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Between Mystery and Riddle: From Narrative Strategy to Literary Genre
9 p.Views:127In the paper a difference is made between the mysterious and the enigmatic as fundamentally
different narrative and genre strategies. The first is typical of the so-called novelmystery
or the novel-myth, charcterized by the concept of impossible rational comprehension
of the mystery explained by the plot. The second represents a vast field of criminal literature,
where the plot is dependent on a riddle that has a pre-given answer. The differences between
these two types of novels are manifested at all the main levels of poetics, especially in the
specific traits of the subject-oriented organization. However, the paper shows that the general
strategy of the mysterious is also implemented through different moods in different criminal
genres such as classic detective stories, the police novel, the “adventurous investigation”, and
the “victim-centered investigation”. Thus, we can conclude that the mystery and the riddle
can reassemble genre constructive strategies not minus then narrative. -
From the Classic Novel to the Crime Novel: A Genre Paradigm Shift in Artistic Reception
Views:68The article deals with the cases of classical works completion, in which their genre nature undergoes a change. The texts are transferred from the sphere of high literature to the low one, as the continuing of the plot with the criminal line becomes the main method. The material for the analysis is “The very same Tatiana” by A. and S. Litvinovs, as well as the novel “Death Comes to Pemberley” by P.D. James. I show that one of the most relevant genres in this change of genre paradigm is “by victim investigation”, which allows to retain some recognizable items of the classic primary source.
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Angelika Molnar: Text, Genre, Word: Studies in Russian literature of the 19th–21st centuries. Moscow, Azbukovnik 2022, 424 pp. ISBN 978-5-91172-221-0
Views:181This review contains a critical analysis of Angelika Molnar's new book, her monograph entitled Text, genre, word: Studies in the Russian literature of the 19th-21st centuries is devoted to various texts of different eras from Pushkin’s to Sorokin’s, however, the focus of the study is Molnár's favorite Russian writer, Goncharov, whose work, unfortunately, rarely attracts the attention of Western researchers. In Molnár's book, the main, clearly indicated methodological principle is discursive poetics, which works well when studying intertexts within the framework of both large and small literary and historical series. Therefore, Russian literature is considered by the researcher as a single text in which the "old" is updated by the "new". The review emphasizes the significance of the monograph, which first of all offers an up-to-date interpretationof Russian classics in the context of modernity. The book will be of interest both to a professional researcher of Russian literature and to everyone who is interested in Russian culture and the Russian worldview.
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Russian literary history for advanced readers, with plenty of textual illustrations: Lukyanova, I.: Once upon a time there was Russian literature: From Ancient Rus' to the XX century. Publishing House AST.2023. Moscow. Pp. 348. ISBN 978-5-17-154945-9
Views:24Lukyanova's book was published in 2023. The author is a journalist who studies Russian literature and its history, and reviews it in a rather unique way. The purpose of the review is to determine what genre Lukyanova's book can be classified as, and to find out what its uniqueness is manifested in.
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S. S. Bobrov’s Ode "The Kingdom of Universal Love": Erotogenesis and Phenomenology of Love (1785)
Views:168Among the genre concepts of Love formed in the poetry of the 18th century (erotic-political myth about the love of monarchs in an epithalamic ode; triumph of flesh and physiology in priapic ode; hedonism in anacreontic ode) a special place is occupied by the concept of historiosophical ode. In one of the works of this genre – «The Kingdom of Total Love» by S. S. Bobrov – an attempt was made to combine Eros and History. The ideas of Bobrov, a freemason poet, about the origin of Love go back to the myths of various genesis. Another idea was that Love brings light and harmony to non-living nature, and living nature is completely submitted to the Law of Love – the Law of the continuation of Life. In general, Love appears in Bobrov's historiosophical ode as a harmonizing cosmic force.
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Between Cyborg and Larva: A Vicious Circle That Human Beings Experience in the Post-humanist Era
8 p.Views:185The article reveals the reasons for and specific features of the transition to the posthumanist
era. The author of the study reviews the criticism of classical humanism and analyzes
the relationship between the concepts of "trans-humanism" and "post-humanism." In a
situation in which a permanent identity is impossible and people move to a “current” “unstable”
identity, the Imaginary becomes the main guideline for the self-identification process.
Human beings are unable to cope with the challenges of our time and are aware of their own
inferiority. That is why they are trying to improve themselves through the available body
modifications. However, this process gives them a new panic attack over the potential loss
of control over the body. Analyzing these processes, the author turns to the most controversial
and specific phenomenon of popular culture – "body horror". This genre reveals the deep
layers of consciousness, fears and insecurity of human beings in the post-humanist era. -
Novel-Commentary as a Method of Rethinking the Past and a Form of Authorial Reflection (on the Basis of E. Popov’s „The Real Story of the 'Green Musicians’”)
Views:254The article shows how the genre of the novel-commentary by E. Popov «The Real Story of the Green Musicians” allows the author to evaluate his short story, “The Green Musicians”, written 20 years earlier, on the one hand,and to characterize the entire Soviet epoch, on the other. The pretext commented on, serves as a typical text of the Soviet era, written under the influence of that period: the short story is an excellent example of the review of the Soviet times, while the commentary functions as an independent artistic element of the novel. Also, the article offers a classification of a complex and interconnected system of post-textual notes, which are conditionally divided into several levels. Each level of the commentaries serves Popov’s goal of expressing his attitude towards the Soviet nomenclature, which is the underlying theme of his work.
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Scientists in Lyudmila Ulitskaya’s Novels
Views:105This study focuses on a characteristic type of hero in Ulitskaya’s works and analyses the image of the scientist heroes and their poetic functions in three of the author’s novels (The Kukotsky Enigma, The Big Green Tent and Jacob’s Ladder). These heroes represent a special kind of syncretic thinking. Firstly, in their conversations and debatesthe genre code of the Socratic dialogue is activated, as Mikhail Bakhtin described it in connection with the development of the polyphonic novel. Secondly, these heroes, who always appear in pairs, invoke the duo of Don Quixote and Sancho Panza, as well as certain characteristics of “Quixotism”, which has a central role in the critique of the role that intellectuals have played in Russian culture. It is against the above background that the role of 20th-century intellectuals gains a new interpretation in Ulitskaya’s three novels.
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Nowe dwudziestolecie (1989–2009). Rozpoznania, hierarchie, perspektywy [The New Twenties (1989-2009): Recognitions, Hierarchies, Perspectives]. Ed. by Hanna Gosk. Warsaw: Dom Wydawniczy Elipsa, p. 530, ISBN 978-83-7151-873-7
Views:48The volume Nowe dwudziestolecie (1989-2009): Rozpoznania, hierarchie, perspektywy [The new twenties (1989-2009): Recognitions, hierarchies, perspectives] reflects on the twenty years of Polish literature and literary change between 1989 and 2009, and compares and contrasts this period with the twenty years between the two world wars. The two twenty-year periods are linked by the fact that their starting point is associated with a date of immense importance for Polish history: 1918 is the year when Poland was returned on the map of Europe, and 1989 is also the year of the change of regime in Poland. The period between the two world wars is also regarded as a separate period in Polish literary history, while the second twenty years covered in this volume are questionable as a literary unit, a question which the essays in this book seek to answer. The volume is divided into three large sections, the first focusing primarily on theory, the second on Polish characteristics and themes that characterised Polish literature after 1989, and the third large section on the genre characteristics that have characterised Polish literature since the fall of communism to this day but were also important between the two world wars.
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Aglaya Returns Home, The Mystery of The Apocryph of Aglaia. Ed. by Elena Kozmina. INTMEDIA, Yekaterinburg 2020, 231 pp. ISBN 978-5-6040560-8-0
Views:103This collection of studies is a unique example of a collective monograph written by Russian, Polish and Hungarian scholars on a contemporary Polish literary work. The novel by Jerzy Sosnowski entitled Aglaia’s Apocrypha is an ideal subject of analysis because of its complicated narrative structure, multilevel composition and genre complexity. The authors of the studies describe the connections between the storytellers and the author, define the context of the novel both in high and popularculture. Some of them represent the best traditions of Russian poetics of prose. Jerzy Sosnowski began his career as a literary critic and literary historian, he was an influential interpreter and promoter of the new tendencies in the Polish literature of the eighties.When he became a prosewriter, he followed the new aesthetic trend of Polish postmodernism. Jerzy Sosnowski as the author of a novel written about an erotic cyborg, its/her admirer and the operator was a forerunner of posthumanism.