Vol 51 (2015)

Published September 1, 2015

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Articles

Shields dropped
5–16
54
53
Die letzte Zeile der phrygischen Inschrift von Veziran
17–30

This paper provides a new grammatical and lexicographical analysis of the last line of the Phrygian inscription from Vezirhan based on its Greek version. As a by-product, the system of the medial verbs in Phrygian is also discussed.

16
29
The Question of Life and Death by Cicero and Macrobius
31–41

To Cicero’s Somnium Scipionis Macrobius prepared a Neoplatonic commentary in Late Antiquity. On the grounds of these two works and Cicero’s other political or philosophical writings and letters this study seeks an answer to the question what similarities and differences can be demonstrated between the two authors’ way of thinking as regar...ds the nature of the virtues, the issue of vita activa and vita contemplativa, the meaning of life and the necessity of voluntary death.

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17
23
Quis est nam ludus in undis? (Virgil, Eclogue IX 39-43)
43–58

The undis-acrostic that has recently been discovered in Eclogue IX 34-38 has proved problematic. The present article argues that the acrostic’s point is the etymology of litus as the place where these “waves” do not “play” (39: ludus), but “strike” (43: feriant for synonymous but exceed...ingly scarce lidant). This acrostic is accordingly hot-potato politics, since it pertains to the land confiscations round Virgil’s “wave”-begirt Mantua. The poet also provides endorsement in the form of an unidentified onomastic.

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30
44
Phaedras Brief an Hippolytus: Ovids Brief (Her. 4) in der römischen bildenden Kunst
59–75

Euripides has Paedra write a letter to Theseus in which she accuses Hippolytus of raping her. In the Heroides, Ovid has Phaedra write a letter to Hippolytus which describes her burning love for the young man. In Roman visual arts the story is usually depicted as a nurse handing over a letter to Hippolytus, which he declines. It seems obvious to... identify this letter with the one composed by Ovid, i.e., it is this letter that found its way into the visual arts. The contents of the love letter gradually overshadowed the tragic outcome of the story: they represented endless spousal love in sepulchral art.

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31
29 0
When elephants weap.: Plin., Nat. 8, 20-21
75–88

The literature of classical antiquity has lost much of its attraction, and the circle of its possible readers has been narrowed significantly. Even in literary criticism that reaches beyond classical philology, its position has dwindled to a source of motifs, topics, archetypes, and we clearly lack such interpretations as would present ancient ...literature from an angle that would appeal to the readers of our age. This paper is devoted to an analysis of the 20th and the 21st chapters of the zoological part (book 8) of Pliny the Elder’s Naturalis Historia. Through a comparative interpretation that is attentive to the cultural-medial aspects of the textual locus, the essay provides a paradigm for uncovering the meaning – which would appeal to readers in the 21st century – in ancient texts with the help of different methodological perspectives, in this case the simultaneous application of narratological and comparative approaches.

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26
29
Bemerkungen zur öffentlichen Sklaverei in Pannonien
89–99

The monograph of Alexander Weiß on public slavery in the cities of the Roman Empire based on Greek and Latin inscriptions shed light on the role and functions of the public slaves, arguing that they had a much larger role in the administration of the provincial cities than previously thought. Weiß intended to collect all epigraphical data on ...public slavery, although he could not study some smaller corpora in Pannonia, like IlJug or the Corpus of Greek inscriptions found in Pannonia (CIGP). A new collection of inscriptions from Aquincum (Tituli Aquincenses) and new inscriptions offer a great opportunity to reexamine the epigraphical data of Pannonia on public slavery, and examine whether the public slaves of Pannonia fit into the administrative categories listed by Weiß, or might reveal new functions.

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28
40
Ito Pater, Eracura and the Messenger: A Preliminary Report on a Curse Tablet from Aquincum
101–113

This paper publishes a new curse tablet from Aquincum. While the letter-forms are well-preserved, the text requires interpretion through linguistic analysis aided by analogies with other curse tablets and literary sources.

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Apollo Propugnator, Diana Victrix: Erscheint die Militär und Siegesthematik bei den Darstellungen der Götter Apollo und Diana in der Münzprägung der Zeit der Soldatenkaiser (235-284/285 n. Chr.)?
115–134

The figures of Diana and Apollo are frequently represented in Roman coinage. Such is the case in the soldier-emperors’ era, when one finds different representations of them both. They are depicted in various poses with altered attributes, while the gods are often named differently in the legend on the reverse. My article focuses on those type...s where the gods are not only displayed with weapons (bow and arrow) but also with legends connected with fighting and winning: Apollo Propugnator, Diana Victrix. I took a closer look at the figure of Diana and realised that she is represented as the goddess of hunting: she does not fight but protects hunters and ensures the success of hunting. The Apollo Propugnator type is a version known from the local coinage of Eastern Greek cities; this type is appropriated temporarily by imperial propaganda, but does not have an enduring role. In the cases of Diana and Apollo the military theme is impermanent and secondary; nor does it have an important impact.

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The Lombars' Move into Italy
135–144

The present study disputes stereotypes in historical scholarship related to the Lombards’ move into Italy and takes a position contrary to those common views. It calls into question the idea that the Lombards entered Italy as ruthless conquerors and holds the view that they moved into Italy from Pannonia not unlike the foederati in the late R...oman Empire on the basis of an agreement concluded with the Romans. The author disputes the idea that King Alboin set out on this journey together with all his people in a single move in the spring of 568, and maintains on the grounds of various logistical considerations that the Lombards migrated to Italy in a number of groupings (so-called farae) stretched over a longer period of time and along diverse routes.

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