföldy, the native gods of Pannonia were venerated still in the 3rd century A.D., including Teutates, Sedatus, Ciniaemus and Minitra, etc. Since the inscription in question contains many vulgar Latin phenomena, it becomes questionable whether the name of the deity is written correctly, especially because, while the names of classical gods rarely appear misspelled, the names of the gods of so-called ‘eastern’ cults and mystery religions appear in a number of faulty variations. I will try to identify the deity through the analysis of Vulgar Latin phenomena.
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King of Kings Ardashir I as Xerxes in the Late Antique Latin Sources
143-153Views:249The last ruler of the Severan dynasty, Emperor Severus Alexander had to face an entirely new threat in Mesopotamia, because in 224 AD the Parthian royal house of the Arsacids, which had ruled in the East for nearly half a millennium, was dethroned by the Neo-Persian Sasanian dynasty and the new rulers of Persia were extremely hostile to the Roman Empire. The vast majority of the late antique Latin sources (Aurelius Victor, Eutropius, Festus, Jerome, Orosius, Cassiodorus, Iordanes) call the first Sasanian monarch, Ardashir I (reigned 224–241 AD), who was at war with Rome between 231 and 233 AD, Xerxes, although the Greek equivalent of the Middle Persian name Ardashir is Artaxerxes, as used by the Greek sources. In the Latin textual tradition we can find the correct Greek name of Ardashir only in the Historia Augusta. The paper seeks answers to the question of why Ardashir was usually called Xerxes by late antique Latin sources.
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Linguistic Peculiarities in the Latin Inscriptions of Potaissa (Dacia)
37-60Views:143Around 200 inscriptions have been found at Potaissa so far. Some of them disappeared and their texts are known to us exclusively from publications, others are kept in museum collections. The subject of this study is their linguistic examination, by following the peculiarities and the deviations from the classical norms of the language. When possible, this data will be related to details on the donors, on the provenance of the epigraphs, on their type, and on other information that can contribute to shaping the cultural-linguistic profile of the Roman town.