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  • Language Registers’ Variety and its Implementation in the Commentary Novel The True History of “The Green Musicians”
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    209

    The paper examines the tools and techniques Yevgeny Popov uses in his commentary novel The True History of “The Green Musicians", combining various styles and types of speech, thereby assembling a diverse linguistic picture of the Soviet era. Popov destroys the myth created by Soviet ideology and propaganda about the people supporting the government, emphasizing that the people expressed their true attitude towards the Soviet regime through adages, ditties and other genres of folklore. Gathering a broad collection of poems and proverbs, slang and officialese, examples of censorship and self-censorship, the writer gives his assessment of the Soviet totalitarian regime. Implementing a complex system of 888 notes to his early unpublished text, Popov also protests against the totalitarianism of the linear text, thus expressing his position not only at the thematic level of the novel, but also at the level of the novel’s form.

  • Censor Nikolay Ratynsky’s Role in Russian Journalism of the Second Half of the 19th Century
    12 p.
    Views:
    172

    Recently, the political climate in Russia has caused the question of censorship to become
    an increasingly relevant issue, the history of which is necessary to explore and understand.
    The prevailing view regarding censorship is that it is a tool used to suppress the freedom of
    speech by stifling the writer’s thoughts. However, there were some eminent censors such as
    the poet Fyodor Tyutchev and the writer Ivan Goncharov. In this regard, it has become commont
    to consider censorship isolated from any moral categories and interpret g it only as a
    professional activity. In this context, the work of the censor Nikolai Ratynsky is of particular
    interest to us. Until now, little has been published on his influence as a censor on the writers
    of his time on the high professional level of his work in this capacity. Most of the corrections
    Ratynsky made were valid and justified by the political situation in the Russian Empire. He
    himself is further proof that, along with Tyutchev and Goncharov, there were honorable and
    qualified men among the censors of the time. All this allows us to claim that it is necessary
    to objectively consider and study the work of censors and ignor preconceptions and stereotypes
    that are usually associated with the word censor.